Violin Concerto - Revision history

Brett: /* Dedication */

2023-09-10T19:19:14Z

Dedication

← Older revision		Revision as of 21:19, 10 September 2023
Line 65:		Line 65:

	==Dedication==		==Dedication==
	After some vacillation over who the dedicatee of the concerto should be— [[Iosif Kotek]] or [[Leopold Auer]]—Tchaikovsky initially decided upon the latter <ref name="note20"/>. However, as a result of [[Auer]]'s persistent refusal to play the concerto, the composer withdrew the original dedication and replaced it with ~~one to~~ [[Adolph Brodsky]] <ref name="note21"/>, ~~who had been~~ impressed by the young violinist's enthusiasm for the work.		After some vacillation over who the dedicatee of the concerto should be— [[Iosif Kotek]] or [[Leopold Auer]]—Tchaikovsky initially decided upon the latter <ref name="note20"/>. However, as a result of [[Auer]]'s persistent refusal to play the concerto, the composer withdrew the original dedication and replaced it with "À Monsieur [[Adolph Brodsky\|Adolphe Brodsky]]" <ref name="note21"/>, after being impressed by the young violinist's enthusiasm for the work.

	==External Links==		==External Links==

Brett: Text replacement - "Karel Halíř" to "Karel Halíř"

2023-08-31T13:57:19Z

Text replacement - "Karel Halíř" to "Karel Halíř"

← Older revision		Revision as of 15:57, 31 August 2023
Line 38:		Line 38:
	* [[Berlin]], 2nd Varesi concert, 15/27 November 1882, [[Iosif Kotek]] (violin)		* [[Berlin]], 2nd Varesi concert, 15/27 November 1882, [[Iosif Kotek]] (violin)
	* [[Saint Petersburg]], 10th RMS symphony concert, 31 January/12 February 1887, [[Adolph Brodsky]] (violin), conducted by [[Anton Rubinstein]]		* [[Saint Petersburg]], 10th RMS symphony concert, 31 January/12 February 1887, [[Adolph Brodsky]] (violin), conducted by [[Anton Rubinstein]]
	* [[Prague]], Rudolfinum, 7/19 February 1888, Karel Halíř (violin), conducted by Tchaikovsky		* [[Prague]], Rudolfinum, 7/19 February 1888, [[Karel Halíř]] (violin), conducted by Tchaikovsky
	* [[Paris]], 17th Châtelet concert, 28 February/11 March 1888, [[Martin Pierre Marsick]] (violin), conducted by Tchaikovsky		* [[Paris]], 17th Châtelet concert, 28 February/11 March 1888, [[Martin Pierre Marsick]] (violin), conducted by Tchaikovsky
	* [[New York]], Chickering Hall, 25 March/6 April 1888, Maude Powell (violin), conducted by Anton Seidl		* [[New York]], Chickering Hall, 25 March/6 April 1888, Maude Powell (violin), conducted by Anton Seidl

Brett at 18:12, 8 March 2023

2023-03-08T18:12:44Z

← Older revision		Revision as of 20:12, 8 March 2023
Line 30:		Line 30:
	In Europe, and later in Russia, the foremost performer and advocate of the concerto was [[Adolph Brodsky]]. Enraptured by the concerto, [[Brodsky]] introduced it in [[Vienna]], at a special ''Novitätenprobe'' <ref name="note16"/>, conducted by Hans Richter. After the preliminary hearing, it was approved for performance at the third Philharmonic Society subscription concert on 22 November/4 December 1881. Its success was sensational, despite an unfavourable reception by parts of the audience. The critics behaved with hostility to the work, particularly the well-known critic Eduard Hanslick. Nevertheless, the concerto attracted considerable attention, and [[Brodsky]] received numerous offers for concerts in the following season <ref name="note17"/>.		In Europe, and later in Russia, the foremost performer and advocate of the concerto was [[Adolph Brodsky]]. Enraptured by the concerto, [[Brodsky]] introduced it in [[Vienna]], at a special ''Novitätenprobe'' <ref name="note16"/>, conducted by Hans Richter. After the preliminary hearing, it was approved for performance at the third Philharmonic Society subscription concert on 22 November/4 December 1881. Its success was sensational, despite an unfavourable reception by parts of the audience. The critics behaved with hostility to the work, particularly the well-known critic Eduard Hanslick. Nevertheless, the concerto attracted considerable attention, and [[Brodsky]] received numerous offers for concerts in the following season <ref name="note17"/>.

