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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_3266</id>
	<title>Letter 3266 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_3266"/>
	<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;action=history"/>
	<updated>2026-04-26T03:18:48Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=70518&amp;oldid=prev</id>
		<title>Tony: &quot;constricted&quot; to &quot;constructed&quot; / added apostrophe</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=70518&amp;oldid=prev"/>
		<updated>2026-01-20T21:39:55Z</updated>

		<summary type="html">&lt;p&gt;&amp;quot;constricted&amp;quot; to &amp;quot;constructed&amp;quot; / added apostrophe&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:39, 20 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l45&quot;&gt;Line 45:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 45:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I sailed along the Volga for five days; in [[Astrakhan]] I boarded a small ship, taking me along the estuary to the shore. There I transferred to a sea schooner, which 2 days later arrived in [[Baku]]. The Caspian sea is very stormy, and on the first night there was such furious pitching that I thought the ship would be dashed to smithereens at any moment. Fortunately, I am not susceptible to seasickness, and merely suffered a sleepless night. The following day, and particularly the divine moonlit night, brought me boundless pleasure. In general this whole long journey was a pleasure for me and, if I am not mistaken, proved useful for my strained nerves. In fact I had a splendid rest.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I sailed along the Volga for five days; in [[Astrakhan]] I boarded a small ship, taking me along the estuary to the shore. There I transferred to a sea schooner, which 2 days later arrived in [[Baku]]. The Caspian sea is very stormy, and on the first night there was such furious pitching that I thought the ship would be dashed to smithereens at any moment. Fortunately, I am not susceptible to seasickness, and merely suffered a sleepless night. The following day, and particularly the divine moonlit night, brought me boundless pleasure. In general this whole long journey was a pleasure for me and, if I am not mistaken, proved useful for my strained nerves. In fact I had a splendid rest.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Baku]] is a most unique and interesting city, beautifully &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;constricted&lt;/del&gt;, clean, lively — but utterly devoid of vegetation. And then the air is saturated with &amp;#039;&amp;#039;oil&amp;#039;&amp;#039; to the point that eventually it seems as though you are breathing it. I stayed overnight in [[Baku]]. The following day I went to inspect the famous &amp;#039;&amp;#039;Balkhany&amp;#039;&amp;#039;, where oil is produced, and saw a majestic fountain of oil that had been released just the day before. On the eleventh day after leaving [[Moscow]], I finally reached [[Tiflis]], where I found my family completely safe and well.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Baku]] is a most unique and interesting city, beautifully &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;constructed&lt;/ins&gt;, clean, lively — but utterly devoid of vegetation. And then the air is saturated with &amp;#039;&amp;#039;oil&amp;#039;&amp;#039; to the point that eventually it seems as though you are breathing it. I stayed overnight in [[Baku]]. The following day I went to inspect the famous &amp;#039;&amp;#039;Balkhany&amp;#039;&amp;#039;, where oil is produced, and saw a majestic fountain of oil that had been released just the day before. On the eleventh day after leaving [[Moscow]], I finally reached [[Tiflis]], where I found my family completely safe and well.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is impossible to describe to you how excruciating the heat is here. It is so deadly poisonous that today is the first time I have found the inner strength to put pen to paper. During the first few days, I felt completely drained physically and mentally all day long, and the stuffy night did not give me the opportunity to refresh myself with a good sleep. Today a north wind started blowing after a thunderstorm, and it has become fresher.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is impossible to describe to you how excruciating the heat is here. It is so deadly poisonous that today is the first time I have found the inner strength to put pen to paper. During the first few days, I felt completely drained physically and mentally all day long, and the stuffy night did not give me the opportunity to refresh myself with a good sleep. Today a north wind started blowing after a thunderstorm, and it has become fresher.