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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_567a</id>
	<title>Letter 567a - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_567a"/>
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	<updated>2026-06-19T00:02:47Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=67800&amp;oldid=prev</id>
		<title>Brett at 19:14, 18 July 2024</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=67800&amp;oldid=prev"/>
		<updated>2024-07-18T19:14:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:14, 18 July 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Translated text={{right|[[Moscow]]&amp;lt;br/&amp;gt;1877 May 23}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Translated text={{right|[[Moscow]]&amp;lt;br/&amp;gt;1877 May 23}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gracious Madam! Your nice letter &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt; afforded me the sweetest pleasure, both by the good news that it contains, and by the expressions of your personal sympathy for my works. If I am not mistaken, you completed your course at the [[Petersburg]] Conservatory, where you were to be found in my colleague Kross&amp;#039;s classes. I have heard the most flattering reviews of your talent, and I am most pleased that such &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a sympathetic &lt;/del&gt;young artist writes to me with such warm compassion about the fate of my works in a foreign land.  I confess that it pleases me far more than &amp;quot;&amp;#039;&amp;#039;[[Liszt]]&amp;#039;s beaming face&amp;#039;&amp;#039;&amp;quot;, of which you wrote. Despite all his genius, despite all his enormous service to the arts, I know very well that [[Liszt]] is an &amp;#039;&amp;#039;insincere&amp;#039;&amp;#039; fellow and something of a &amp;#039;&amp;#039;play-actor&amp;#039;&amp;#039;. He admires everything indiscriminately, and, for example, I know for a fact that he has spoken enthusiastically about &amp;#039;&amp;#039;[[Musorgsky]]&amp;#039;&amp;#039;{{&amp;#039;}}s music; to share anyone&amp;#039;s attention and sympathy alongside [[Musorgsky]] is deeply unflattering to me, and I do not believe it was possible to like [[Musorgsky]]&amp;#039;s music and at the same time to like mine. As regards the fact that the general public found parts of my symphony pleasing, then I am utterly delighted, since I have not generally been spoiled by enthusiasm, especially from a foreign audience. This winter my overture &amp;quot;[[Romeo and Juliet]]&amp;quot; was solemnly hissed; the same thing happened with this same overture on another occasion in [[Paris]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gracious Madam! Your nice letter &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt; afforded me the sweetest pleasure, both by the good news that it contains, and by the expressions of your personal sympathy for my works. If I am not mistaken, you completed your course at the [[Petersburg]] Conservatory, where you were to be found in my colleague Kross&amp;#039;s classes. I have heard the most flattering reviews of your talent, and I am most pleased that such &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;an agreeable &lt;/ins&gt;young artist writes to me with such warm compassion about the fate of my works in a foreign land.  I confess that it pleases me far more than &amp;quot;&amp;#039;&amp;#039;[[Liszt]]&amp;#039;s beaming face&amp;#039;&amp;#039;&amp;quot;, of which you wrote. Despite all his genius, despite all his enormous service to the arts, I know very well that [[Liszt]] is an &amp;#039;&amp;#039;insincere&amp;#039;&amp;#039; fellow and something of a &amp;#039;&amp;#039;play-actor&amp;#039;&amp;#039;. He admires everything indiscriminately, and, for example, I know for a fact that he has spoken enthusiastically about &amp;#039;&amp;#039;[[Musorgsky]]&amp;#039;&amp;#039;{{&amp;#039;}}s music; to share anyone&amp;#039;s attention and sympathy alongside [[Musorgsky]] is deeply unflattering to me, and I do not believe it was possible to like [[Musorgsky]]&amp;#039;s music and at the same time to like mine. As regards the fact that the general public found parts of my symphony pleasing, then I am utterly delighted, since I have not generally been spoiled by enthusiasm, especially from a foreign audience. This winter my overture &amp;quot;[[Romeo and Juliet]]&amp;quot; was solemnly hissed; the same thing happened with this same overture on another occasion in [[Paris]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I will be very glad sometime to express my sincere thanks and sympathy to you in person.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I will be very glad sometime to express my sincere thanks and sympathy to you in person.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=66191&amp;oldid=prev</id>
		<title>Tony: Added &quot;in&quot; for clarity of meaning</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=66191&amp;oldid=prev"/>
		<updated>2024-04-03T10:59:47Z</updated>