	Although [[Brodsky]]'s 1881 performance in [[Vienna]] was for many years presumed to have been the concerto's world premiere, evidence has recently been found to show that it was performed in [[Hannover]] on 1/13 March 1880, by the concertmaster of the city's Hofkapelle, Georg Haenflein, conducted by Ernst Frank ~~<ref name="note22"/>~~. It ~~is unclear whether~~ Tchaikovsky was ~~aware~~ of this performance, which seems to have attracted little attention outside [[Hannover]] itself.		Although [[Brodsky]]'s 1881 performance in [[Vienna]] was for many years presumed to have been the concerto's world premiere, evidence has recently been found to show that it was performed in [[Hannover]] on 1/13 March 1880, by the concertmaster of the city's Hofkapelle, Georg Haenflein, conducted by Ernst Frank. It seems that Tchaikovsky was unaware of this performance, which seems to have attracted little attention outside [[Hannover]] itself <ref name="note22"/>.

	In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:		In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:
Line 93:		Line 93:
	<ref name="note20">See [[Letter 865]], 1/13 July 1878, and [[Letter 870]], 12/14 July 1878, to [[Pyotr Jurgenson]].</ref>		<ref name="note20">See [[Letter 865]], 1/13 July 1878, and [[Letter 870]], 12/14 July 1878, to [[Pyotr Jurgenson]].</ref>
	<ref name="note21">See [[Letter 1904]] to [[Lev Kupernik]], 1/13 December 1881; [[Letter 1914]] to [[Pyotr Jurgenson]], 15/27 December 1881; [[Letter 1916]] to [[Nadezhda von Meck]], 22 December 1881/3 January 1882–23 December 1881/4 January 1882; and [[Letter 1924]] to [[Adolph Brodsky]], 1/13 January 1882.</ref>		<ref name="note21">See [[Letter 1904]] to [[Lev Kupernik]], 1/13 December 1881; [[Letter 1914]] to [[Pyotr Jurgenson]], 15/27 December 1881; [[Letter 1916]] to [[Nadezhda von Meck]], 22 December 1881/3 January 1882–23 December 1881/4 January 1882; and [[Letter 1924]] to [[Adolph Brodsky]], 1/13 January 1882.</ref>
	<ref name="note22">~~See~~ {{~~bibx~~\|~~2022~~/~~2\|Tchaikovsky Research Bulletin No. 4~~}} (~~2022~~)~~, and ''Signale für die Musikalische Welt'' (1880), No. 26, p. 409~~.</ref>		<ref name="note22">For a full description of the background to this performance, see {{bib\|2023/1}} (2023).</ref>
	</references>		</references>
	[[Category:Concertos]]		[[Category:Concertos]]

Brett: Text replacement - "Hänflein" to "Haenflein"

2023-03-08T18:03:52Z

Text replacement - "Hänflein" to "Haenflein"

← Older revision		Revision as of 20:03, 8 March 2023
Line 30:		Line 30:
	In Europe, and later in Russia, the foremost performer and advocate of the concerto was [[Adolph Brodsky]]. Enraptured by the concerto, [[Brodsky]] introduced it in [[Vienna]], at a special ''Novitätenprobe'' <ref name="note16"/>, conducted by Hans Richter. After the preliminary hearing, it was approved for performance at the third Philharmonic Society subscription concert on 22 November/4 December 1881. Its success was sensational, despite an unfavourable reception by parts of the audience. The critics behaved with hostility to the work, particularly the well-known critic Eduard Hanslick. Nevertheless, the concerto attracted considerable attention, and [[Brodsky]] received numerous offers for concerts in the following season <ref name="note17"/>.		In Europe, and later in Russia, the foremost performer and advocate of the concerto was [[Adolph Brodsky]]. Enraptured by the concerto, [[Brodsky]] introduced it in [[Vienna]], at a special ''Novitätenprobe'' <ref name="note16"/>, conducted by Hans Richter. After the preliminary hearing, it was approved for performance at the third Philharmonic Society subscription concert on 22 November/4 December 1881. Its success was sensational, despite an unfavourable reception by parts of the audience. The critics behaved with hostility to the work, particularly the well-known critic Eduard Hanslick. Nevertheless, the concerto attracted considerable attention, and [[Brodsky]] received numerous offers for concerts in the following season <ref name="note17"/>.