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Here, despite the heat, a Russian drama troupe with &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; at its head gives performances every evening. I have seen her 3 times: in &amp;quot;&amp;#039;&amp;#039;Marguerite Gautier&amp;#039;&amp;#039;&amp;quot;, &amp;quot;&amp;#039;&amp;#039;The Savage&amp;#039;&amp;#039;&amp;quot; and in &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot;. The latter was given as her benefit. Savina so earnestly requested me to be at her benefit that, despite my extreme reluctance to see &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot; in the form of a drama, I had to go. In general I am not amongst &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039;s fervent admirers, but in &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot; she seemed to me beneath all criticism, and I absolutely do not understand how &amp;#039;&amp;#039;[[Ippolit Vasilyevich]]&amp;#039;&amp;#039; can consider her an exemplary performer of this role. Lord, how far she is from the ideal &amp;quot;&amp;#039;&amp;#039;Enchantress&amp;#039;&amp;#039;&amp;quot; who resided in my imagination!!! The audience did not share my opinion, and their delight was indescribable; never in my life have I seen such an ovation as &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; received that evening. I liked &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; most of all in &amp;quot;&amp;#039;&amp;#039;The Savage&amp;#039;&amp;#039;&amp;quot;, and even then I could not and never will come to terms with the horrible &amp;#039;&amp;#039;timbre&amp;#039;&amp;#039; of her voice. This voices prevents me from properly appreciating her talent, which is undoubted and distinctive.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Here, despite the heat, a Russian drama troupe with &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; at its head gives performances every evening. I have seen her 3 times: in &amp;quot;&amp;#039;&amp;#039;Marguerite Gautier&amp;#039;&amp;#039;&amp;quot;, &amp;quot;&amp;#039;&amp;#039;The Savage&amp;#039;&amp;#039;&amp;quot; and in &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot;. The latter was given as her benefit. Savina so earnestly requested me to be at her benefit that, despite my extreme reluctance to see &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot; in the form of a drama, I had to go. In general I am not amongst &amp;#039;&amp;#039;Savina&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&lt;/ins&gt;&amp;#039;&amp;#039;s fervent admirers, but in &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot; she seemed to me beneath all criticism, and I absolutely do not understand how &amp;#039;&amp;#039;[[Ippolit Vasilyevich]]&amp;#039;&amp;#039; can consider her an exemplary performer of this role. Lord, how far she is from the ideal &amp;quot;&amp;#039;&amp;#039;Enchantress&amp;#039;&amp;#039;&amp;quot; who resided in my imagination!!! The audience did not share my opinion, and their delight was indescribable; never in my life have I seen such an ovation as &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; received that evening. I liked &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; most of all in &amp;quot;&amp;#039;&amp;#039;The Savage&amp;#039;&amp;#039;&amp;quot;, and even then I could not and never will come to terms with the horrible &amp;#039;&amp;#039;timbre&amp;#039;&amp;#039; of her voice. This voices prevents me from properly appreciating her talent, which is undoubted and distinctive.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Regarding all that you write to me in both letters about &amp;#039;&amp;#039;[[Kashperov]]&amp;#039;&amp;#039; and his famous opera, I shall tell you the following. At the end of April, three events occurred in the very same week, after which [[Moscow]] will forever be disgusting to me. In this week there was 1) Slavyansky&amp;#039;s jubilee; 2) the production of [[Kashperov]]&amp;#039;s rubbish, and 3) Shostakovsky&amp;#039;s school being rated the equal of the Conservatory in terms of rights and importance. A city in which such abominations are possible has forever covered itself with indelible shame. When the public called for [[Kashperov]], [[Ippolit Vasilyevich]] went out on stage with him! Lord! Forgive them, for they know not what they do. And presenting [[Kashperov]] with a wreath is the last word in stupidity and shame.