		<summary type="html">&lt;p&gt;Added &amp;quot;in&amp;quot; for clarity of meaning&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:59, 3 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Translated text={{right|[[Moscow]]&amp;lt;br/&amp;gt;1877 May 23}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Translated text={{right|[[Moscow]]&amp;lt;br/&amp;gt;1877 May 23}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gracious Madam! Your nice letter &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt; afforded me the sweetest pleasure, both by the good news that it contains, and by the expressions of your personal sympathy for my works. If I am not mistaken, you completed your course at the [[Petersburg]] Conservatory, where you were to be found my colleague Kross&amp;#039;s classes. I have heard the most flattering reviews of your talent, and I am most pleased that such a sympathetic young artist writes to me with such warm compassion about the fate of my works in a foreign land.  I confess that it pleases me far more than &amp;quot;&amp;#039;&amp;#039;[[Liszt]]&amp;#039;s beaming face&amp;#039;&amp;#039;&amp;quot;, of which you wrote. Despite all his genius, despite all his enormous service to the arts, I know very well that [[Liszt]] is an &amp;#039;&amp;#039;insincere&amp;#039;&amp;#039; fellow and something of a &amp;#039;&amp;#039;play-actor&amp;#039;&amp;#039;. He admires everything indiscriminately, and, for example, I know for a fact that he has spoken enthusiastically about &amp;#039;&amp;#039;[[Musorgsky]]&amp;#039;&amp;#039;{{&amp;#039;}}s music; to share anyone&amp;#039;s attention and sympathy alongside [[Musorgsky]] is deeply unflattering to me, and I do not believe it was possible to like [[Musorgsky]]&amp;#039;s music and at the same time to like mine. As regards the fact that the general public found parts of my symphony pleasing, then I am utterly delighted, since I have not generally been spoiled by enthusiasm, especially from a foreign audience. This winter my overture &amp;quot;[[Romeo and Juliet]]&amp;quot; was solemnly hissed; the same thing happened with this same overture on another occasion in [[Paris]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gracious Madam! Your nice letter &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt; afforded me the sweetest pleasure, both by the good news that it contains, and by the expressions of your personal sympathy for my works. If I am not mistaken, you completed your course at the [[Petersburg]] Conservatory, where you were to be found &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in &lt;/ins&gt;my colleague Kross&amp;#039;s classes. I have heard the most flattering reviews of your talent, and I am most pleased that such a sympathetic young artist writes to me with such warm compassion about the fate of my works in a foreign land.  I confess that it pleases me far more than &amp;quot;&amp;#039;&amp;#039;[[Liszt]]&amp;#039;s beaming face&amp;#039;&amp;#039;&amp;quot;, of which you wrote. Despite all his genius, despite all his enormous service to the arts, I know very well that [[Liszt]] is an &amp;#039;&amp;#039;insincere&amp;#039;&amp;#039; fellow and something of a &amp;#039;&amp;#039;play-actor&amp;#039;&amp;#039;. He admires everything indiscriminately, and, for example, I know for a fact that he has spoken enthusiastically about &amp;#039;&amp;#039;[[Musorgsky]]&amp;#039;&amp;#039;{{&amp;#039;}}s music; to share anyone&amp;#039;s attention and sympathy alongside [[Musorgsky]] is deeply unflattering to me, and I do not believe it was possible to like [[Musorgsky]]&amp;#039;s music and at the same time to like mine. As regards the fact that the general public found parts of my symphony pleasing, then I am utterly delighted, since I have not generally been spoiled by enthusiasm, especially from a foreign audience. This winter my overture &amp;quot;[[Romeo and Juliet]]&amp;quot; was solemnly hissed; the same thing happened with this same overture on another occasion in [[Paris]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I will be very glad sometime to express my sincere thanks and sympathy to you in person.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I will be very glad sometime to express my sincere thanks and sympathy to you in person.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=57313&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Hanover&quot; to &quot;Hannover&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=57313&amp;oldid=prev"/>
		<updated>2022-08-25T13:40:01Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Hanover&amp;quot; to &amp;quot;Hannover&amp;quot;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:40, 25 August 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes and References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes and References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;Letter from an undated letter from [[Adele Hippius]] to Tchaikovsky, where she reported that the last two movements of his [[Symphony No. 2]] had been warmly received at a concert in [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hanover&lt;/del&gt;]] on 8/20 May 1877, which had been attended by [[Franz Liszt]].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;Letter from an undated letter from [[Adele Hippius]] to Tchaikovsky, where she reported that the last two movements of his [[Symphony No. 2]] had been warmly received at a concert in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hannover&lt;/ins&gt;]] on 8/20 May 1877, which had been attended by [[Franz Liszt]].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Letter 0567a}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Letter 0567a}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=48026&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=48026&amp;oldid=prev"/>
