The Sleeping Beauty and Bibliography (1990): Difference between pages

Tchaikovsky Research
(Difference between pages)
 
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'''''The Sleeping Beauty''''' (Спящая красавица), [[Op.]] 66 ([[TH]] 13 ; [[ČW]] 13), was the second of Tchaikovsky's three ballet scores, based on the fairy tale by [[Charles Perrault]]. It was composed and orchestrated from October 1888 to August 1889, with minor revisions during stage rehearsals in the last three months of 1889.
{{bibhead|1990}}
 
{| class="wikitable sortable" width="99%"
==Instrumentation==
! width=35%|Contributor
The ballet is scored for a large orchestra comprising piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets (in A, B-flat), 2 bassoons + 4 horns (in F), 2 cornets (in A, B-flat), 2 trumpets (in A, B-flat), 3 trombones, tuba + 4 timpani, triangle, tambourine, military drum, cymbals, bass drum, tam tam, glockenspiel + piano + harp, violins I, violins II, violas, cellos, and double basses.
! width=55%|Title
 
! width=10%|Format
==Movements and Duration==
! width=10%|Language
Tchaikovsky's original score contains an Introduction and 30 individual numbers as listed below. The titles of numbers in French (italic type) and Russian (Cyrillic) are taken from the published score, with English translations added in bold type.
|-
{| class="wikitable"
| Acocella, Joan Ross, 1945- (author)
| {{bib|1990/1|Tchaikovsky's death. The autopsy continues}}
| Article
| English
|-
| Akhmatova, G. (author)
| {{bib|1990/2|Человек и судьба}}
| Article
| Russian
|-
| Angerer, Manfred, 1953-2010 (author)
| {{bib|1990/3|Ästhetik der Symphonie und russishce Symphonik}}
| Article
| German
|-
| Arkadyev, Mikhail Pavlovich (author)
| {{bib|1990/4|О несходстве сходного. Пиковая дама и миф о царе Эдипе (опыт сопоставления несопоставимого)}}
| Article
| Russian
|-
| Arutyunov, Devil Amayakovich, 1936- (author)
| {{bib|1990/191|Взгляды П. И. Чайковского на музыкальную форму (по материалам высказываний)}}
| Article
| Russian
|-
| Asafyev, Boris Vladimirovich, 1884-1949 (author)
| {{bib|1990/5|О тайнах балета Щелкунчик (К 150-летию со дня рождения П. И. Чайковского)}}
| Article
| Russian
|-
| Asafyev, Boris Vladimirovich, 1884-1949 (author)
| {{bib|1990/6|Чайковский, рассуждающий со своей собственной рукописью. Монолог или диалог?}}
| Article
| Russian
|-
| Ayzenshtadt, B. (author)<br/>Ayzenshtadt, M. (author)
| {{bib|1990/7|Забытый музыкальный салон}}
| Article
| Russian
|-
| Ayzenshtadt, B. (author)<br/>Ayzenshtadt, M. (author)
| {{bib|1990/8|Следом за Чайковским}}
| Article
| Russian
|-
| Banevich, Sergey (author)
| {{bib|1990/9|Что завещал нам Пётр Ильич. Завтра в Ленинграде открывается Детский музыкальный фестиваль, посвящённый 150-летию со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
| Barsova, Inna Alekseyevna, 1927- (author)
| {{bib|1990/28|Самые патетические композиторы европейской музыки. Чайковский и Малер}}
| Article
| Russian
|-
| Bellingardi, Luigi, 1929- (author)
| {{bib|1990/10|Invito all'ascolto di Petr Il'ič Čajkovskij}}
| Book
| Italian
|-
| Belonovich, Galina Ivanovna (author)
| {{bib|1990/11|На память}}
| Article
| Russian
|-
| Belonovich, Galina Ivanovna (author)
| {{bib|1990/12|На память. 150 лет со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
| Belonovich, Galina Ivanovna (compiler)
| {{bib|1990/13|Государственный Дом-музей П. И. Чайковского в Клину. Проспект}}
| Book
| Russian
|-
| Belonovich, Galina Ivanovna (compiler)<br/>Kotomina, Svetlana Samuilovna (compiler)<br/>Sidelnikov, Leonid Sergeyevich, 1931- (editor)
| {{bib|1990/14|Чайковский, 1840-1893}}
| Book
| Russian and English
|-
| Belonovich, Galina Ivanovna (compiler)<br/>Kotomina, Svetlana Samuilovna (compiler)<br/>Sidelnikov, Leonid Sergeyevich, 1931- (editor)
| {{bib|1990/15|Чайковский, 1840-1893}}
| Book
| Russian and English
|-
| Belousov, M. (author)
| {{bib|1990/16|Шедевры на все времена. К 150-летию со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
| Benois, Alexandre, 1870-1960 (author)
| {{bib|1990/17|Пиковая дама}}
| Article
| Russian
|-
| Benois, Alexandre, 1870-1960 (author)
| {{bib|1990/18|Спящая красавица}}
| Article
| Russian
|-
| Benois, Alexandre, 1870-1960 (author)<br/>Wiley, Roland John, 1942- (translator)
| {{bib|1990/19|The Sleeping Beauty}}
| Article
| English
|-
| Berberova, Nina Nikolayevna, 1902-1993 (author)
| {{bib|1990/20|Tchaïkovski. Biographie}}
| Book
| French
|-
| Berberova, Nina Nikolayevna, 1902-1993 (author)<br/>Martín Bermûdez, Santiago, 1947- (translator)
| {{bib|1990/21|Chaikovski}}
| Book
| Spanish
|-
| Beznosov, A. (author)
| {{bib|1990/22|С монограммой П. Ч. Неизвестные страницы жизни великого композитора}}
| Article
| Russian
|-
| Biryukov, O. (author)
| {{bib|1990/23|С именем Чайковского}}
| Article
| Russian
|-
| Blinov, Nikolay Orestovich, 1929-1988 (author)
| {{bib|1990/24|События двух дней. Хроника по сообщениям петербургских газет и свидетельствам современников}}
| Article
| Russian
|-
| Blok, Vladimir Mikhaylovich, 1932-1996 (author)
| {{bib|1990/25|К историй знаменитых Вариаций}}
| Article
| Russian
|-
| Bograd, G. (author)
| {{bib|1990/26|Страницы прошлого листая. Чайковский в Павловске}}
| Article
| Russian
|-
| Bograd, G. (author)
| {{bib|1990/27|Чайковский в Павловске}}
| Article
| Russian
|-
| Brodin, Gereon, 1901-1992 (author)
| {{bib|1990/29|Tjajkovskij Symfoni nr 6, Pathéthique}}
| Article
| Swedish
|-
| Brodsky, Anna Skadovsky, 1855-1929 (author)<br/>Nestyev, V. (editor)
| {{bib|1990/30|Из воспоминаний}}
| Article
| Russian
|-
| Brown, David, 1929-2014 (author)
| {{bib|1990/31|Shedding a mask. Tchaikovsky's personal relationships}}
| Article
| English
|-
| Brown, David, 1929-2014 (author)
| {{bib|1990/32|Tchaikovsky. The spirited mind}}
| Article
| English
|-
| Buck, Dorothy C. (author)
| {{bib|1990/33|The Journey of the swan maiden. A verse narrative retelling of an ancient myth}}
| Dissertation
| English
|-
| Budashevskaya, L. (author)
| {{bib|1990/34|Чайковский. Вчера, сегодня, завтра}}
| Article
| Russian
|-
| Canning, Hugh (author)
| {{bib|1990/35|Queen of Spades}}
| Article
| English
|-
| Chkhikvadze, Zakhary Ivanovich, 1862-1930 (author)<br/>Bakhtadze, Inga (editor)<br/>Dimitriadi, Nana (editor)
| {{bib|1990/36|Воспоминания о П. И. Чайковском}}
| Article
| Russian
|-
| Cliburn, Van, 1934-2013 (author)
| {{bib|1990/37|Мой Чайковский}}
| Article
| Russian
|-
| Comuzio, Ermanno, 1923-2012 (author)
| {{bib|1990/38|Attraverso il fuoco mi son fatto strada. Le vite fiammeggianti idei musicisti sullo schermo e in televisione}}
| Article
| Italian
|-
| Dulova, Yekaterina Nikolayevna (author)
| {{bib|1990/39|Спящая красавица в контексте позднего стиля Чайковского}}
| Article
| Russian
|-
| Dunayev, V. (author)
| {{bib|1990/40|Год Чайковского. Гений человечества}}