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Regarding all that you write to me in both letters about &amp;#039;&amp;#039;[[Kashperov]]&amp;#039;&amp;#039; and his famous opera, I shall tell you the following. At the end of April, three events occurred in the very same week, after which [[Moscow]] will forever be disgusting to me. In this week there was 1) Slavyansky&amp;#039;s jubilee; 2) the production of [[Kashperov]]&amp;#039;s rubbish, and 3) Shostakovsky&amp;#039;s school being rated the equal of the Conservatory in terms of rights and importance. A city in which such abominations are possible has forever covered itself with indelible shame. When the public called for [[Kashperov]], [[Ippolit Vasilyevich]] went out on stage with him! Lord! Forgive them, for they know not what they do. And presenting [[Kashperov]] with a wreath is the last word in stupidity and shame.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=68513&amp;oldid=prev</id>
		<title>Brett at 19:57, 25 August 2024</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=68513&amp;oldid=prev"/>
		<updated>2024-08-25T19:57:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:57, 25 August 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is impossible to describe to you how excruciating the heat is here. It is so deadly poisonous that today is the first time I have found the inner strength to put pen to paper. During the first few days, I felt completely drained physically and mentally all day long, and the stuffy night did not give me the opportunity to refresh myself with a good sleep. Today a north wind started blowing after a thunderstorm, and it has become fresher.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is impossible to describe to you how excruciating the heat is here. It is so deadly poisonous that today is the first time I have found the inner strength to put pen to paper. During the first few days, I felt completely drained physically and mentally all day long, and the stuffy night did not give me the opportunity to refresh myself with a good sleep. Today a north wind started blowing after a thunderstorm, and it has become fresher.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Here, despite the heat, a Russian drama troupe with &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; at its head gives performances every evening. I have seen her 3 times: in &amp;quot;&amp;#039;&amp;#039;Marguerite Gautier&amp;#039;&amp;#039;&amp;quot;, &amp;quot;&amp;#039;&amp;#039;The Savage&amp;#039;&amp;#039;&amp;quot; and in &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot;. The latter was given as her benefit. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Savina&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;so earnestly requested me to be at her benefit that, despite my extreme reluctance to see &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot; in the form of a drama, I had to go. In general I am not amongst &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039;s fervent admirers, but in &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot; she seemed to me beneath all criticism, and I absolutely do not understand how &amp;#039;&amp;#039;[[Ippolit Vasilyevich]]&amp;#039;&amp;#039; can consider her an exemplary performer of this role. Lord, how far she is from the ideal &amp;quot;&amp;#039;&amp;#039;Enchantress&amp;#039;&amp;#039;&amp;quot; who resided in my imagination!!! The audience did not share my opinion, and their delight was indescribable; never in my life have I seen such an ovation as &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; received that evening. I liked &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; most of all in &amp;quot;&amp;#039;&amp;#039;The Savage&amp;#039;&amp;#039;&amp;quot;, and even then I could not and never will come to terms with the horrible &amp;#039;&amp;#039;timbre&amp;#039;&amp;#039; of her voice. This voices prevents me from properly appreciating her talent, which is undoubted and distinctive.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Here, despite the heat, a Russian drama troupe with &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; at its head gives performances every evening. I have seen her 3 times: in &amp;quot;&amp;#039;&amp;#039;Marguerite Gautier&amp;#039;&amp;#039;&amp;quot;, &amp;quot;&amp;#039;&amp;#039;The Savage&amp;#039;&amp;#039;&amp;quot; and in &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot;. The latter was given as her benefit. Savina so earnestly requested me to be at her benefit that, despite my extreme reluctance to see &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot; in the form of a drama, I had to go. In general I am not amongst &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039;s