	Although [[Brodsky]]'s 1881 performance in [[Vienna]] was for many years presumed to have been the concerto's world premiere, evidence has recently been found to show that it was performed in [[Hannover]] on 1/13 March 1880, by the concertmaster of the city's Hofkapelle, Georg ~~Hänflein~~, conducted by Ernst Frank <ref name="note22"/>. It is unclear whether Tchaikovsky was aware of this performance, which seems to have attracted little attention outside [[Hannover]] itself.		Although [[Brodsky]]'s 1881 performance in [[Vienna]] was for many years presumed to have been the concerto's world premiere, evidence has recently been found to show that it was performed in [[Hannover]] on 1/13 March 1880, by the concertmaster of the city's Hofkapelle, Georg Haenflein, conducted by Ernst Frank <ref name="note22"/>. It is unclear whether Tchaikovsky was aware of this performance, which seems to have attracted little attention outside [[Hannover]] itself.

	In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:		In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:

Tony: /* Notes and References */

2023-01-22T19:50:37Z

Notes and References

← Older revision		Revision as of 21:50, 22 January 2023
Line 89:		Line 89:
	<ref name="note16">A preliminary hearing for new works.</ref>		<ref name="note16">A preliminary hearing for new works.</ref>
	<ref name="note17">See letters from [[Adolph Brodsky]] to Tchaikovsky, January–June 1882 — [[Klin]] House-Museum Archive.</ref>		<ref name="note17">See letters from [[Adolph Brodsky]] to Tchaikovsky, January–June 1882 — [[Klin]] House-Museum Archive.</ref>
	<ref name="note18">See [[Letter 2028]] to [[Pyotr Jurgenson]], 24 May/5 June 1882; [[Letter 2071]] to [[Sergey Taneyev]], 28 July/9 August 1882; ~~letters~~ [[Letter 2073\|2073]] and [[Letter 2076\|2076]] to [[Nadezhda von Meck]], 3/15 and 11/23 August 1882.</ref>		<ref name="note18">See [[Letter 2028]] to [[Pyotr Jurgenson]], 24 May/5 June 1882; [[Letter 2071]] to [[Sergey Taneyev]], 28 July/9 August 1882; Letters [[Letter 2073\|2073]] and [[Letter 2076\|2076]] to [[Nadezhda von Meck]], 3/15 and 11/23 August 1882.</ref>
	<ref name="note19">See [[Letter 828]] to [[Pyotr Jurgenson]], 15/27 May 1878, and [[Pyotr Jurgenson]]'s letter to Tchaikovsky, 15/27 June 1879 — [[Klin]] House-Museum Archive.</ref>		<ref name="note19">See [[Letter 828]] to [[Pyotr Jurgenson]], 15/27 May 1878, and [[Pyotr Jurgenson]]'s letter to Tchaikovsky, 15/27 June 1879 — [[Klin]] House-Museum Archive.</ref>
	<ref name="note20">See [[Letter 865]], 1/13 July 1878, and [[Letter 870]], 12/14 July 1878, to [[Pyotr Jurgenson]].</ref>		<ref name="note20">See [[Letter 865]], 1/13 July 1878, and [[Letter 870]], 12/14 July 1878, to [[Pyotr Jurgenson]].</ref>

Tony: /* Performances */ Text replacement - "Hopfkapelle" to "Hofkapelle"