| Article
| Russian
|-
| Dürbach, Fanny, 1822-1901 (author)<br/>Kalina, M. (editor)
| {{bib|1990/41|Это был стеклянный ребёнок. Воспоминания гувернантки П. И. Чайковского}}
| Article
| Russian
|-
| Dyshevskaya, Vera Anatolyevna (author)<br/>Golovskaya, Klavdiya Vasilyevna (author)
| {{bib|1990/42|П. И. Чайковский. Методическая разработка для учителей музыки и руководителей кружков средней школы}}
| Book
| Russian
|-
| Esambayev, Makhmud Alisultan (author)
| {{bib|1990/43|Жить хорошо (После премьеры)}}
| Article
| Russian
|-
| Eskina, M. (author)
| {{bib|1990/44|Все симфоний Чайковского. Геометрия судьбы}}
| Article
| Russian
|-
| Fedianina, L. D. (author)
| {{bib|1990/45|Поэтика тихого света в концепций Шестой симфоний Чайковского}}
| Article
| Russian
|-
| Ferrero Costa, Augusto (author)
| {{bib|1990/47|Yolanda, la última ópera de Tchaikovsky}}
| Article
| Spanish
|-
| Forser, S. (author)
| {{bib|1990/48|Ånken, kompositoeren och d 1 100 breven}}
| Article
| Swedish
|-
| Gaines, C. T. (author)
| {{bib|1990/49|Sesquicentennial. Peter Ilyich Tchaikovsky}}
| Article
| English
|-
| Gakkel, Leonid Yevgenyevich (author)
| {{bib|1990/50|Думая о нем, мы думаем о себе. Завтра исполняется 150 лет со дня рождения Петра Ильича Чайковского}}
| Article
| Russian
|-
| Galvert, M. De (author)
| {{bib|1990/51|Queen of Spades}}
| Article
| English
|-
| Gaydamovich, Tatyana Alekseyevna (author)
| {{bib|1990/52|Два варианта одного сочинения, два варианта его интерпретаций. Вариаций на тему рококо}}
| Article
| Russian
|-
| Gerdt, O. (author)
| {{bib|1990/53|Я претендую на шедевр этого жанра}}
| Article
| Russian
|-
| Gilinsky, Joshua Earl (author)
| {{bib|1990/54|Unity and opposition in the orchestration of Tchaikovsky's Romeo and Juliet overture}}
| Dissertation
| English
|-
| Gippo, Jan (author)
| {{bib|1990/55|The Nutcracker and the piccolo}}
| Article
| English
|-
| Golota, V. V. (author)
| {{bib|1990/56|Театральная Одесса}}
| Book
| Russian
|-
| Golubin, V. (author)
| {{bib|1990/57|На родине гения русской музыки}}
| Article
| Russian
|-
| Goodwin, Noël, 1927- (author)
| {{bib|1990/58|A Tale of two entr'actes. Aspects of Tchaikovsky and the Sleeping Beauty}}
| Article
| English
|-
| Gornostayeva, Vera Vasilyevna, 1929-2015 (author)
| {{bib|1990/59|Музыка на все времена}}
| Article
| Russian
|-
| Greenfield, Edward Harry, 1928-2015 (compiler)<br/>Layton, Robert, 1930- (compiler)<br/>March, Ivan, 1928-2018 (editor)
| {{bib|1990/60|Tchaikovsky, Peter (1840-93)}}
| Article
| English
|-
| Grigorovich, Valentina Borisovna (compiler)<br/>Andreyeva, Zinayda Mikhaylovna (compiler)
| {{bib|1990/61|Чайковский, Пётр Илиьч}}
| Article
| Russian
|-
| Helm, Everett, 1913-1999 (author)
| {{bib|1990/62|Peter I. Tschaikowsky. In Selbstzeugnissen und Bilddokumenten}}
| Book
| German
|-
| Holmes, John Leonard, 1925- (author)
| {{bib|1990/63|Peter Tchaikovsky (1840-1893)}}
| Article
| English
|-
| Igumnov, Konstantin Nikolayevich, 1873-1948 (author)<br/>Sokolov, Mikhail Georgyevich, 1907- (editor)
| {{bib|1990/64|О фортепьянных сочинениях П. И. Чайковского. Статьи о композиторах}}
| Article
| Russian
|-
| Ilyichev, V. (author)
| {{bib|1990/65|Чайковский и Большой театр. Из историй постановки опер балетов композитора на сцене Большого театра}}
| Article
| Russian
|-
| Ilyicheva, Marina Aleksandrovna (author)
| {{bib|1990/66|На грани бессмертия и псевдо-жизни}}
| Article
| Russian
|-
| Itkin, D. (author)
| {{bib|1990/67|На Малой Морской}}
| Article
| Russian
|-
| Itkina, Zh. M. (author)<br/>Yudin, Gavryl Yakovlevich (editor)
| {{bib|1990/68|Некоторые особенности исполнительских трактовок Натана Рахлина в его казанских программах}}
| Article
| Russian
|-
| Jacobs, Arthur, 1922-1996 (author)
| {{bib|1990/69|Vakula the Smith. BBC Radio 3}}
| Article
| English
|-
| Jansson, Anders, 1930- (author)
| {{bib|1990/70|Pjotr Tjajkovskij. Sista verket}}
| Article
| Swedish
|-
| Johansson, Warren, 1934-1994 (author)<br/>Dynes, Wayne R., 1934- (editor)
| {{bib|1990/71|Tchaikovsky, Peter Il'ich (1840-1893)}}
| Article
| English
|-
| Kandinsky, Aleksey Ivanovich, 1918- (editor)<br/>Rozanova, Yuliya Andreyevna (compiler)
| {{bib|1990/72|Чайковский. Вопросы историй, теорий и исполнительства. К 150-летию со дня рождения}}
| Book
| Russian
|-
| Kandinsky-Rybnikov, Aleksey Alekseyevich (author)<br/>Mesropova, Marina Grantovna (author)
| {{bib|1990/73|Времена года и Детский альбом Чайковского. Цикличность и проблемы исполнения}}
| Article
| Russian
|-
| Karagicheva, Lyudmila Vladimirovna (author)
| {{bib|1990/74|Два этюда о Пиковой даме. Модест Чайковский или Пушкин? Почему ариетта из оперы Гретри?}}
| Article
| Russian
|-
| Keldysh, Yury Vsevolodovich, 1907-1995 (author)
| {{bib|1990/75|Симфонизм Чайковского и эволюция симфонического мышления в XIX веке}}
| Article
| Russian
|-
| Kennicott, P. (author)
| {{bib|1990/76|Notes on The Nutcracker}}
| Article
| English
|-
| Kholfina, Serafima Sergeyevna (author)
| {{bib|1990/77|Вспоминая мастеров московского балета}}
| Book
| Russian
|-
| Kholopov, Yury Nikolayevich, 1932-2003 (author)
| {{bib|1990/78|О системе музыкальных форм в симфониях Чайковского. К проблеме классификации музыкальных форм}}
| Article
| Russian
|-
| Kikta, V. (author)
| {{bib|1990/79|Чайковский в скульптуре}}
| Article
| Russian
|-
| Klimovitsky, Arkady Iosifovich, 1937- (editor)
| {{bib|1990/80|Голоса из Клинского дома. Письма, документы}}
| Article
| Russian
|-
| Klimovitsky, Arkady Iosifovich, 1937- (editor)
| {{bib|1990/253|Неизвестные страницы эпистолярии Чайковского}}
| Article
| Russian
|-
| Kline, P. (author)
| {{bib|1990/81|Letters to the editor. Zajaczkowski on Tchaikovsky}}
| Article
| English
|-
| Kogan, Marina Eduardovna (author)
| {{bib|1990/82|Родословная П. И. Чайковского}}
| Article
| Russian
|-
| Kohlhase, Thomas, 1941- (author)
| {{bib|1990/83|Petr I. Čajkovskij. Ein Erneurer der mehrstimmigen Russishcen Kirchenmusik ; II. Die Vsenoš naja, Op. 52, und einzelne Chöre}}
| Article
| German
|-
| Kohlhase, Thomas, 1941- (author)
| {{bib|1990/84|Russische Samen säen?. Peter I. Čajkovskijs ursprüngliches Vorwort zur Ganznächtlichen Vigil wiederntdeckt}}
| Article
| German
|-
| Kolmakova, M. (author)
| {{bib|1990/85|Все симфоний Чайковского. Загадка Мастера}}
| Article
| Russian
|-
| Kolosova, V. (author)
| {{bib|1990/86|Зимний путь}}
| Article
| Russian
|-
| Konstantinova, Marina Yevgenyevna (author)
| {{bib|1990/87|Спящая красавица}}
| Book
| Russian
|-
| Konyshev, V. (author)
| {{bib|1990/88|Пари над миром, русский гений (из высказываний о композиторе)}}
| Article
| Russian
|-
| Kopytova, Galina Viktorovna, 1946- (author)
| {{bib|1990/89|Год Чайковского. По следам Франчески да Римини}}
| Article
| Russian
|-
| Korabelnikova, Lyudmila Zinovyeva, 1930- (author)
