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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Bibliography_%281996%29</id>
	<title>Bibliography (1996) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Bibliography_%281996%29"/>
	<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;action=history"/>
	<updated>2026-06-20T06:06:02Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.38.2</generator>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=64225&amp;oldid=prev</id>
		<title>Tony at 12:37, 1 November 2023</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=64225&amp;oldid=prev"/>
		<updated>2023-11-01T12:37:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:37, 1 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot;&gt;Line 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Brener, Milton E, 1930- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Brener, Milton E&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;, 1930- (author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/8|A most unusual triangle}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/8|A most unusual triangle}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=64188&amp;oldid=prev</id>
		<title>Tony: Omitted &quot;1923&quot; to avoid repetition</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=64188&amp;oldid=prev"/>
		<updated>2023-10-30T14:05:59Z</updated>

		<summary type="html">&lt;p&gt;Omitted &amp;quot;1923&amp;quot; to avoid repetition&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:05, 30 October 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l66&quot;&gt;Line 66:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 66:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Craft, Robert Lawson, 1923-2015&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 1923- &lt;/del&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Craft, Robert Lawson, 1923-2015 (author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/13|Love in a cold climate}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/13|Love in a cold climate}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l96&quot;&gt;Line 96:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 96:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Freeman, John W, 1928- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Freeman, John W&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;, 1928- (author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/18|Pyotr Ilyich Tchaikovsky. Play by play [book review]}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/18|Pyotr Ilyich Tchaikovsky. Play by play [book review]}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l126&quot;&gt;Line 126:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 126:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Polish&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Polish&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Hiltner-Hennenberg, Beate&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Hiltner-Hennenberg, Beate (author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/24|Tschaikowsky aus der Nähe [book review]}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/24|Tschaikowsky aus der Nähe [book review]}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l141&quot;&gt;Line 141:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 141:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Jackson, Timothy L, 1958- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Jackson, Timothy L&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;, 1958- (author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/27|The Tragic reversed recapitulation in the German classical tradition}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/27|The Tragic reversed recapitulation in the German classical tradition}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l281&quot;&gt;Line 281:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 281:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English and Russian&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English and Russian&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Morton, M (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Morton, M&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/55|Andante cantabile, Op. 11 by Peter Ilyich Tchaikovsky. Transcribed for double bass and piano by Yuri Golubev}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/55|Andante cantabile, Op. 11 by Peter Ilyich Tchaikovsky. Transcribed for double bass and piano by Yuri Golubev}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=64133&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Holden, Anthony, 1947-&quot; to &quot;Holden, Anthony, 1947-2023&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=64133&amp;oldid=prev"/>