fervent admirers, but in &amp;quot;&amp;#039;&amp;#039;The Enchantress&amp;#039;&amp;#039;&amp;quot; she seemed to me beneath all criticism, and I absolutely do not understand how &amp;#039;&amp;#039;[[Ippolit Vasilyevich]]&amp;#039;&amp;#039; can consider her an exemplary performer of this role. Lord, how far she is from the ideal &amp;quot;&amp;#039;&amp;#039;Enchantress&amp;#039;&amp;#039;&amp;quot; who resided in my imagination!!! The audience did not share my opinion, and their delight was indescribable; never in my life have I seen such an ovation as &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; received that evening. I liked &amp;#039;&amp;#039;Savina&amp;#039;&amp;#039; most of all in &amp;quot;&amp;#039;&amp;#039;The Savage&amp;#039;&amp;#039;&amp;quot;, and even then I could not and never will come to terms with the horrible &amp;#039;&amp;#039;timbre&amp;#039;&amp;#039; of her voice. This voices prevents me from properly appreciating her talent, which is undoubted and distinctive.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Regarding all that you write to me in both letters about &amp;#039;&amp;#039;[[Kashperov]]&amp;#039;&amp;#039; and his famous opera, I shall tell you the following. At the end of April, three events occurred in the very same week, after which [[Moscow]] will forever be disgusting to me. In this week there was 1) Slavyansky&amp;#039;s jubilee; 2) the production of [[Kashperov]]&amp;#039;s rubbish, and 3) Shostakovsky&amp;#039;s school being rated the equal of the Conservatory in terms of rights and importance. A city in which such abominations are possible has forever covered itself with indelible shame. When the public called for [[Kashperov]], [[Ippolit Vasilyevich]] went out on stage with him! Lord! Forgive them, for they know not what they do. And presenting [[Kashperov]] with a wreath is the last word in stupidity and shame.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Regarding all that you write to me in both letters about &amp;#039;&amp;#039;[[Kashperov]]&amp;#039;&amp;#039; and his famous opera, I shall tell you the following. At the end of April, three events occurred in the very same week, after which [[Moscow]] will forever be disgusting to me. In this week there was 1) Slavyansky&amp;#039;s jubilee; 2) the production of [[Kashperov]]&amp;#039;s rubbish, and 3) Shostakovsky&amp;#039;s school being rated the equal of the Conservatory in terms of rights and importance. A city in which such abominations are possible has forever covered itself with indelible shame. When the public called for [[Kashperov]], [[Ippolit Vasilyevich]] went out on stage with him! Lord! Forgive them, for they know not what they do. And presenting [[Kashperov]] with a wreath is the last word in stupidity and shame.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=67724&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;most sympathetic&quot; to &quot;most agreeable&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=67724&amp;oldid=prev"/>
		<updated>2024-07-18T08:24:14Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;most sympathetic&amp;quot; to &amp;quot;most agreeable&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:24, 18 July 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In August, I have promised to visit one of my brothers in [[Taganrog]], another in Kursk province, and my sister in [[Kiev]]. Will I manage to visit [[Sevastopol]]? I cannot tell you anything about that yet, dear [[Yuliya Petrovna]]! I would really like it if you were able to live somewhere on the South Bank.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In August, I have promised to visit one of my brothers in [[Taganrog]], another in Kursk province, and my sister in [[Kiev]]. Will I manage to visit [[Sevastopol]]? I cannot tell you anything about that yet, dear [[Yuliya Petrovna]]! I would really like it if you were able to live somewhere on the South Bank.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;#039;&amp;#039;Father&amp;#039;&amp;#039; about whom you write is a truly unique and most &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sympathetic &lt;/del&gt;phenomenon. If only you could depict him in a short literary essay, add a few more studies and sketches and have the whole thing printed. I continue to think that you possess a genuine literary talent. What do you think about this?&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;#039;&amp;#039;Father&amp;#039;&amp;#039; about whom you write is a truly unique and most &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;agreeable &lt;/ins&gt;phenomenon. If only you could depict him in a short literary essay, add a few more studies and sketches and have the whole thing printed. I continue to think that you possess a genuine literary talent. What do you think about this?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;My address&amp;#039;&amp;#039;: Caucasus, [[Borzhom]], Prince Gruzinsky&amp;#039;s dacha.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;My address&amp;#039;&amp;#039;: Caucasus, [[Borzhom]], Prince Gruzinsky&amp;#039;s dacha.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=67562&amp;oldid=prev</id>