| {{bib|1990/90|Письма к Чайковскому. Диалог с эпохой}}
| Article
| Russian
|-
| Korabelnikova, Lyudmila Zinovyeva, 1930- (author)<br/>Feldman, O. (author)
| {{bib|1990/46|Завоевывать новые миры в искусстве. Д. Шостакович, И. Соллертинский, Вс. Мейерхольд}}
| Article
| Russian
|-
| Koroleva, Elfrida Aleksandrovna (author)
| {{bib|1990/91|Идеи, актуальные сегодня. Балет Спящая красавица П. Чайковского в Театре оперы и балета Молдавской ССР (К 150-летию со дня рождения П. И. Чайковского)}}
| Article
| Russian
|-
| Kozlov, V. (author)
| {{bib|1990/92|Дар фонду культуры. Пять писем Чайковского}}
| Article
| Russian
|-
| Ladygin, D. (author)
| {{bib|1990/93|Многострадальная история музыки балета продолжается}}
| Article
| Russian
|-
| Ladygin, D. (author)
| {{bib|1990/94|Партитура Лебединого озера. Тревожные факты её биографий}}
| Article
| Russian
|-
| Laroche, Herman, 1845-1904 (author)<br/>Wiley, Roland John, 1942- (translator)
| {{bib|1990/95|The Sleeping Beauty}}
| Article
| English
|-
| Lazarus, John, 1947- (author)
| {{bib|1990/96|Eugene Onegin}}
| Article
| English
|-
| Lazarus, John, 1947- (author)
| {{bib|1990/97|The Queen of Spades}}
| Article
| English
|-
| Lehmann, H. (author)
| {{bib|1990/98|Ein Mensch wie von Puschkin. Zum 150. Geburtstag von Peter Tschaikowski}}
| Article
| German
|-
| Lenzon, Viktor Markovich (author)
| {{bib|1990/99|Беседы о музыке. Зимние грезы}}
| Article
| Russian
|-
| Llorens, Pedro, 1937- (author)
| {{bib|1990/100|Chaikovsky. El ballet en el siglo}}
| Article
| Spanish
|-
| Lunacharsky, Anatoly Vasiliyevich, 1875-1933 (author)<br/>Vaidman, Polina Yefimovna, 1947-2016 (editor)
| {{bib|1990/101|Вклад Чайковского в русскую культуру бесценен}}
| Article
| Russian
|-
| Lvov, V. (author)
| {{bib|1990/102|Чайковский всегда с нами}}
| Article
| Russian
|-
| Macaulay, Alastair (author)
| {{bib|1990/103|Ermler's Tchaikovsky}}
| Article
| English
|-
| Macaulay, Alastair (author)
| {{bib|1990/104|The Big sleep. The Sleeping Beauty at its centenary. Tchaikovsky-Petipa collaboration}}
| Article
| English
|-
| Maksov, Aleksandr (author)
| {{bib|1990/105|К звездом и в розовое море надеж}}
| Article
| Russian
|-
| Maksov, Aleksandr (author)
| {{bib|1990/106|На памятник Чайковскому}}
| Article
| Russian
|-
| Malsheva, T. F. (author)
| {{bib|1990/107|Канонические основы Всенощного бдения и их трактовке П. И. Чайковским}}
| Article
| Russian
|-
| Mayer, Martin, 1928- (author)
| {{bib|1990/108|The Maid of Orleans}}
| Article
| English
|-
| Mikhaylov, Mikhail Kesarevich, 1904-1983 (author)
| {{bib|1990/109|Об истоках одной темы Чайковского}}
| Article
| Russian
|-
| Milovanova, N. (author)
| {{bib|1990/110|Звучит музыка Чайковского}}
| Article
| Russian
|-
| Minayeva, V. (author)
| {{bib|1990/111|Дует для голоса и мятущейся души}}
| Article
| Russian
|-
| Molin, D. (author)
| {{bib|1990/112|Листая Юным о музыке. Детский альбом}}
| Article
| Russian
|-
| Morita, Minoru, 1932- (editor)
| {{bib|1990/113|Chaikofusukī (チャイコフスキー)}}
| Book
| Japanese
|-
| Mountfield, David, 1938-2005 (author)
| {{bib|1990/114|Pyotr Ilyich Tchaikovsky, 1840-1893}}
| Book
| English
|-
| Mountfield, David, 1938-2005 (author)<br/>Dovaz, Claude (translator)
| {{bib|1990/115|Tchakovski}}
| Book
| French
|-
| Moyseyev, Ya. (author)
| {{bib|1990/116|Избирательное сродство. Чайковский о Пушкине}}
| Article
| Russian
|-
| Naborshchikova, S. (author)
| {{bib|1990/117|Балет. Чайковский в Ташкенте}}
| Article
| Russian
|-
| Nadeynsky, E. (author)
| {{bib|1990/118|Династия из дома на Неглинной}}
| Article
| Russian
|-
| Nagibin, Yury Markovich, 1920-1994 (author)
| {{bib|1990/119|Чайковский. Финал трагедий}}
| Article
| Russian
|-
| Nagibin, Yury Markovich, 1920-1994 (author)
| {{bib|1990/120|Чайковский. Финал трагедий}}
| Article
| Russian
|-
| Neef, Hermann, 1936-2017 (author)
| {{bib|1990/121|Schwanensee. Die Tragödie der gehorsamen Kinder}}
| Article
| German
|-
| Neef, Sigrid, 1944- (author)
| {{bib|1990/122|Was ist der. Name meiner Gegenwart?. Zum 150. Geburtstag Pjotr Iljitsch Tschaikowskis}}
| Article
| German
|-
| Nicastro, Aldo, 1936- (author)
| {{bib|1990/123|Petr Ilîč Čajkovskij}}
| Book
| Italian
|-
| Nikitin, Boris Semyonovich (author)
| {{bib|1990/124|Чайковский. Старое и новое}}
| Book
| Russian
|-
| Nikolsky, A. V. (author)
| {{bib|1990/125|П. И. Чайковский как духовный композитор}}
| Article
| Russian
|-
| Nyuberg-Kashkina, Sofya Nikolayevna (author)
| {{bib|1990/126|Из воспоминания}}
| Article
| Russian
|-
| Onchurova, N. (author)
| {{bib|1990/127|Из музейных архивов. юрий Бахрушин о балетах Чайковского}}
| Article
| Russian
|-
| Orlova, Aleksandra Anatolyevna, 1911-2014 (author)
| {{bib|1990/128|П. И. Чайковский о музыке. К 150-летию со дня рождения композитора}}
| Article
| Russian
|-
| Orlova, Aleksandra Anatolyevna, 1911-2014 (compiler)<br/>Davison, R. M. (translator)
| {{bib|1990/129|Tchaikovsky. A self-portrait}}
| Book
| English
|-
| Orokhovatsky, Yury Ivanovich, 1938-2002 (author)
| {{bib|1990/130|Ангелы-хранители. Упасите от поругания}}
| Article
| Russian
|-
| Osipova, L. (author)
| {{bib|1990/131|Песни Ротшильда}}
| Article
| Russian
|-
| Papp, Márta, 1948- (author)
| {{bib|1990/132|Orosz klassizka, szovjet modern. Csajkovszkij es Sosztakovics a Dresdai Unnepi Jatekokom}}
| Article
| Hungarian
|-
| Percival, John, 1927-2012 (author)
| {{bib|1990/133|A Beauty past compare. Petipa's scenario for The Sleeping Beauty}}
| Article
| English
|-
| Perkina, L. (author)
| {{bib|1990/134|Балет и Чайковский}}
| Article
| Russian
|-
| Pinto, J. M. (author)
| {{bib|1990/135|Chaikovsky. La musica impudica}}
| Article
| Spanish
|-
| Platek, Yakov Moyseyevich, 1930- (author)
| {{bib|1990/136|Единый лавр их дружно обвивает. [1]}}
| Article
| Russian
|-
| Pletnev, Mikhail Vasilyevch, 1957- (author)
| {{bib|1990/137|Бесконечность гения}}
| Article
| Russian
|-
| Pletnev, Mikhail Vasilyevch, 1957- (author)
| {{bib|1990/138|Музыка на все времена. 150 лет со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
| Pozdeyeva, T. A. (compiler)<br/>Prudnikova, O. F. (compiler)<br/>Krypova, V. M. (photographer)<br/>Pomosova, A. N. (photographer)
| {{bib|1990/139|На родине П. И. Чайковского}}
| Book
| Russian
|-
| Pribegina, Galina Alekseyevna, 1933- (author)
| {{bib|1990/140|Пётр Ильич Чайковский, 1840-1893}}
| Book
| Russian
|-
| Proleyeva, Valentina Iosifovna (author)
| {{bib|1990/141|К родословной П. И. Чайковского. Жизнь и деятельность П. Ф. Чайковского}}
| Book
| Russian
|-
| Pudełek, Janina, 1930-2004 (author)
| {{bib|1990/142|Swan Lake in Warsaw, 1900}}
| Article
| English
|-
| Raikhina, E. (compiler)
| {{bib|1990/143|Пётр Ильич Чайковский, 1840-1990}}
| Book
| Russian
|-
| Rakhmanova, Marina Pavlovna, 1947- (author)
| {{bib|1990/144|Огромное и ещё едва тронутое поле деятельности}}
| Article
| Russian
|-