		<updated>2023-10-28T21:55:52Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Holden, Anthony, 1947-&amp;quot; to &amp;quot;Holden, Anthony, 1947-2023&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:55, 28 October 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l136&quot;&gt;Line 136:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 136:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/26|Tchaikovsky. A biography}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1996/26|Tchaikovsky. A biography}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Book&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Book&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=49448&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=49448&amp;oldid=prev"/>
		<updated>2022-07-12T12:35:53Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:35, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=49447&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Döring, Tobias&quot; to &quot;Döring, Tobias, 1965-&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1996)&amp;diff=49447&amp;oldid=prev"/>
		<updated>2021-05-07T22:02:13Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Döring, Tobias&amp;quot; to &amp;quot;Döring, Tobias, 1965-&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{bibhead|1990}}&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; width=&amp;quot;99%&amp;quot;&lt;br /&gt;
! width=35%|Contributor&lt;br /&gt;
! width=55%|Title&lt;br /&gt;
! width=10%|Format&lt;br /&gt;
! width=10%|Language&lt;br /&gt;
|-&lt;br /&gt;
| Abel, Jørg Michael, 1955- (author)&lt;br /&gt;
| {{bib|1996/1|Peter Tschaikowski und seine 1. Sinfonie g-Moll}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Allison, John, 1965- (author)&lt;br /&gt;
| {{bib|1996/2|Tchaikovsky and his Enchantress}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Barinova, L. N. (author)&lt;br /&gt;
| {{bib|1996/3|Работа К. С. Станиславского над оперой Евгений Онегин. Оперная студия Большого театра, 1922 год}}&lt;br /&gt;
| Dissertation&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Belova, Irina Ivanovna (author)&lt;br /&gt;
| {{bib|1996/4|Поклон тем, кто творит красоту}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Bobéth, Marek, 1935-2012 (author)&amp;lt;br/&amp;gt;Massenkeil, Günther, 1926-2014 (editor)&amp;lt;br/&amp;gt;Noltensmeier, Ralf, 1967- (editor)&lt;br /&gt;
| {{bib|1996/5|Tschaikowsky, Piotr (Peter) Iljtch}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Bøksle, Eivind, 1950- (author)&lt;br /&gt;
| {{bib|1996/6|Peter Tschaikowskij. Eugen Onegin}}&lt;br /&gt;
| Article&lt;br /&gt;
| Norwegian&lt;br /&gt;
|-&lt;br /&gt;
| Bowen, José Antonino, 1962- (author)&lt;br /&gt;
| {{bib|1996/7|Tempo, duration and flexibility. Techniques in the analysis of performance}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Brener, Milton E, 1930- (author)&lt;br /&gt;
| {{bib|1996/8|A most unusual triangle}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Brown, David, 1929-2014 (author)&lt;br /&gt;
| {{bib|1996/9|The Concerto in pre-revolutionary Russia}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Brown, David, 1929-2014 (editor)&amp;lt;br/&amp;gt;Döring, Tobias, 1965- (translator)&lt;br /&gt;
| {{bib|1996/10|Peter I. Tschaikowsky im Spiegel seiner Zeit}}&lt;br /&gt;
| Book&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Bruce, D. (author)&lt;br /&gt;
| {{bib|1996/11|Source and sorcery}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Buhler, James, 1964- (author)&lt;br /&gt;
| {{bib|1996/12|Informal music analysis. A critique of formalism, semiology, and narratology as discourses on music}}&lt;br /&gt;
| Dissertation&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Craft, Robert Lawson, 1923-2015, 1923- (author)&lt;br /&gt;
| {{bib|1996/13|Love in a cold climate}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Dammann, Susanne, 1960- (author)&lt;br /&gt;
| {{bib|1996/14|Gattung und Einzelwerk im symphonischen Frühwerk Čajkovskijs}}&lt;br /&gt;
| Dissertation&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Dobrovolskaya, Galina Nikolayevna, 1934- (author)&lt;br /&gt;
| {{bib|1996/15|Щелкунчик}}&lt;br /&gt;
| Book&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Fallowell, Duncan, 1948- (author)&lt;br /&gt;
| {{bib|1996/16|Tchaikovsky&amp;#039;s last days. A documentary study [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Fernandez, Dominique, 1929-2007 (author)&lt;br /&gt;
| {{bib|1996/17|Tribunal d&amp;#039;honneur}}&lt;br /&gt;
| Book&lt;br /&gt;
| French&lt;br /&gt;
|-&lt;br /&gt;
| Findeyzen, Nikolay Fyodorovich, 1868-1928 (author)&amp;lt;br/&amp;gt;Poznansky, Alexander, 1950- (translator)&lt;br /&gt;
| {{bib|1996/76|Nikolai Findeyzen}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Freeman, John W, 1928- (author)&lt;br /&gt;
| {{bib|1996/18|Pyotr Ilyich Tchaikovsky. Play by play [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Greenfield, Edward Harry, 1928-2015 (author)&lt;br /&gt;