		<updated>2022-07-12T12:28:26Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:28, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=48025&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Adelina Gippius&quot; to &quot;Adele Hippius&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_567a&amp;diff=48025&amp;oldid=prev"/>
		<updated>2022-04-19T12:00:32Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Adelina Gippius&amp;quot; to &amp;quot;Adele Hippius&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{letterhead &lt;br /&gt;
|Date=23 May/4 June 1877 &lt;br /&gt;
|To=[[Adele Hippius]] &lt;br /&gt;
|Place=[[Moscow]] &lt;br /&gt;
|Language=Russian &lt;br /&gt;
|Autograph={{locunknown}} &lt;br /&gt;
|Publication={{bibx|1903/31|Московские ведомости}} (12 Nov 1903)&amp;lt;br/&amp;gt;{{bib|1903/32}} (1903), p. 47&amp;lt;br/&amp;gt;{{bib|1981/80|П. И. Чайковский. Полное собрание сочинений ; том XVII}} (1981), p. 224&lt;br /&gt;
|Notes=Manuscript copy in [[Saint Petersburg]] (Russia): {{RUS-SPia}} (ф. 497, оп. 2, д. 22000)&lt;br /&gt;
}}&lt;br /&gt;
==Text and Translation==&lt;br /&gt;
Based on a handwritten copy in the {{RUS-SPia}}, which may contain differences in formatting and content from Tchaikovsky&amp;#039;s original letter.&lt;br /&gt;
{{Lettertext&lt;br /&gt;
|Language=Russian&lt;br /&gt;
|Translator=Brett Langston&lt;br /&gt;
|Original text={{right|Москва&amp;lt;br/&amp;gt;1877 г[ода] мая 23}}&lt;br /&gt;
Милостивая государыня! Ваше милое письмо доставило мне самое искреннее удовольствие как по хорошим известиям, которые в нем заключаются, так и по выражениям Вашего личного сочувствия к моим трудам. Если я не ошибаюсь, Вы кончили курс в Петербургской консерватории, где находились в классе моего товарища Кросса. Я слышал о Вашем таланте самые лестные отзывы, и мне очень приятно, что такая симпатичная молодая артистка пишет мне с таким тёплым сочувствием о судьбе моего сочинения на чужбине. Признаюсь, что это меня радует гораздо более, чем «&amp;#039;&amp;#039;сияющее лицо Листа&amp;#039;&amp;#039;», о котором Вы пишете. Несмотря на весь свой гений, несмотря на свои громадные заслуги для искусства, мне очень хорошо известно, что Лист — человек &amp;#039;&amp;#039;неискренний&amp;#039;&amp;#039; и немножко &amp;#039;&amp;#039;комедиант&amp;#039;&amp;#039;. Он поклонник всех без разбора, и я, например, знаю тот факт, что он с восторгом отзывался о музыке &amp;#039;&amp;#039;Мусоргского&amp;#039;&amp;#039;; разделять внимание и сочувствие кого бы то ни было наряду с Мусоргским мне вовсе нелестно, и я не верю, чтобы можно было, любя музыку Мусоргского,  любить в то же время и мою. Что касается того факта, что отрывки моей симфонии понравились вообще публике, — то это меня донельзя радует, так как я не избалован восторгами вообще, а иностранной публики тем более. Нынешней зимой в Вене моя увертюра «Ромео и Юлия» была торжественно ошикана; то же самое с тою же увертюрой и в то же время случилось в Париже.&lt;br /&gt;
&lt;br /&gt;
Очень буду рад когда-нибудь лично выразить Вам мою искреннюю благодарность и симпатию.&lt;br /&gt;
&lt;br /&gt;
Искренно преданный Вам,&lt;br /&gt;
{{right|П. Чайковский}}&lt;br /&gt;
&lt;br /&gt;
|Translated text={{right|[[Moscow]]&amp;lt;br/&amp;gt;1877 May 23}}&lt;br /&gt;
Gracious Madam! Your nice letter &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt; afforded me the sweetest pleasure, both by the good news that it contains, and by the expressions of your personal sympathy for my works. If I am not mistaken, you completed your course at the [[Petersburg]] Conservatory, where you were to be found my colleague Kross&amp;#039;s classes. I have heard the most flattering reviews of your talent, and I am most pleased that such a sympathetic young artist writes to me with such warm compassion about the fate of my works in a foreign land.  I confess that it pleases me far more than &amp;quot;&amp;#039;&amp;#039;[[Liszt]]&amp;#039;s beaming face&amp;#039;&amp;#039;&amp;quot;, of which you wrote. Despite all his genius, despite all his enormous service to the arts, I know very well that [[Liszt]] is an &amp;#039;&amp;#039;insincere&amp;#039;&amp;#039; fellow and something of a &amp;#039;&amp;#039;play-actor&amp;#039;&amp;#039;. He admires everything indiscriminately, and, for example, I know for a fact that he has spoken enthusiastically about &amp;#039;&amp;#039;[[Musorgsky]]&amp;#039;&amp;#039;{{&amp;#039;}}s music; to share anyone&amp;#039;s attention and sympathy alongside [[Musorgsky]] is deeply unflattering to me, and I do not believe it was possible to like [[Musorgsky]]&amp;#039;s music and at the same time to like mine. As regards the fact that the general public found parts of my symphony pleasing, then I am utterly delighted, since I have not generally been spoiled by enthusiasm, especially from a foreign audience. This winter my overture &amp;quot;[[Romeo and Juliet]]&amp;quot; was solemnly hissed; the same thing happened with this same overture on another occasion in [[Paris]].&lt;br /&gt;
&lt;br /&gt;
I will be very glad sometime to express my sincere thanks and sympathy to you in person.&lt;br /&gt;
&lt;br /&gt;
Your sincerely devoted,&lt;br /&gt;
{{right|P. Tchaikovsky}}&lt;br /&gt;
}}&lt;br /&gt;
==Notes and References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;Letter from an undated letter from [[Adele Hippius]] to Tchaikovsky, where she reported that the last two movements of his [[Symphony No. 2]] had been warmly received at a concert in [[Hanover]] on 8/20 May 1877, which had been attended by [[Franz Liszt]].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
{{DEFAULTSORT:Letter 0567a}}&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
</feed>