| Regitz, Hartmut (author)
| {{bib|1990/145|100 Jahre Dornröschen - Ballet}}
| Article
| German
|-
| Rimsky, Leonid (author)
| {{bib|1990/146|Все симфоний Чайковского. Глубокое и утонченное искусство}}
| Article
| Russian
|-
| Robinson, H. (author)
| {{bib|1990/147|Tchaikovsky. Symphony #4}}
| Article
| English
|-
| Rozanova, Yuliya Andreyevna (author)
| {{bib|1990/148|Создавая новую летопись жизни и творчества Чайковского}}
| Article
| Russian
|-
| Sagaev, Dimitŭr Konstantinov, 1915-2003 (author)
| {{bib|1990/149|Pismo na P. I. Chaykovski do K. I. Mikhaylov-Stoyan}}
| Article
| Bulgarian
|-
| Savenko, Svetlana Ilinichna, 1946- (author)
| {{bib|1990/150|Считаю себя из племени, порожденного Чайковским}}
| Article
| Russian
|-
| Savinov, I. (author)
| {{bib|1990/151|Жизнь вернулась во дворец}}
| Article
| Russian
|-
| Savkina, Nataliya Pavlovna (author)
| {{bib|1990/152|Молодой Прокофьев и Чайковский. Наблюдения над стилем оперы Маддалена}}
| Article
| Russian
|-
| Sazhina, M. (author)
| {{bib|1990/153|О палочке, балетной туфельке и великом городе}}
| Article
| Russian
|-
| Seboshev, S. (author)
| {{bib|1990/154|Где быть памятнику П. И. Чайковскому?}}
| Article
| Russian
|-
| Seibert, David Chipman (author)
| {{bib|1990/155|The Tchaikovsky Fifth. A symphony without a programme}}
| Article
| English
|-
| Shadrina, N. (author)
| {{bib|1990/156|Иоанна д'Арк на московской сцене}}
| Article
| Russian
|-
| Shalnev, Aleksandr Anatolyevich (author)
| {{bib|1990/157|Без тринадцатого этажа}}
| Article
| Russian
|-
| Shalnev, Aleksandr Anatolyevich (author)
| {{bib|1990/158|Поиски, находки. Автограф из Карнеги-холл}}
| Article
| Russian
|-
| Shapovalov, A. (author)
| {{bib|1990/159|Чарующие звуки над Влтавой. К 150-летию П. И. Чайковского}}
| Article
| Russian
|-
| Shapovalov, P. (author)
| {{bib|1990/160|Чарующие звуки над Влтавой}}
| Article
| Russian
|-
| Sherikhova, G. (author)
| {{bib|1990/161|Все симфоний Чайковского. Зимний путь}}
| Article
| Russian
|-
| Shevchuk, S. (author)
| {{bib|1990/162|Мир слушает Чайковского}}
| Article
| Russian
|-
| Shevchuk, S. (author)
| {{bib|1990/163|Ответный звук}}
| Article
| Russian
|-
| Shokhman, Gennady (author)
| {{bib|1990/164|Взгляд с других берегов}}
| Article
| Russian
|-
| Sidelnikov, Leonid Sergeyevich, 1931- (author)
| {{bib|1990/165|Остались позади верстовые столбы Россий. Первое зарубежное путешествие П. И. Чайковского}}
| Article
| Russian
|-
| Sidorova, T. O. (author)
| {{bib|1990/166|О некоторых специфических чертах творческого процесса Чайковского}}
| Article
| Russian
|-
| Skalkovsky, Konstantin Apollonovich, 1843-1906 (author)<br/>Wiley, Roland John, 1942- (translator)
| {{bib|1990/167|The Sleeping Beauty}}
| Article
| English
|-
| Skorbiashchenskaya, Olga Adolfovna (author)
| {{bib|1990/168|Чайковский и Вебер}}
| Article
| Russian
|-
| Slonimsky, S. (author)
| {{bib|1990/169|Вслушаемся в эту музыку. К 150-летию со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
| Slyusarenko, T. (author)
| {{bib|1990/170|Все симфоний Чайковского. Без ложной скромности скажу?}}
| Article
| Russian
|-
| Slyusarenko, T. (author)
| {{bib|1990/171|Все симфоний Чайковского. Между жизнью и смертью}}
| Article
| Russian
|-
| Slyusarenko, T. (author)
| {{bib|1990/172|Встреча в Клину. Такой, как все}}
| Article
| Russian
|-
| Smetannikov, Leonid Anatolyevich, 1943- (author)
| {{bib|1990/173|Мои Чайковский. К 150-летию со дня рождения}}
| Article
| Russian
|-
| Smirnov, Mstislav Anatolyevich (author)
| {{bib|1990/174|Чайковский. Вечность мгновения}}
| Article
| Russian
|-
| Smyth, Ethel, 1858-1944 (author)<br/>Nestyev, V. (translator)
| {{bib|1990/175|Из воспоминаний}}
| Article
| Russian
|-
| Sorokina, I. (author)
| {{bib|1990/176|История одной жизни. Из оперного наследия Чайковского}}
| Article
| Russian
|-
| Sorokina, Yelena Gennadyevna, 1940- (author)
| {{bib|1990/177|Фортепьянные сонаты Чайковского. К проблеме становления классической сонаты в русской музыке 2-и половины XIX века}}
| Article
| Russian
|-
| Struchkova, Raissa Stepanovna, 1925-1978 (author)
| {{bib|1990/178|Школа сердце. К 150-летию со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
| Stuart, O. (author)
| {{bib|1990/179|Tchaikovsky's enduring Nutcracker}}
| Article
| English
|-
| Studwell, William Emmett, 1936-2010 (compiler)<br/>Hamilton, David Arnold, 1927- (compiler)
| {{bib|1990/180|Iolanta}}
| Article
| English
|-
| Studwell, William Emmett, 1936-2010 (compiler)<br/>Hamilton, David Arnold, 1927- (compiler)
| {{bib|1990/181|Mazeppa}}
| Article
| English
|-
| Studwell, William Emmett, 1936-2010 (compiler)<br/>Hamilton, David Arnold, 1927- (compiler)
| {{bib|1990/182|Oprichnik}}
| Article
| English
|-
| Studwell, William Emmett, 1936-2010 (compiler)<br/>Hamilton, David Arnold, 1927- (compiler)
| {{bib|1990/183|The Little Shoes}}
| Article
| English
|-
|-
| colspan="3"|
| Studwell, William Emmett, 1936-2010 (compiler)<br/>Hamilton, David Arnold, 1927- (compiler)
| colspan="2"| '''Introduction''' (Интродукция) <br/>Allegro vivo (76 bars)  
| {{bib|1990/184|The Maid of Orleans}}
| Article
| English
|-
|-
| colspan="2" rowspan="5"|'''''Prologue'''''
| Studwell, William Emmett, 1936-2010 (compiler)<br/>Hamilton, David Arnold, 1927- (compiler)
| No. 1
| {{bib|1990/185|The Queen of Spades}}
| colspan="2"| '''March''' (''Marche'' ; Марш)<br/>Moderato (147 bars)  
| Article
| English
|-
|-
| No. 2
| Studwell, William Emmett, 1936-2010 (compiler)<br/>Hamilton, David Arnold, 1927- (compiler)
| colspan="2"|'''Dancing Scene: Entrance of the Fairies''' (''Scène dansante: Entrée des Fées'' ; Сцена с танцами: Выход фей)<br/> Moderato con moto—Tempo di Valse (210 bars)
| {{bib|1990/186|The Sorceress}}
| Article
| English
|-
|-
| rowspan="2"|No. 3
| Svetlanov, Yevgeny Fyodorovich, 1928-2002 (author)
| colspan="2"|'''Pas de six''':
| {{bib|1990/187|Великий сын Россий}}
| Article
| Russian
|-
|-
| [a]<br/>[b]<br/>[c]<br/>[d]<br/>[e]<br/>[f]<br/>[g]<br/>[h]
| Svetlanov, Yevgeny Fyodorovich, 1928-2002 (author)
| Adagio — Andante (93 bars)<br/>Var. I. '''Candide''' (Фея искренности). Allegro moderato (36 bars)<br/>Var. II. '''Coulante: The Fairy of Blooming Wheat''' (''Coulante: Fleur de Farine'' ; Фея цветущих колосьев). Allegro (35 bars)<br/>Var. III. '''Breadcrumb''' (''Miettes qui tombent'' ; Фея, рассыпающая хлебные крошки). Allegro moderato (41 bars)<br/>Var. IV. '''The Singing Canary''' (''Canari qui chante'' ; Фея-щебечущая канарейка). Moderato (25 bars)<br/>Var. V. '''Violante''' (Фея пылких сильных страстей). Allegro molto vivace (76 bars)<br/>Var. VI. '''The Lilac Fairy''' (''La Fée des Lilas'' ; Фея сирени). Tempo di Valse (60 bars)<br/> '''Coda''' (Кода). Allegro giusto (79 bars)
| {{bib|1990/188|Великий сын Россий. К 150-летию со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