2023-01-22T19:47:07Z

Performances: Text replacement - "Hopfkapelle" to "Hofkapelle"

← Older revision		Revision as of 21:47, 22 January 2023
Line 30:		Line 30:
	In Europe, and later in Russia, the foremost performer and advocate of the concerto was [[Adolph Brodsky]]. Enraptured by the concerto, [[Brodsky]] introduced it in [[Vienna]], at a special ''Novitätenprobe'' <ref name="note16"/>, conducted by Hans Richter. After the preliminary hearing, it was approved for performance at the third Philharmonic Society subscription concert on 22 November/4 December 1881. Its success was sensational, despite an unfavourable reception by parts of the audience. The critics behaved with hostility to the work, particularly the well-known critic Eduard Hanslick. Nevertheless, the concerto attracted considerable attention, and [[Brodsky]] received numerous offers for concerts in the following season <ref name="note17"/>.		In Europe, and later in Russia, the foremost performer and advocate of the concerto was [[Adolph Brodsky]]. Enraptured by the concerto, [[Brodsky]] introduced it in [[Vienna]], at a special ''Novitätenprobe'' <ref name="note16"/>, conducted by Hans Richter. After the preliminary hearing, it was approved for performance at the third Philharmonic Society subscription concert on 22 November/4 December 1881. Its success was sensational, despite an unfavourable reception by parts of the audience. The critics behaved with hostility to the work, particularly the well-known critic Eduard Hanslick. Nevertheless, the concerto attracted considerable attention, and [[Brodsky]] received numerous offers for concerts in the following season <ref name="note17"/>.

	Although [[Brodsky]]'s 1881 performance in [[Vienna]] was for many years presumed to have been the concerto's world premiere, evidence has recently been found to show that it was performed in [[Hannover]] on 1/13 March 1880, by the concertmaster of the city's ~~Hopfkapelle~~, Georg Hänflein, conducted by Ernst Frank <ref name="note22"/>. It is unclear whether Tchaikovsky was aware of this performance, which seems to have attracted little attention outside [[Hannover]] itself.		Although [[Brodsky]]'s 1881 performance in [[Vienna]] was for many years presumed to have been the concerto's world premiere, evidence has recently been found to show that it was performed in [[Hannover]] on 1/13 March 1880, by the concertmaster of the city's Hofkapelle, Georg Hänflein, conducted by Ernst Frank <ref name="note22"/>. It is unclear whether Tchaikovsky was aware of this performance, which seems to have attracted little attention outside [[Hannover]] itself.

	In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:		In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:
	* [[London]], St. James's Hall, 26 April/8 May 1882, [[Adolph Brodsky]] (violin), conducted by Hans Richter		* [[London]], St. James's Hall, 26 April/8 May 1882, [[Adolph Brodsky]] (violin), conducted by Hans Richter
	* Karlsruhe, 1st subscription concert, 16/28 October 1882, [[Adolph Brodsky]] (violin)		* Karlsruhe, 1st subscription concert, 16/28 October 1882, [[Adolph Brodsky]] (violin)
	* [[Moscow]], 1st RMS symphony concert, 30 October/11 November 1882, [[Iosif Kotek]] (violin), conducted by [[Max Erdmannsdörfer]]		* [[Moscow]], 1st RMS symphony concert, 30 October/11 November 1882, [[Iosif Kotek]] (violin), conducted by [[Max Erdmannsdörfer]]
	* [[Berlin]], 2nd Varesi concert, 15/27 November 1882, [[Iosif Kotek]] (violin)		* [[Berlin]], 2nd Varesi concert, 15/27 November 1882, [[Iosif Kotek]] (violin)
	* [[Saint Petersburg]], 10th RMS symphony concert, 31 January/12 February 1887, [[Adolph Brodsky]] (violin), conducted by [[Anton Rubinstein]]		* [[Saint Petersburg]], 10th RMS symphony concert, 31 January/12 February 1887, [[Adolph Brodsky]] (violin), conducted by [[Anton Rubinstein]]

