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<p><b>New page</b></p><div><includeonly>Tchaikovsky and his contemporaries. A centennial symposium</includeonly><noinclude> {{bibitem |id=1999/74 |Contributors=Mihailovic, Alexandar (editor) |Title=Tchaikovsky and his contemporaries. A centennial symposium |Imprint=Westport, Connecticut : Greenwood Press, 1999 |Extent=432 p. ; music ; illus. |Standard=ISBN 031330825X |Series=Contributions to the study of music and dance (49) |Format=Book |Language=English |Notes=Papers read at the conference held at Hofstra University, 7-9 October 1993 |Contents={{bib|1999/73|Tchaikovsky as our contemporary}} (p. 1-14) —{{bib|1999/111|Tchaikovsky. A new view. A centennial essay}} (p. 17-60) —{{bib|1999/14|Tchaikovsky and his music in Anglo-American criticism, 1890s-1950s}} (p. 61-74) —{{bib|1999/92|The Tchaikovsky myths. A critical reassessment}} (p. 75-91) —{{bib|1999/5|Tchaikovsky and Wagner. A reassessment}} (p. 95-116) —{{bib|1999/60|A Comparison of rhythmic structures in the instrumental music of Schumann and Tchaikovsky}} (p. 117-128) —{{bib|1999/46|Truth vs. beauty. Comparative text settings by Musorgsky and Tchaikovsky}} (p. 129-135) —{{bib|1999/27|Culture and nationalism. Tchaikovsky's visions of Russia in The Oprichnik}} (p. 139-146) —{{bib|1999/109|The Intrigue of love and illusion in Tchaikovsky's The Oprichnik}} (p. 147-154) —{{bib|1999/17|Tchaikovsky's Eugene Onegin. Tatiana and Lensky, the third couple}} (p. 157-166) —{{bib|1999/81|But was my Eugene happy? Musical and dramatic tensions in Eugene Onegin}} (p. 167-176) —{{bib|1999/83|Musical historicism in The Queen of Spades}} (p. 177-185) —{{bib|1999/21|Tchaikovsky's roots in the Russian choral tradition}} (p. 189-196) —{{bib|1999/78|A Stranger in a strange land Tchaikovsky as a composer of church music}} (p. 197-226) —{{bib|1999/88|Tchaikovsky, the Tsars, and the Tsarist national anthem}} (p. 227-233) —{{bib|1999/67|Tchaikovsky. The love that dare not speak its name}} (p. 237-244) —{{bib|1999/89|The Image of the composer in Modest Tchaikovsky's play The Symphony}} (p. 245-250) —{{bib|1999/61|Exploding the romantic myth. Ken Russell's The Music Lovers}} (p. 251-260) —{{bib|1999/127|Biographical issues in Tchaikovsky scholarship}} (p. 263-273) —{{bib|1999/135|Tchaikovsky in American and Russian musical education}} (p. 275-294) —{{bib|1999/137|Tchaikovsky's ballets. Interpretation and performance}} (p. 295-312) — Musical examples (p. 315-368) — Conference Program (p. 371-402) |Reviews={{bib|2000/14|Tchaikovsky and his contemporaries. A centennial symposium [book review]}} (2000)<br/>{{bib|2002/15|Tchaikovsky and his contemporaries. A centennial symposium [book review]}} (2002) }} [[Category:Bibliography (1999)]] {{DEFAULTSORT:Bibliography (1999/074)}}</noinclude></div>Brett