|-
| No. 4
| Tchaikovskaya, Olga Georgyevna, 1917-2012 (author)
| colspan="2"|'''Finale''' (Финал)<br/>Andante—Allegro vivo (293 bars)
| {{bib|1990/189|Пиковые дамы}}
| Article
| Russian
|-
|-
| colspan="2" rowspan="9"|'''''Act I'''''
| Tchaikovsky, Pyotr Ilyich, 1840-1893 (author)<br/>Korabelnikova, Lyudmila Zinovyeva, 1930- (editor)<br/>Rakhmanova, Marina Pavlovna, 1947- (editor)
| No. 5
| {{bib|1990/190|П. И. Чайковский. Полное собрание сочинений ; том 63}}
| colspan="2"|'''Scene''' (''Scène'' ; Сцена)<br/>Allegro vivo (215 bars)
| Book
| Russian
|-
|-
| No. 6
| Tsareva, Yekaterina Mikhaylovna (author)
| colspan="2"|'''Waltz''' (''Valse'' ; Вальс)<br/>Allegro. Tempo di Valse (297 bars)
| {{bib|1990/192|Манфред Байрона у Шумана и Чайковского. К проблеме музыки и слова}}
| Article
| Russian
|-
|-
| No. 7
| Tsareva, Yekaterina Mikhaylovna (author)<br/>Keldysh, Yury Vsevolodovich, 1907-1995 (editor)
| colspan="2"|'''Scene''' (''Scène'' ; Сцена)<br/>Andante (71 bars)
| {{bib|1990/193|Чайковский, Пётр Ильич}}
| Article
| Russian
|-
|-
| rowspan="5"|No. 8
| Tsukkerman, Viktor Abramovich, 1903-1988 (author)
| colspan="2"|'''Pas d&#39;action''':
| {{bib|1990/194|Чайковский}}
| Article
| Russian
|-
|-
| (a)
| Tugarinov, Yevgeny Svyatoslavovich. (author)
| '''Adagio''' [&quot;Rose Adagio&quot;]<br/>Andante—Adagio maestoso (82 bars)
| {{bib|1990/195|Под знаком его творчества}}
| Article
| Russian
|-
|-
| (b)
| Tulintsev, Boris (author)
| '''Dances of the Maids of Honour and Pages''' (''Danse des demoiselles d&#39;honneur et des pages'' ; Танец фрейлин и пажей)<br/>Allegro moderato (63 bars)
| {{bib|1990/196|В память о Чайковском}}
| Article
| Russian
|-
|-
| (c)
| Tulintsev, Boris (author)
| '''Aurora&#39;s Variation''' (''Variation d&#39;Aurore'' ; Вариация Авроры)<br/>Allegro moderato (118 bars)
| {{bib|1990/197|Из историй культуры. В память о Чайковском}}
| Article
| Russian
|-
|-
| (d)
| Tyurina, G. (author)
| '''Coda''' (Кода)<br/>Allegro giusto (179 bars)
| {{bib|1990/198|Гений чистой красотy. К 150-летию со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
|-
| No. 9
| Ulyanova, M. (author)
| colspan="2"|'''Finale''' (Финал)<br/>Allegro giusto (193 bars)
| {{bib|1990/199|Здесь рождалась его музыка}}
| Article
| Russian
|-
|-
| width="8%" rowspan="21"|'''''Act II'''''
| Vaidman, Polina Yefimovna, 1947-2016 (author)
| width="8%" rowspan="17"|Scene 1
| {{bib|1990/200|Запись становится косым дождем, ливнем. Клинская тетрадь Б. В. Асафьева}}
| width="8%" |No. 10
| Article
| colspan="2"|'''Entr&#39;acte and Scene''' (''Entr&#39;acte et Scène'' ; Антракт и сцена)<br/>Allegro con spirito (79 bars)
| Russian
|-
|-
| No. 11
| Vaidman, Polina Yefimovna, 1947-2016 (author)
| colspan="2"|'''Blind Man&#39;s Buff''' (''Colin-maillard'' ; Жмурки)<br/>Allegro vivo (56 bars)
| {{bib|1990/201|Начало. Новые материалы из архива П. И. Чайковского}}
| Article
| Russian
|-
|-
| rowspan="5"|No. 12
| Varvarina, M. (author)
| (a)
| {{bib|1990/202|Воскрешенная Литургия}}
| '''Scene''' (''Scène'' ; Сцена)<br/>Moderato (17 bars)
| Article
| Russian
|-
|-
| (b)
| Vasilyeva, G. (author)
| '''Dance of the Duchesses''' (''Danse des duchesses'' ; Танец герцогинь)<br/>Moderato con moto. Tempo di Menuetto (24 bars)
| {{bib|1990/203|Загадочная русская душа. Исполняется 150-лет со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
|-
| (c)
| Vasilyeva, N. (author)
| '''Dance of the Baronesses''' (''Danse des baronesses'' ; Танец баронесс)<br/>Allegro moderato. Tempo di Gavotte (26 bars)
| {{bib|1990/204|Год Чайковского. Я русский в полнейшем смысле этого слова}}
| Article
| Russian
|-
|-
| (d)
| Vavilina-Mravinskaya, Aleksandra Mikhaylovna (author)
| '''Dance of the Countesses''' (''Danse des comtesses'' ; Танец графинь)<br/>Allegro non troppo (26 bars)
| {{bib|1990/205|От души, к душе. К 150-летию со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
|-
| (e)
| Volkonsky, S. M. (author)
| '''Dance of the Marchionesses''' (''Danse des marquises'' ; Танец маркиз)<br/>Allegro non troppo (46 bars)
| {{bib|1990/206|Бессмертно то, что мы любим}}
| Article
| Russian
|-
|-
| rowspan="3"|No. 13
| Warrack, John Hamilton, 1928- (author)
| colspan="2"|'''Farandole''' (Фарандола)
| {{bib|1990/207|Poisonous rumours}}
| Article
| English
|-
|-
| width="3%"| (a)
| Welch, Frances, 1957-. (author)
| width="74%"|'''Scene''' (''Scène'' ; Сцена)<br/>Poco più vivo (16 bars)
| {{bib|1990/208|Why he took arsenic}}
| Article
| English
|-
|-
| (b)
| Werner, E. (author)
| '''Dance''' (''Danse'' ; Танец)<br/>Allegro non troppo. Tempo di Mazurka (76 bars)
| {{bib|1990/209|Dass er ein Schöpfer der Melodie war}}
| Article
| German
|-
|-
| No. 14
| Wiley, Roland John, 1942- (author)
| colspan="2"|'''Scene''' (''Scène'' ; Сцена)<br/>Allegro con spirito (133 bars)
| {{bib|1990/210|Life sentence on Chaikovsky}}
| Article
| English
|-
|-
| rowspan="4"|No. 15
| Wiley, Roland John, 1942- (author)
| colspan="2"|'''Pas d&#39;action''':
| {{bib|1990/211|Musical form in The Sleeping Beauty}}
| Article
| English
|-
|-
| (a)
| Wiley, Roland John, 1942- (author)
| '''Scene of Aurora and Désiré''' (''Scene d&#39;Aurore et de Désiré'' ; Сцена Авроры и принца Дезире)<br/>Andante cantabile (167 bars)
| {{bib|1990/212|Reflections on Tchaikovsky}}
| Article
| English
|-
|-
| (b)
| Wiley, Roland John, 1942- (translator)
| '''Aurora&#39;s Variation''' (''Variation d&#39;Aurore'' ; Вариация Авроры)<br/>Allegro con moto (69 bars)
| {{bib|1990/213|The Sleeping Beauty}}
| Article
| English
|-
|-
| (c)
| Woodside, Mary S. (author)
| '''Coda''' (Кода)<br/>Presto (94 bars)
| {{bib|1990/214|Comment and chronicle. Tchaikovsky's suicide}}
| Article
| English
|-
|-
| No. 16
| Zajaczkowski, Henry, 1955- (author)
| colspan="2"|'''Scene''' (''Scène'' ; Сцена)<br/>Allegro agitato (24 bars)
| {{bib|1990/215|Letters to the editor. Tchaikovsky's vices}}
| Article
| English
|-
|-
| No. 17
| Zajaczkowski, Henry, 1955- (author)
| colspan="2"|'''Panorama''' (Панорама)<br/>Andantino (78 bars)
| {{bib|1990/216|Tchaikovsky. The missing piece of the jigsaw puzzle}}
| Article
| English
|-
|-
| rowspan="4"|Scene 2
| Zajaczkowski, Henry, 1955- (author)
| No. 18
| {{bib|1990/217|Tchaikovsky's musical style}}
| colspan="2"|'''Entr&#39;acte''' (Антракт)<br/>Andante sostenuto (78 bars)
| Article
| English
|-
|-
| rowspan="2"|No. 19
| Zak, V. I. (author)
| colspan="2"|'''Symphonic Entr&#39;acte: Sleep''' (''Entr&#39;acte symphonique: Le sommeil'' ; Симфонический антракт: Сон)<br/> Andante misterioso (99 bars)
| {{bib|1990/218|Важный ориентир стиля}}
| Article
| Russian
|-
|-
| colspan="2"|'''Scene''' (''Scène'' ; Сцена)<br/>Allegro vivace (44 bars)
| Zakharova, Olga Ivanovna (author)
| {{bib|1990/219|Чайковский читает Библию}}
| Article
| Russian
|-
|-
| No. 20
| Zhilinskaya, M. (author)