Tony: Text replacement - "the" to "his" for ease of reading

2023-01-22T19:33:41Z

Text replacement - "the" to "his" for ease of reading

← Older revision		Revision as of 21:33, 22 January 2023
Line 16:		Line 16:
	Early in 1878, Tchaikovsky was staying at [[Clarens]] as a guest, with his former student, the violinist [[Iosif Kotek]]. Together with [[Kotek]], he played through a large selection from the violin repertoire, and in particular the French composer [[Lalo]]'s ''Symphonie espagnole'' which it seems inspired him to write a violin concerto <ref name="note1"/>.		Early in 1878, Tchaikovsky was staying at [[Clarens]] as a guest, with his former student, the violinist [[Iosif Kotek]]. Together with [[Kotek]], he played through a large selection from the violin repertoire, and in particular the French composer [[Lalo]]'s ''Symphonie espagnole'' which it seems inspired him to write a violin concerto <ref name="note1"/>.

	On 5/17 March Tchaikovsky wrote to [[Nadezhda von Meck]]: "...this morning I was overcome by that unfathomable burning inspiration I told you about... Besides small pieces, I am writing a sonata for piano and a violin concerto" <ref name="note2"/>. He set aside his [[Grand Sonata]], on which he had been working at the time, and began composition of the Violin Concerto <ref name="note3"/>. In a letter to [[Nadezhda von Meck]] of 7/19 March, Tchaikovsky noted that for the first time in ~~the~~ life he had begun a new composition before completing the previous one. "On this occasion I could not overcome my desire to make rough sketches for a concerto, and afterwards became so carried away that I abandoned work on the [[Grand Sonata\|sonata]]" <ref name="note4"/>. In all his letters from this period, the composer remarks that he is carried away with work on the concerto, which, notwithstanding its novelty of form, came very easily to him. On 10/22 March, i.e. after five days, Tchaikovsky finished the first movement of the concerto; on 11/23 March he began the second movement (Andante), and on 14/26 March he told [[Nadezhda von Meck]] that he had "reached the finale" and the concerto would soon be ready <ref name="note5"/>. On 16/28 March 1878, Tchaikovsky wrote: "Today I finished the ''concerto''. It still has to be copied out and played through a few times... and then orchestrated. I shall start the copying out and add the finishing touches" <ref name="note6"/>. The following day he began to make the fair copy <ref name="note7"/>.		On 5/17 March, Tchaikovsky wrote to [[Nadezhda von Meck]]: "...this morning I was overcome by that unfathomable burning inspiration I told you about... Besides small pieces, I am writing a sonata for piano and a violin concerto" <ref name="note2"/>. He set aside his [[Grand Sonata]], on which he had been working at the time, and began composition of the Violin Concerto <ref name="note3"/>. In a letter to [[Nadezhda von Meck]] of 7/19 March, Tchaikovsky noted that for the first time in his life he had begun a new composition before completing the previous one. "On this occasion I could not overcome my desire to make rough sketches for a concerto, and afterwards became so carried away that I abandoned work on the [[Grand Sonata\|sonata]]" <ref name="note4"/>. In all his letters from this period, the composer remarks that he is carried away with work on the concerto, which, notwithstanding its novelty of form, came very easily to him. On 10/22 March, i.e. after five days, Tchaikovsky finished the first movement of the concerto; on 11/23 March he began the second movement (Andante), and on 14/26 March he told [[Nadezhda von Meck]] that he had "reached the finale" and the concerto would soon be ready <ref name="note5"/>. On 16/28 March 1878, Tchaikovsky wrote: "Today I finished the ''concerto''. It still has to be copied out and played through a few times... and then orchestrated. I shall start the copying out and add the finishing touches" <ref name="note6"/>. The following day he began to make the fair copy <ref name="note7"/>.