		<title>Brett at 13:44, 13 July 2024</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=67562&amp;oldid=prev"/>
		<updated>2024-07-13T13:44:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;amp;diff=67562&amp;amp;oldid=51436&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=51436&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=51436&amp;oldid=prev"/>
		<updated>2022-07-12T12:41:45Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:41, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=51435&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;,—&quot; to &quot;, — &quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_3266&amp;diff=51435&amp;oldid=prev"/>
		<updated>2019-11-08T23:05:43Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;,—&amp;quot; to &amp;quot;, — &amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{letterhead&lt;br /&gt;
|Date=4/16 June 1887&lt;br /&gt;
|To=[[Yuliya Shpazhinskaya]]&lt;br /&gt;
|Place=[[Tiflis]]&lt;br /&gt;
|Language=Russian&lt;br /&gt;
|Autograph=[[Klin]] (Russia): {{RUS-KLč}} (a{{sup|3}}, No. 2086)&lt;br /&gt;
|Publication={{bibx|1940/242|Заря Востока}} (6 May 1940) (abridged)&amp;lt;br/&amp;gt;{{bibx|1951/53|П. И. Чайковский. С. И. Танеев. Письма}} (1951), p. 320–321&amp;lt;br/&amp;gt;{{bib|1974/53|П. И. Чайковский. Полное собрание сочинений ; том XIV}} (1974), p. 118–121&lt;br /&gt;
}}&lt;br /&gt;
==Text==&lt;br /&gt;
{{Lettertext&lt;br /&gt;
|Language=Russian&lt;br /&gt;
|Translator=&lt;br /&gt;
|Original text={{right|&amp;#039;&amp;#039;4 июня 1887}}&lt;br /&gt;
Я получил уже 2 Ваших письма, добрейшая Юлия Петровна, а сам только сегодня, на пятый день по приезде, собрался написать Вам. Впрочем, Вы раз навсегда уже простили мне мою неаккуратность.&lt;br /&gt;
&lt;br /&gt;
Путешествием своим по Волге я очень доволен. Не то чтобы в своём течении Волга-матушка представляла изобилие красивых местностей, — открывающиеся с обеих сторон виды до крайности однообразны. Холмистый, иногда покрытый лесом правый берег и совершенно пустынный левый—вот и все. По временам села и города, но, впрочем, очень редко; весьма часто встречные пароходы, баржи, лодки—всего этого как раз достаточно, чтобы не слишком скучно было человеку, ищущему развлечения. Но русскому человеку, привыкшему к обширным горизонтам, к ширине и ровным линиям пассажа, доставляет неизъяснимое наслаждение сама матушка Волга, величественно и спокойно катящая, на пространстве нескольких вёрст в ширину, свои желтоватые волны к морю. Я совершенно влюблён в эту божественную, чудную реку и способен был бы целое лето плавать по ней взад и вперёд, но только под одним условием—на своём пароходе, в одиночестве. Суетливость большого парохода, переполненного пассажирами, из которых каждый как будто поставил себе задачей постоянно нарушать спокойное созерцательное наслаждение, которому собираешься предаваться, — очень мне не по сердцу. А уж эта несносная страсть лезть знакомиться и выпытывать куда вы, кто вы и зачем вы едете, — боже мой, как это несносно!&lt;br /&gt;
&lt;br /&gt;
Плыл я по Волге пятеро суток; в Астрахани пересел на маленький пароход, везущий по устью до взморья. Там пересел на морскую шхуну, которая через 2 суток пришла в Баку. Каспийское море очень бурно, и в первую ночь была такая бешеная качка, что каждую минуту мне казалось, что пароход разобьётся вдребезги. К счастью, морской болезни я не подвержен и от делался только бессонной ночью. Следующие сутки, и особенно дивная лунная ночь, доставили мне безграничное наслаждение. В общем весь этот долгий переезд был мне приятен и, если не ошибаюсь, принёс моим усталым нервам пользу. Я в самом деле от лично от дохнул.&lt;br /&gt;
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Баку очень своеобразный и интересный город, прелестно обстроенный, чистенький, оживлённый—но совершенно лишённый растительности. Зато &amp;#039;&amp;#039;нефтью&amp;#039;&amp;#039; воздух пропитан до того, что наконец кажется, как будто ею дышишь. Провёл в Баку сутки. На следующий день ездил осматривать знаменитые &amp;#039;&amp;#039;Балханы&amp;#039;&amp;#039;, г де добывается нефть, и видел только-что накануне открывшийся величественный нефтяной фонтан. На одиннадцатый день по выезде из Москвы добрался, наконец, до Тифлиса, где нашёл своих здоровыми и совершенно благополучными.&lt;br /&gt;