| colspan="2"|'''Finale''' (Финал)<br/>Allegro agitato (75 bars)
| {{bib|1990/220|Чайковский в кругу родных}}
| Article
| Russian
|-
|-
| colspan="2" rowspan="26"|'''''Act III'''''
| Zolotov, A. (author)
| No. 21
| {{bib|1990/221|В нем, и Россия, и весь мир. К 50-летию со дня рождения П. И. Чайковского}}
| colspan="2"|'''March''' (''Marche'' ; Марш)<br/>Allegro non troppo (109 bars)
| Article
| Russian
|-
|-
| No. 22
| Zubachev, D. (author)
| colspan="2"|'''Polonaise''' (''Polacca'' ; Полонез)<br/>Allegro moderato e brillante (158 bars)
| {{bib|1990/222|Дом в Клину}}
| Article
| Russian
|-
|-
| rowspan="2"|No. 23
| Zubkov, I. S. (compiler)
| colspan="2"|'''Pas de quatre''':
| {{bib|1990/223|Музыкальные праздники на родине П. И. Чайковского. К 150-летию со дня рождения П. И. Чайковского}}
| Book
| Russian
|-
|-
| [a]<br/>[b]<br/>[c]<br/>[d]<br/>[e]<br/>[f]
| Zverev, V. (author)
| Allegro non tanto (62 bars)<br/>Var. I. '''The Gold Fairy''' (''La Fée-Or'' ; Фея Золота). Allegro. Tempo di Valse (65 bars)<br/>Var. II. '''The Silver Fairy''' (''La Fée-Argent'' ; Фея Серебра). Allegro giusto (48 bars)<br/>Var. III. '''The Sapphire Fairy''' (''La Fée-Saphir'' ; Фея Сапфиров). Vivacissimo (44 bars)<br/>Var. IV. '''The Diamond Fairy''' (''La Fée-Diamant'' ; Фея диамант). Vivace (52 bars)<br/> '''Coda''' (Кода). L&#39;istesso tempo (49 bars)
| {{bib|1990/224|Мир Чайковского}}
| Article
| Russian
|-
|-
| rowspan="2"|No. 24
| Zviguilsky, Alexandre (author)
| colspan="2"|'''Pas de caractère''':
| {{bib|1990/225|En marge d'une lettre inedité de Tchaikovsky à Edouard Colonne}}
| Article
| French
|-
|-
|  
|  
| '''Puss-in-Boots and the White Cat''' (''Le chat botté et la chatte blanche'' ; Кот в сапогах и Белая кошечка)<br/>Allegro moderato (44 bars)
| {{bib|1990/226|Chaykovski. Spomeni, pisma}}
| Article
| Bulgarian
|-
|-
| rowspan="5"|No. 25
|  
| colspan="2"|'''Pas de quatre''':
| {{bib|1990/227|В Доме-музее П. И. Чайковского в Клину}}
| Article
| Russian
|-
|-
| [a]
|  
| Adagio (28 bars)
| {{bib|1990/228|Венок Петру Ильичу Чайковскому. К 150-летию со дня рождения}}
| Article
| Russian
|-
|-
| [b]
|  
| Var. I. '''Cinderella and Prince Fortuné''' (''Cendrillon et le Prince Fortuné'' ; Золушка и принц Фортюне). Allegro. Tempo di Valse (56 bars)
| {{bib|1990/229|Год П. И. Чайковского}}
| Article
| Russian
|-
|-
| [c]
|  
| Var. II. '''The Blue Bird and Princess Florine''' (''L&#39;oiseau Bleu et la Princesse Florine'' ; Синяя птица и принцесса Флорина). Andantino (25 bars)
| {{bib|1990/230|Год Чайковского. Музыка рождалась в его душе}}
| Article
| Russian
|-
|-
| [d]
|  
| '''Coda''' (Кода). Presto (90 bars)
| {{bib|1990/231|Год Чайковского. Передать на сооружение памятника}}
| Article
| Russian
|-
|-
| rowspan="3"|No. 26
|  
| colspan="2"|'''Pas de caractère''':
| {{bib|1990/232|Детективная история с дирижерской палочкой Чайковского}}
| Article
| Russian
|-
|-
| [a]
|  
| '''Little Red Riding-Hood and the Wolf''' (''Chaperon rouge et le Loup'' ; Красная Шапочка и Волк)<br/>Allegro moderato (68 bars)
| {{bib|1990/233|Из писем композитора}}
| Article
| Russian
|-
|-
| [b]
|  
| '''Cinderella and Prince Fortuné''' (''Cendrillon et le Prince Fortuné'' ; Золушка и принц Фортюне)<br/>Allegro agitato (172 bars)
| {{bib|1990/234|История одной фотографий П. И. Чайковского, датированной 22 октября 1890}}
| Article
| Russian
|-
|-
| rowspan="2"|No. 27
|  
| colspan="2"|'''Pas berrichon''':
| {{bib|1990/235|К 150-летию со дня рождения Петра Ильича Чайковского. Великая жизнь в письмах и фотографиях}}
| Article
| Russian
|-
|-
|  
|  
| '''Tom Thumb, His Brothers, and the Ogre''' (''Le petit poucet, ses frères et l&#39;Ogre'' ; Мальчик-с-пальчик, его братья и Людоед)<br/>Allegro vivo (75 bars)
| {{bib|1990/236|Музыка в книжном знаке. Каталог Выставки к 150-летию со дня рождения П. И. Чайковского}}
| Book
| Russian
|-
|-
| rowspan="7"|No. 28
|  
| colspan="2"|'''Pas de deux''':
| {{bib|1990/238|Наше наследие. Гений русской музыки}}
| Article
| Russian
|-
|-
| [a]
|  
| '''Aurora and Prince Désiré''' (''Aurore et le Prince Désiré'' ; Аврора и принц Дезире)<br/>Allegretto (5 bars)
| {{bib|1990/239|Нет более меня влюбленного в матушку Русь. К 150-летию со дня рождения П. И. Чайковского}}
| Article
| Russian
|-
|-
| [b]
|  
| '''Entrance''' (''Entrée'' ; Выход)<br/>Allegro moderato (42 bars)
| {{bib|1990/240|О времени, о музыке, о себе. Из писем, дневников, статей П. И. Чайковского}}
| Article
| Russian
|-
|-
| [c]
|  
| '''Adagio'''<br/>Andante non troppo (87 bars)
| {{bib|1990/241|П. И. Чайковский. Отрывок из дневника (1886 г)}}
| Article
| Russian
|-
|-
| [d]
|  
| Var. I. '''Prince Désiré''' (Принц Дезире). Vivace (59 bars)
| {{bib|1990/242|Пётр Ильич о себе и музыке}}
| Article
| Russian
|-
|-
| [e]
|  
| Var. II. '''Aurora''' (''Aurore'' ; Аврора). Andantino (56 bars)
| {{bib|1990/243|По следам веснянки из фортепьянного концерта П. Чайковского. Историческая морфология народной песни [book review]}}
| Article
| Russian
|-
|-
| [f]
|  
| '''Coda''' (Кода). Allegro vivace (92 bars)
| {{bib|1990/244|Советская музыка}}
| Book
| Russian
|-
|-
| No. 29
|  
| colspan="2"|'''Sarabande''' (Сарабанда)<br/>Andante (48 bars)
| {{bib|1990/245|Творческое наследие П. И. Чайковского, 1840-1893. Материалы к обсуждению на педагогическом семинаре}}
| Book
| Russian
|-
|-
| rowspan="2"|No. 30
|  
| colspan="2"|'''Finale''' (Финал)<br/>Allegro brillante. Tempo di Mazurka (384 bars)
| {{bib|1990/246|Театры Россий на сцене Большого. Фестиваль балета}}
| Article
| Russian
|-
|-
| colspan="2"|'''Apotheosis''' (''Apothéose'' ; Апофеоз)<br/>Andante molto maestoso (68 bars)
|  
| {{bib|1990/247|Три диалога о любви. Из переписки П. И. Чайковского и воспоминаний современников}}
| Article
| Russian
|-
|
| {{bib|1990/248|Фестиваль Балеты П. И. Чайковского}}
| Article
| Russian
|-
|
| {{bib|1990/249|Чайковский и мы. Круглый стол в редакций}}
| Article
| Russian
|-
|
| {{bib|1990/250|Чайковский сегодня. Ван Клиберн и Едисон Денисов о музыке Чайковского}}
| Article
| Russian
|-
|
| {{bib|1990/251|Чайковский. Мысли о музыке}}
| Article
| Russian
|-
|
| {{bib|1990/252|Юбилей русского гения. 150 лет П. И. Чайковского}}
| Article
| Russian
|}
|}
A complete performance of ''The Sleeping Beauty'' lasts around 160 minutes.
==Libretto==
The libretto was compiled by [[Ivan Vsevolozhsky]], after [[Charles Perrault]]'s story ''La belle au bois dormant'', from the collection ''Histoires et contes du temps passé'' (1697).
"The subject of the ballet that I am writing was devised by the Director of the theatre, [[Vsevolozhsky]] himself. It is based on [[Perrault]]'s well-known fairy tale ''La belle au bois dormant''. The subject is extremely likeable and poetic", Tchaikovsky told [[Nadezhda von Meck]] on 8/20 January 1889 <ref name="note1"/>.