| {{bib|1996/19|Building a library. Tchaikovsky&amp;#039;s Piano Concerto No. 1}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Greenfield, Edward Harry, 1928-2015 (compiler)&amp;lt;br/&amp;gt;Layton, Robert, 1930- (compiler)&amp;lt;br/&amp;gt;March, Ivan, 1928-2018 (editor)&lt;br /&gt;
| {{bib|1996/20|Tchaikovsky, Peter (1840-93)}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Grönke, Kadja (author)&lt;br /&gt;
| {{bib|1996/21|Tschaikowsky aus der Nähe [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Hanson, Lawrence (author)&lt;br /&gt;
| {{bib|1996/22|Pyotr Ilyich Tchaikovsky. Play by play [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Hauser, Zbigniew (author)&lt;br /&gt;
| {{bib|1996/23|Czajkowski na Ukrainie}}&lt;br /&gt;
| Article&lt;br /&gt;
| Polish&lt;br /&gt;
|-&lt;br /&gt;
| Hiltner-Hennenberg, Beate. (author)&lt;br /&gt;
| {{bib|1996/24|Tschaikowsky aus der Nähe [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Hirsch, A. (author)&lt;br /&gt;
| {{bib|1996/25|Tchaikovsky. A biography [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Holden, Anthony, 1947- (author)&lt;br /&gt;
| {{bib|1996/26|Tchaikovsky. A biography}}&lt;br /&gt;
| Book&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Jackson, Timothy L, 1958- (author)&lt;br /&gt;
| {{bib|1996/27|The Tragic reversed recapitulation in the German classical tradition}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Kamien, Roger, 1934- (author)&lt;br /&gt;
| {{bib|1996/28|Peter IlyIch Tchaikovsky}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Kański, Józef, 1928- (author)&lt;br /&gt;
| {{bib|1996/29|Mazeppa}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Karlinsky, Simon, 1924-2009 (author)&lt;br /&gt;
| {{bib|1996/30|Tchaikovsky and unholy alliance}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Karp, Poel Meerovich (author)&lt;br /&gt;
| {{bib|1996/31|Спасительное естество}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Kearney, Leslie (author)&lt;br /&gt;
| {{bib|1996/32|Internationales Čajkovskij Symposium, Tübingen 1993. Bericht [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Khokhlov, Yury Nikolayevich (author)&amp;lt;br/&amp;gt;Kholopov, Yury Nikolayevich, 1932-2003 (editor)&amp;lt;br/&amp;gt;Nikolskaya, Inna Innokentyevna (editor)&lt;br /&gt;
| {{bib|1996/33|Бетховен или Чайковский?}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Kirchberg, Klaus (author)&lt;br /&gt;
| {{bib|1996/34|Tschaikowsky aus der Nähe [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Kneiss, Ursula (author)&lt;br /&gt;
| {{bib|1996/35|Schwanenkönigen}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Koegler, Horst, 1927-2012 (author)&lt;br /&gt;
| {{bib|1996/36|Ein Amerikanischer mythos. Zum Nussnacker-kult in Nordamerika}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Kohlhase, Thomas, 1941- (author)&lt;br /&gt;
| {{bib|1996/37|Einführungen in ausgewählte Werke Petr Il?ič Čajkovskijs}}&lt;br /&gt;
| Book&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Kohlhase, Thomas, 1941- (compiler)&lt;br /&gt;
| {{bib|1996/38|Schlagworte, Tendenzen und Texte zur frühen Čajkovskijs-Rezeption in Deutschland und Österreich}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Koolbergen, Jeroen (author)&lt;br /&gt;
| {{bib|1996/39|Tchaikovsky. 1840-1893}}&lt;br /&gt;
| Book&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Kuzma, Marika (author)&lt;br /&gt;
| {{bib|1996/40|Bortniansky á la Bortniansky. An examination of the sources of Dmitry Bortniansky&amp;#039;s choral concertos}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Leusskaya, L. (author)&lt;br /&gt;
| {{bib|1996/41|Пошла с молотка квартира, где жил Чайковский, какая следующая}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Libbey, Theodore, 1951- (author)&lt;br /&gt;
| {{bib|1996/42|Tchaikovsky. A biography [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Libbey, Theodore, 1951- (author)&lt;br /&gt;
| {{bib|1996/43|Unheard melodies}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Lischke, André, 1952- (compiler)&lt;br /&gt;
| {{bib|1996/44|Tchaikovski au miroir de ses écrits}}&lt;br /&gt;
| Book&lt;br /&gt;
| French&lt;br /&gt;
|-&lt;br /&gt;
| Lobanova, Marina Nikolayevna (author)&lt;br /&gt;
| {{bib|1996/45|Drei, Sieben, As. Zu der Opera Pique Dame von Pjotr Iljitsch Čajkovskij = Reflections on Tchaikovsky&amp;#039;s opera The Queen of Spades}}&lt;br /&gt;
| Article&lt;br /&gt;
| German and English&lt;br /&gt;
|-&lt;br /&gt;
| Magrath, J. (author)&lt;br /&gt;
| {{bib|1996/46|New music reviews. Peter Ilyich Tchaikovsky, Twelve Pieces for Piano, Op. 40}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| McGee, Timothy James, 1936- (author)&lt;br /&gt;
| {{bib|1996/47|Tchaikovsky. A biography [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| McGee, Timothy James, 1936- (author)&lt;br /&gt;