	After playing through the concerto with [[Iosif Kotek]], Tchaikovsky decided to write a new Andante, though the first movement and finale were considered satisfactory <ref name="note8"/>. On 24 March/5 April, Tchaikovsky wrote the new Andante, which in his words was: "better suited to the concerto's other two movements". He decided to add two other violin pieces to the original Andante (which was restyled ''Méditation'') to form the cycle ''[[Souvenir d'un lieu cher]]'', Op. 42) <ref name="note9"/>.		After playing through the concerto with [[Iosif Kotek]], Tchaikovsky decided to write a new Andante, though the first movement and finale were considered satisfactory <ref name="note8"/>. On 24 March/5 April, Tchaikovsky wrote the new Andante, which in his words was: "better suited to the concerto's other two movements". He decided to add two other violin pieces to the original Andante (which was restyled ''Méditation'') to form the cycle ''[[Souvenir d'un lieu cher]]'', Op. 42) <ref name="note9"/>.

Brett: Text replacement - "Hanover" to "Hannover"

2022-08-25T13:39:35Z

Text replacement - "Hanover" to "Hannover"

← Older revision		Revision as of 15:39, 25 August 2022
Line 30:		Line 30:
	In Europe, and later in Russia, the foremost performer and advocate of the concerto was [[Adolph Brodsky]]. Enraptured by the concerto, [[Brodsky]] introduced it in [[Vienna]], at a special ''Novitätenprobe'' <ref name="note16"/>, conducted by Hans Richter. After the preliminary hearing, it was approved for performance at the third Philharmonic Society subscription concert on 22 November/4 December 1881. Its success was sensational, despite an unfavourable reception by parts of the audience. The critics behaved with hostility to the work, particularly the well-known critic Eduard Hanslick. Nevertheless, the concerto attracted considerable attention, and [[Brodsky]] received numerous offers for concerts in the following season <ref name="note17"/>.		In Europe, and later in Russia, the foremost performer and advocate of the concerto was [[Adolph Brodsky]]. Enraptured by the concerto, [[Brodsky]] introduced it in [[Vienna]], at a special ''Novitätenprobe'' <ref name="note16"/>, conducted by Hans Richter. After the preliminary hearing, it was approved for performance at the third Philharmonic Society subscription concert on 22 November/4 December 1881. Its success was sensational, despite an unfavourable reception by parts of the audience. The critics behaved with hostility to the work, particularly the well-known critic Eduard Hanslick. Nevertheless, the concerto attracted considerable attention, and [[Brodsky]] received numerous offers for concerts in the following season <ref name="note17"/>.

	Although [[Brodsky]]'s 1881 performance in [[Vienna]] was for many years presumed to have been the concerto's world premiere, evidence has recently been found to show that it was performed in [[~~Hanover~~]] on 1/13 March 1880, by the concertmaster of the city's Hopfkapelle, Georg Hänflein, conducted by Ernst Frank <ref name="note22"/>. It is unclear whether Tchaikovsky was aware of this performance, which seems to have attracted little attention outside [[~~Hanover~~]] itself.		Although [[Brodsky]]'s 1881 performance in [[Vienna]] was for many years presumed to have been the concerto's world premiere, evidence has recently been found to show that it was performed in [[Hannover]] on 1/13 March 1880, by the concertmaster of the city's Hopfkapelle, Georg Hänflein, conducted by Ernst Frank <ref name="note22"/>. It is unclear whether Tchaikovsky was aware of this performance, which seems to have attracted little attention outside [[Hannover]] itself.

	In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:		In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:

Brett: /* Performances */

2022-08-13T15:45:41Z

Performances

← Older revision		Revision as of 17:45, 13 August 2022
Line 45:		Line 45:
	* [[Saint Petersburg]], 10th RMS symphony concert, 30 January/11 February 1893, Leopold Auer (violin), conducted by Eduard Krushevsky		* [[Saint Petersburg]], 10th RMS symphony concert, 30 January/11 February 1893, Leopold Auer (violin), conducted by Eduard Krushevsky
	* [[Kharkov]], RMS symphony concert, 14/26 March 1893, Konstantin Gorsky (violin), conducted by Tchaikovsky (1st movement only)		* [[Kharkov]], RMS symphony concert, 14/26 March 1893, Konstantin Gorsky (violin), conducted by Tchaikovsky (1st movement only)
			* Amsterdam, Concertgebouw, special subscription concert, 14/26 October 1893, Felix Berber (violin), conducted by [[Willem Kes]]