[[Ivan Vsevolozhsky]], in a letter of 13/25 May 1888 proposed ''The Sleeping Beauty'' to Tchaikovsky as the subject for a ballet. "I am planning to write a libretto on ''La belle au bois dormant'' after [[Perrault]]'s fairy tale. I would like a ''mise en scène'' in the style of Louis XIV, which would be a musical fantasia written in the spirit of Lully, [[Bach]], Rameau, etc. If this idea appeals to you, then why not undertake to write the music? In the last act there would have to be quadrilles for all [[Perrault]]'s fairy-tale characters—these should include ''Puss-in-Boots, Hop o' My Thumb, Cinderella, Bluebeard'', etc." <ref name="note2"/>. The composer's reply to this letter has not been preserved.
On 20 July/1 August 1888, the director of the Theatrical School, I. I. Ryumin, sent the libretto of the ballet to Tchaikovsky. In his accompanying letter he wrote: "Would you be so kind as to examine it and report to [[Ivan Vsevolozhsky|Ivan Aleksandrovich]], or to me, whether you are inclined to write the music for a ballet on this theme. If you should find it possible to carry out the wish of Mr Director, your music will ensure the success of the intended ballet" <ref name="note3"/>.
There was no reply to this letter. It is possible that the letter was received while the composer was absorbed in his work on the [[Symphony No. 5]], the overture-fantasia ''[[Hamlet (overture-fantasia)|Hamlet]]'', and in orchestrating the [[Overture-Fantasia (Laroche)|Overture-Fantasia]] by [[Herman Laroche]], and that he simply did not have the time to respond, or he did not notice it among the vast correspondence he received.
In any event, after [[Ivan Vsevolozhsky]] wrote to him again on 9/21 August 1888 <ref name="note4"/>, Tchaikovsky responded that the subject interested him greatly, but he had not received the libretto <ref name="note5"/>. And only in a letter to [[Vsevolozhsky]] of 22 August/3 September 1888 from [[Moscow]] did the composer report, "I am hastening to inform you that the manuscript of "La Belle au bois dormant" has finally reached me, just as I was boarding the train going from [[Moscow]] to [[Kiev]]. I have not been here more than a few hours, but I have managed to read through the scenario and I very much wanted to tell you forthwith that I am delighted and enchanted beyond all description. It suits me perfectly and I ask nothing more than to make the music for it. This delicious subject could not possibly have been better adapted for the stage, and to you, its author, permit me to express my warmest congratulations. I am leaving for [[Kiev]], returning home on 2 September, and on the 12th of the same month I will be in [[Petersburg]]. I will hasten to come and see you and beg you to bring Monsieur [[Petipa]] and I together to settle the details relating to the setting of the music in your scenario" <ref name="note6"/>. Emphasizing in the same letter that in view of its scale, the composition of the ballet could only be finished for the 1889/90 season, Tchaikovsky added: "The idea of this work gladdens me [...] as from today I shall be thinking only about the ballet". "I have received the libretto of the ballet. It is excellent", the composer wrote the same day to [[Modest Tchaikovsky]] <ref name="note7"/>.
Although the authorship of the libretto is normally attributed to [[Ivan Vsevolozhsky]], it is possible that [[Marius Petipa]] also had some involvement, since in the archive of the latter there is a manuscript dated 3/15 July 1888, with a list of characters in the ballet, and descriptions of the numbers in every scene <ref name="note8"/>.
===Synopsis===
The story opens in the court of King Florestan XIV, in the seventeenth century.
{{quote|'''Prologue'''. In the Royal castle, celebrations are in progress for the christening of the infant Princess Aurora. As the guests arrive they are shown to their places by the Master of Ceremonies, Catalabutte. The King and the Queen enter and prepare to receive the six fairy godmothers. The fairies arrive with their pages, who dance with the royal maids of honour. The fairies each come forward in turn with their gifts, arranging them around the cradle and accompanying them with promises that the Princess shall grow up beautiful, talented, and kind-hearted. As the Lilac Fairy approaches the cradle, the wicked fairy Carabosse arrives, in a carriage drawn by rats. She is furious at not having been invited to be a godmother, and pronounces a curse on the baby: one day Aurora will prick her finger on a spindle and fall into an everlasting sleep. Then the Lilac Fairy, who was about to bestow her own gift, intervenes. She does not have the power to overturn Carabosse's curse, but she mitigates it by saying that the princess shall be awoken after a hundred years by the kiss of young Prince. The enraged Carabosse drives off in her carriage.}}
{{quote|'''Act I'''. In the gardens of the Royal Castle, visitors are gathered to celebrate Aurora's twentieth birthday. Among the villagers Catalabutte notices some old women threading spindles, which has been strictly forbidden since the day of Carabosse's curse. He confiscates the spindles and threatens the culprits with death. The King arrives with his Queen, accompanied by four princes, suitors of Princess Aurora. The princes' intercession saves the old women from death, and the rejoicing resumes. The four princes approach the King and Queen as suitors for Aurora's hand. When Aurora enters, they are presented to her. She dances with the four princes in turn, accepting from each the rose he offers her. First the maids of honour, then the pages, and finally Aurora herself dance again. She sees an old woman who offers her a spindle. Delighted with it, she dances, waving it in the air. Suddenly she pricks her finger. She dances ever faster, but abruptly falls to the ground. The old woman reveals herself to be Carabosse and, threatened by the princes, she vanishes in a cloud of smoke. Then the Lilac Fairy appears and orders that Aurora be carried into the castle. She must sleep for a hundred years, and the whole court with her. As a mist rises, the people grow still, and trees and bushes swiftly grow to completely hide the castle.}}
{{quote|'''Act II'''. One hundred years has passed. Young Prince Desiré is out hunting with his retinue, and they pause at a clearing in the forest (Scene 1), where they dance and play games. During the festivities the Prince remains aloof and uninterested in the girls' attention. His tutor Galifron leads the dancers to their places for more formal dances. The ladies propose a farandole in which the peasants accompanying the hunt may join. The hunt is resumed by all except the Prince, who remains behind, overtaken by a pensive mood. Suddenly, the Lilac Fairy appears before him, and recounts the story of the Sleeping Beauty, conjuring up a vision of her. The vision of Aurora dances with the Prince, and then by herself, before finally vanishing. Entranced and overwhelmed by the vision of Aurora, the Prince begs to be led to her. The Lilac Fairy and Prince Desiré travel in her boat through an enchanted wood to the castle, where all is eerily quiet. The fairy guides the Prince to the castle (Scene 2), and to Aurora's bedside. He gazes at the Princess and then, recognizing her as the Sleeping Beauty from his vision, he kisses her. The spell is broken. Aurora awakens and, seeing the Prince of whom she has dreamed, she takes him in her arms. Light floods the castle, the forest vanishes, and the King, Queen and courtiers awaken.}}
{{quote|'''Act III'''. Catalabutte leads in the nobles and courtiers to greet the King and Queen for the wedding celebrations of Aurora and Desiré. The Silver, Gold, Sapphire and Diamond Fairies arrive, followed by guest characters from fairy-tales: Puss in Boots and the White Cat; Cinderella and Prince Fortuné; the Blue Bird and Princess Florine; Red Riding-Hood and the Wolf; Hop o'my Thumb, his brothers and the Ogre. Then Princess Aurora and Prince Desiré dance together. Roman, Persian, Indian, American, and Turkish guests dance a sarabande. All who have taken part in the entertainment parade around the floor. Finally, the Lilac Fairy appears to bless the marriage, and in true fairy-tale tradition, all live happily ever after. <ref name="note9"/> }}
==Composition==
Tchaikovsky did not start work on the ballet during August or September 1888, since he was occupied with the completion of other works. In answer to a question by [[Vladimir Pogozhev]] <ref name="note10"/>, asking whether he was working well on the music of his new ballet, Tchaikovsky replied on 1/13 October: "Concerning the ''ballet'' I will say to you that the subject itself greatly delights me, and I ''will work'' on it with great pleasure. I emphasise the ''will work'', because I have still not written a single note. Before taking up composition it is necessary for me to enter into discussions with the balletmaster. I was going to be in [[Petersburg]] during September, but this is not now the case, my having been delayed by the completion of two large compositions which are urgently required <ref name="note11"/>. I am planning to remain in the village until the end of October. Around 1/13 November I shall be in [[Petersburg]] for a sufficient period of time to have the opportunity of discussing with the balletmaster ''how, when'' and ''what'' is required. In any case, in view of my forthcoming travels I could submit the full score of the ballet to the directors no earlier than the beginning of next season, i.e. a whole year away. Although you evidently understood the music to the ballet was already taking shape, I fear that [[Ivan Vsevolozhsky|Ivan Aleksandrovich]] does not consider me capable of writing this music even during the course of the present season. I trust that through your good offices, [[Vladimir Pogozhev|Vladimir Petrovich]], you will be careful to report all this to him" <ref name="note12"/>.