| {{bib|1996/48|Tchaikovsky&amp;#039;s last days. A documentary study [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Melikyants, Georgy Georgievich, 1928-2007 (author)&lt;br /&gt;
| {{bib|1996/49|Лебединое озеро без черного лебедя и без белого тоже}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Merlin, C. (author)&lt;br /&gt;
| {{bib|1996/50|Pique Dame}}&lt;br /&gt;
| Article&lt;br /&gt;
| French&lt;br /&gt;
|-&lt;br /&gt;
| Meyendorff, Paul, 1950- (author)&lt;br /&gt;
| {{bib|1996/51|Russian liturgical worship}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Molinari, Guido, 1958- (author)&lt;br /&gt;
| {{bib|1996/52|Anton Bruckner e la Sinfonia del secondo Ottocento}}&lt;br /&gt;
| Article&lt;br /&gt;
| Italian&lt;br /&gt;
|-&lt;br /&gt;
| Morosan, Vladimir Petrovich, 1951- (author)&lt;br /&gt;
| {{bib|1996/53|The Sacred choral works of Peter Tchaikovsky}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Morosan, Vladimir Petrovich, 1951- (editor)&lt;br /&gt;
| {{bib|1996/54|The Complete sacred choral works}}&lt;br /&gt;
| Book&lt;br /&gt;
| English and Russian&lt;br /&gt;
|-&lt;br /&gt;
| Morton, M (author)&lt;br /&gt;
| {{bib|1996/55|Andante cantabile, Op. 11 by Peter Ilyich Tchaikovsky. Transcribed for double bass and piano by Yuri Golubev}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Nesmelova, S. (author)&lt;br /&gt;
| {{bib|1996/56|Жена композитор}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Parin, Aleksey Vasilyevich, 1944- (author)&lt;br /&gt;
| {{bib|1996/57|Мазепа. Историческое лицо, литературный герои, политический символ}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Ponomarev, O. (author)&lt;br /&gt;
| {{bib|1996/58|Чайковского постигла судьба Сократа?}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Poznansky, Alexander, 1950- (author)&lt;br /&gt;
| {{bib|1996/59|Tchaikovsky&amp;#039;s last days. A documentary study}}&lt;br /&gt;
| Book&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Poznansky, Alexander, 1950- (translator)&lt;br /&gt;
| {{bib|1996/77|Music and life}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Poznansky, Alexander, 1950- (author)&amp;lt;br/&amp;gt;Sumerkin, Aleksandr Yevgenyevich, 1943-2006 (editor)&lt;br /&gt;
| {{bib|1996/60|Главы из книги Гений чувства. Жизнь и смерть П. И. Чайковского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Rzehulka, Bernhard, 1951- (author)&amp;lt;br/&amp;gt;Bürgers, Irmelin, 1958- (editor)&amp;lt;br/&amp;gt;Csampai, Attila, 1949- (editor)&amp;lt;br/&amp;gt;Holland, Dietmar, 1949- (editor)&lt;br /&gt;
| {{bib|1996/61|Pjotr Iljitsch Tschaikowsky}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Schick, Hartmut, 1960- (author)&amp;lt;br/&amp;gt;Beveridge, David R. (editor)&lt;br /&gt;
| {{bib|1996/62|Dvořák&amp;#039;s Eighth Symphony. A response to Tchaikovsky?}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Scott, M. (author)&lt;br /&gt;
| {{bib|1996/63|Tchaikovsky&amp;#039;s last days. A documentary study [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Shpinitskaya, Yu. N. (author)&amp;lt;br/&amp;gt;Yuzhak, Kira Iosifovna (editor)&lt;br /&gt;
| {{bib|1996/64|О национальных традициях в скрипичных концертах Чайковского и Глазунова}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Skobtsova, Zh. G. (author)&lt;br /&gt;
| {{bib|1996/65|Преломление бытовых жанров в камерно-вокальном творчестве П. И. Чайковского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Tanner, Michael (author)&lt;br /&gt;
| {{bib|1996/66|When the lily needs gilding}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Turner, Barrie Carson, 1951- (author)&lt;br /&gt;
| {{bib|1996/67|The Living violin}}&lt;br /&gt;
| Book&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Vogelaar, P. W. (author)&lt;br /&gt;
| {{bib|1996/68|The Agony of Peter Ilyich Tchaikovsky}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Weid, J.-N. Von Der (author)&lt;br /&gt;
| {{bib|1996/69|Le Paroxysme au pied de la lettre}}&lt;br /&gt;
| Article&lt;br /&gt;
| French&lt;br /&gt;
|-&lt;br /&gt;
| Yermolayeva, Tatyana Nikolayevna (author)&amp;lt;br/&amp;gt;Yuzhak, Kira Iosifovna (editor)&lt;br /&gt;
| {{bib|1996/70|Взгляд на Бурю А. К. Глазунова и П. И. Чайковского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1996/71|P. I. Tschaikowskys Russischer Tanz im Bellini-Album 1885}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1996/72|Reviewed in brief. Tebe poyem (We hymn thee), Peter Tchaikovsky, P. Chesnokov (arranger)}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1996/73|Tschaikowsky aus der Nähe [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1996/74|Zwei neue Čajkovskijs-Publikationsreihen}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1996/75|Чайковский в Клину}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
[[Category:Bibliography]]&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
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