	==Publication==		==Publication==

Brett: /* Performances */

2022-08-13T15:15:31Z

Performances

← Older revision		Revision as of 17:15, 13 August 2022
Line 33:		Line 33:

	In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:		In Russia, the Violin Concerto was performed for the first time on 8/20 August 1882 at the sixth concert in the Art and Industrial Exhibition in Moscow, by [[Adolph Brodsky]], conducted by [[Ippolit Altani]], where it had exceptional success <ref name="note18"/>. Other notable performances during the composer's lifetime were:
	* [[London]], St. James's Hall, 26 April/8 May 1882, [[Adolph Brodsky]] (violin), conducted by Hans Richter.		* [[London]], St. James's Hall, 26 April/8 May 1882, [[Adolph Brodsky]] (violin), conducted by Hans Richter
	* [[Moscow]], 1st RMS symphony concert, 30 October/11 November 1882, [[Iosif Kotek]] (violin), conducted by [[Max Erdmannsdörfer]].		* Karlsruhe, 1st subscription concert, 16/28 October 1882, [[Adolph Brodsky]] (violin)
	* [[Berlin]], 2nd Varesi concert, 15/27 November 1882, [[Iosif Kotek]] (violin).		* [[Moscow]], 1st RMS symphony concert, 30 October/11 November 1882, [[Iosif Kotek]] (violin), conducted by [[Max Erdmannsdörfer]]
	* [[Saint Petersburg]], 10th RMS symphony concert, 31 January/12 February 1887, [[Adolph Brodsky]] (violin), conducted by [[Anton Rubinstein]].		* [[Berlin]], 2nd Varesi concert, 15/27 November 1882, [[Iosif Kotek]] (violin)
	* [[Prague]], Rudolfinum, 7/19 February 1888, Karel Halíř (violin), conducted by Tchaikovsky.		* [[Saint Petersburg]], 10th RMS symphony concert, 31 January/12 February 1887, [[Adolph Brodsky]] (violin), conducted by [[Anton Rubinstein]]
	* [[Paris]], 17th Châtelet concert, 28 February/11 March 1888, [[Martin Pierre Marsick]] (violin), conducted by Tchaikovsky.		* [[Prague]], Rudolfinum, 7/19 February 1888, Karel Halíř (violin), conducted by Tchaikovsky
	* [[New York]], Chickering Hall, 25 March/6 April 1888, Maude Powell (violin), conducted by Anton Seidl.		* [[Paris]], 17th Châtelet concert, 28 February/11 March 1888, [[Martin Pierre Marsick]] (violin), conducted by Tchaikovsky
	* [[Moscow]], 2nd RMS symphony concert, 28 October/9 November 1889, [[Adolph Brodsky]] (violin), conducted by Tchaikovsky.		* [[New York]], Chickering Hall, 25 March/6 April 1888, Maude Powell (violin), conducted by Anton Seidl
			* [[Moscow]], 2nd RMS symphony concert, 28 October/9 November 1889, [[Adolph Brodsky]] (violin), conducted by Tchaikovsky
	* [[Warsaw]], 2/14 January 1892, [[Stanisław Barcewicz]] (violin), conducted by Tchaikovsky.		* [[Warsaw]], 2/14 January 1892, [[Stanisław Barcewicz]] (violin), conducted by Tchaikovsky.
	* [[Saint Petersburg]], 10th RMS symphony concert, 30 January/11 February 1893, Leopold Auer (violin), Eduard Krushevsky ~~(conductor).~~		* [[Saint Petersburg]], 10th RMS symphony concert, 30 January/11 February 1893, Leopold Auer (violin), conducted by Eduard Krushevsky
	* [[Kharkov]], RMS symphony concert, 14/26 March 1893, Konstantin Gorsky (violin), conducted by Tchaikovsky (1st movement only).		* [[Kharkov]], RMS symphony concert, 14/26 March 1893, Konstantin Gorsky (violin), conducted by Tchaikovsky (1st movement only)

	==Publication==		==Publication==