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Нельзя описать Вам, до чего здесь мучительна жара. Она до того убийственно ядовита, что сегодня в первый раз я нашёл в себе силу взяться за перо. Первые же дни я целый день чувствовал себя совершенно расслабленным физически и умственно, а душная ночь не давала возможности освежить себя хорошим сном. Сегодня подул северный ветер после грозы и стало свежее.&lt;br /&gt;
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Здесь, несмотря на жару, каждый вечер даёт представления русская драматическая труппа с &amp;#039;&amp;#039;Савиной&amp;#039;&amp;#039; во г лаве. Я видел её 3 раза: в «&amp;#039;&amp;#039;Маргарите Готье&amp;#039;&amp;#039;», в «&amp;#039;&amp;#039;Дикарке&amp;#039;&amp;#039;» и в «&amp;#039;&amp;#039;Чародейке&amp;#039;&amp;#039;». Последняя шла в её бенефис. Савина так убедительно просила меня быть на её бенефисе, что, несмотря на крайнее нежелание видеть «&amp;#039;&amp;#039;Чародейку&amp;#039;&amp;#039;» в форме драмы, пришлось пойти. Я, вообще, не из рьяных поклонников &amp;#039;&amp;#039;Савиной&amp;#039;&amp;#039;, но в «&amp;#039;&amp;#039;Чародейке&amp;#039;&amp;#039;» она показалась мне ниже всякой критики, и я решительно не понимаю, каким образом &amp;#039;&amp;#039;Ипполит Васильевич&amp;#039;&amp;#039; может считать её образцовой исполнительницей этой роли. Господи, как она далека от того идеала «&amp;#039;&amp;#039;Чародейки&amp;#039;&amp;#039;», который жил в моем воображении!!! Публика не разделяла моего мнения, и восторг был неописанный, и таких оваций, каких &amp;#039;&amp;#039;Савина&amp;#039;&amp;#039; удостоилась в этот вечер, я не видел ещё никогда в жизни. Всего более &amp;#039;&amp;#039;Савина&amp;#039;&amp;#039; понравилась мне в «&amp;#039;&amp;#039;Дикарке&amp;#039;&amp;#039;», да и то не мог я помириться и никогда не помирюсь с отвратительным &amp;#039;&amp;#039;тембром&amp;#039;&amp;#039; её голоса. Этот голос мешает мне ценить в должной мере её талант, который несомненен и самобытен.&lt;br /&gt;
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По поводу всего, что Вы мне в обоих письмах пишете по поводу &amp;#039;&amp;#039;Кашперова&amp;#039;&amp;#039; и его знаменитой оперы, скажу Вам следующее. В конце апреля, на одной и той же неделе, случились в Москве три события, после которых Москва мне навсегда опостылела. На этой неделе было 1) юбилей Славянского, 2) представление Кашперовской пакости и 3) уравнение школы Шостаковского с консерваторией по правам и значению. Город, в котором возможны подобные мерзости, навсегда покрыл себя несмываемым позором. Ипполит Васильевич выходил с Кашперовым на вызовы публики! Господи! Прости его, ибо не ведает, что творит. А уж поднесение Кашперову венка—это последнее слово глупости и стыда.&lt;br /&gt;
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У меня покамест нет ни малейшей охоты приниматься за новую работу. Главное препятствие— жара. В такую жару чувствуешь себя совершенно неспособным мыслить и тем более &amp;#039;&amp;#039;творить&amp;#039;&amp;#039;. Впрочем, я и не намерен заставлять себя работать. Буду предаваться праздности без всякого стыда, ибо заслужил право полениться. Через несколько дней мы переезжаем в &amp;#039;&amp;#039;Боржом&amp;#039;&amp;#039;.&lt;br /&gt;
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В августе я обещал посетить одного брата в Таганроге, другого в Курской губернии, а сестру в Киевской. Удастся ли побывать в Севастополе, — об этом пока ещё ничего не могу сказать вам, добрейшая Юлия Петровна! Я очень желал бы для Вас, чтобы Вы пожили где-нибудь на Южном берегу.&lt;br /&gt;
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&amp;#039;&amp;#039;Батюшка&amp;#039;&amp;#039;, о котором Вы пишете, есть действительно своеобразное и очень симпатичное явление. Вот бы Вам изобразить его в небольшом литературном очерке, присоединить к нему ещё несколько этюдов и эскизов и все это напечатать. Я продолжаю думать, что Вы обладаете настоящим литературным талантом. Что Вы об этом думаете?&lt;br /&gt;
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&amp;#039;&amp;#039;Адрес мой: Кавказ, Боржом, дача кн[ягини] Грузинской&amp;#039;&amp;#039;.&lt;br /&gt;
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До свидания, добрейшая Юлия Петровна! Матушке Вашей нижайший поклон; детям всяческие приветствия.&lt;br /&gt;
{{right|Ваш, П. Чайковский}}&lt;br /&gt;
О Петербургском больном известия самые грустные!!&lt;br /&gt;
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		<author><name>Brett</name></author>
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