It is not possible to accurately establish when work began on the ballet. On the cover of the September 1888 issue of the journal ''Russian Herald'' (Русский вестник) belonging to Tchaikovsky are notes of themes for the fairies' variations in the Prologue, which were developed into sketches during October (apparently between 11th and 22nd). From the author's notes in the copybook containing the sketches, it is clear that during October Tchaikovsky worked on the ballet for ten days in total <ref name="note13"/>. These sketches include: the entrance of the fairies and waltz of pages and girls (No. 2 in the piano score), the fairies' variations (No. 3) and the start of the finale of the Prologue, where the Lilac Fairy approaches Aurora's Cradle.
On 30 October/11 November, Tchaikovsky left for [[Saint Petersburg]], where on 6/18 November his meeting with [[Ivan Vsevolozhsky]] and [[Marius Petipa]] took place <ref name="note14"/>, at which time the balletmaster supplied Tchaikovsky with a detailed scheme for the Prologue <ref name="note15"/>.
Soon after this Tchaikovsky left for [[Prague]]; further meetings with [[Vsevolozhsky]] and [[Petipa]] took place in [[Saint Petersburg]] only between 12/24 December and 25 December/6 January <ref name="note16"/>. On 18/30 December, [[Marius Petipa]] gave Tchaikovsky the detailed plan for Acts I and II <ref name="note17"/>. On 26 December/7 January Tchaikovsky returned to [[Frolovskoye]], and for some days ''The Sleeping Beauty'' was at the centre of his creative imagination. Almost daily entries in his diary, accounts in his letters, and the form of his sketches reveal an extraordinarily intensive creative process. Before his departure from [[Frolovskoye]] three weeks later, on 19/31 January 1889, the composer had finished the Prologue and written the whole of Acts I and II, as well as the Introduction to the ballet. His progress on the work can be established with some accuracy by comparing the dates on the sketches with the dates from his diary. Up to 1/13 January he worked on the end of the Prologue, starting from the appearance of the fairy Carabosse (end of No. 4), then the knitting scene (No. 5) and Waltz (No. 6) from Act I. On 1/13 January he noted in his diary: "I don't recall a more timely encounter [with the New Year]. Worked all morning" (Aurora's entrance, No. 7):
[[File:TH013a.jpg|center|400px]]
On 2/14 January: "The day passed as always, when I'm absorbed in my work. Wrote the big ''Adagio'' in the second act <ref name="note18"/>, which was hard work!!!" (Adagio for Aurora and the four princes, Act I, No. 8). On 4/16 January the composer worked on the Finale to Act I (according to the author's notes on the sketches). On 5/17 January he recorded in his diary: "Worked generally well today. Finished the second act. Played it through (it lasts half an hour)" <ref name="note19"/>.
It is apparent from the sketches that the composer left Act I without its conclusion, which was written later.
On the evening of 6/18 January, Tchaikovsky left for [[Moscow]]. After returning from [[Moscow]] on 8/20 January, the composer wrote to [[Nadezhda von Meck]]: "I have recently been working with such perseverance and application, that I have already written two whole acts of the ballet. I have been to [[Moscow]] for two days on Musical Society business, and I'm now once again ready for work" <ref name="note20"/>.
The sketches indicate that Tchaikovsky resumed composition of the ballet from the second scene of Act II. On 10/22 January he noted in his diary: "Work went well. Wrote the whole entr'acte to the ''Sleep'' scene without effort" (No. 19). On 11/23 January he noted: "Worked just as well today as previously. A great deal done. Finished the 2nd scene of the 2nd act [No. 19]. After this fashioned the Entr'acte with the violin solo [No. 18], and then even the first scene of Act II" (Nos. 16–17). On 14/26 January he recorded in his diary: "Worked ever so assiduously. Hopeful of finishing the first four scenes before my departure" <ref name="note21"/>. On 17/29 January the author noted in his sketchbooks: "Finished everything I intended to do before my departure, i.e. the first four scenes of the ballet!". On 6/18 January, the appointed day for his meeting with [[Marius Petipa]], Tchaikovsky had written to [[Ivan Vsevolozhsky]], "I hope to fulfil my promise, i.e. at the beginning of the season (not later than 15 August) {{OS}} to deliver the Violin ''répétiteur'' to ''[[Petipa]]'', and by November, the entire musical score" <ref name="note22"/>.
On 19/31 January, Tchaikovsky left for [[Saint Petersburg]]. On 22 January/3 February he had another meeting with [[Ivan Vsevolozhsky]] and [[Marius Petipa]], during which the balletmaster gave the composer the detailed plan for the final, fifth scene <ref name="note23"/>. On 23 January/4 February, Tchaikovsky played through Act I of the ballet for the directors <ref name="note24"/>, and the following day he left for travels abroad. Several times during his journey he embarked on the composition of the fifth scene of the ballet. On 6/18 March in [[Hannover]] he noted in his diary: "Attempted to compose the ''ballet''. Did a little, but poorly and without inspiration" <ref name="note25"/>. Judging by the sequence of the sketches, here he wrote the introduction and march for Act III (No. 21). Later, in the Mediterranean, on board the steamship ''Cambodge'' between [[Marseilles]] and [[Constantinople]], Tchaikovsky composed the Polonaise for Act III of the ballet (No. 22) <ref name="note26"/>. After the Polonaise, the Act I finale "transformation of the garden into a forest" was completed, the sketches for which are marked: "[[Tiflis]]" <ref name="note27"/>. The composer travelled here from [[Constantinople]] to visit [[Anatoly Tchaikovsky]], and remained here from mid/late April until early/mid-May.
Despite unfavourable working conditions, about which Tchaikovsky reported in his letter to [[Modest Tchaikovsky]] of 15/27 April 1889, the ballet continued to progress <ref name="note28"/>. In [[Tiflis]] he made musical notes in his notebook, and sketches for some scenes in Act III: the variations for the jewel fairies (No. 23); Puss-in-Boots and the White Cat (No. 24); Little Red Riding Hood (No. 26) and Hop o' My Thumb (No. 27) <ref name="note29"/>. In a letter of 26 April/8 May to [[Marius Petipa]], Tchaikovsky reported: "I have almost completed the sketches for the fifth scene of the ballet ''The Sleeping Beauty''. Everything will be finished not later than 1st June" {{OS}} <ref name="note30"/>.
After visiting [[Saint Petersburg]] in May, where he again met with [[Ivan Vsevolozhsky]] and [[Marius Petipa]] <ref name="note31"/>, Tchaikovsky returned to [[Frolovskoye]] on 19/31 May and was again absorbed in work on the ballet. Notes in his diary indicate a surge of creativity. On 20 May/1 June, the sketches indicate that he began to compose the variations for Cinderella, Fortuné, the Blue Bird and Florine (Pas de quatre, No. 25). On 23 May/4 June he recorded in his diary: "Worked intensively and successfully (Pas de deux)" (No. 28—Aurora and Desiré). Sketches for the Sarabande (No. 29) then followed, and on 25 May/6 June he wrote in his diary: "Wrote the last number of the ballet: Mazurka" (No. 30). On 26 May/7 June he noted: "Finished the ''composition'' of the ballet, in spite of a headache and poor spirits"<ref name="note32"/>. In the manuscript sketches after the finale is the author's note: "Finished the sketches 26 May 1889 {{OS}} at 8 o'clock in the evening. Praise God! In all I worked ten days during October, 3 weeks in January, and a week now. And so only about 40 days". In this note the composer did not take into account the time he spent on the sketches while abroad and in the Caucasus.
On 30 May/11 June 1889, Tchaikovsky set about the instrumentation of the ballet, on which he worked with great intensity, barely leaving [[Frolovskoye]] until 16/28 August. "I have already begun the instrumentation of the ballet, and spend all day at my desk", the composer wrote to [[Modest Tchaikovsky]] on 2/14 June <ref name="note33"/>. "I am immersed in work, i.e. the instrumentation of the ballet, which must be finished in September without fail", he reported in a letter to the [[Grand Duke Konstantin Konstantinovich]] <ref name="note34"/>. On 5/17 June in his diary he recorded: "Worked well (end of Pas de Six)" <ref name="note35"/>.
On 13/25 June in his diary he noted: "In the evening, waltz orchestrated with pleasure" (No. 6) <ref name="note36"/>. On 15/27, 16/28 and 17/29 June, Tchaikovsky was occupied with adding the final markings to the Prologue. On 18/30 June he sent the manuscript of the Prologue to [[Saint Petersburg]], promising to send the following act in ten days<ref name="note37"/>.
On 2/14 July, Tchaikovsky wrote to the [[Grand Duke Konstantin Konstantinovich]]: "I have already finished the instrumentation of the first two acts of my ballet (''La Belle au bois dormant''). The subject of the ballet is appealing to the highest degree, and I carry out this task with pleasure" <ref name="note38"/>. The author's date at the end of Act I of the full score is 3/15 July. Then Tchaikovsky began the orchestration of the third act, continuing this work through July, and on 25 July/6 August he completed Act III (date on the manuscript full score). Next, the composer set about the instrumentation of Act II. On 9/21 August, Tchaikovsky wrote to [[Mikhail Ippolitov-Ivanov]]: "The end of the ballet is drawing near. It proved to be huge, requiring a great deal of effort. At times I experienced terrible fatigue! But I think that on the whole, the music has come out successfully" <ref name="note39"/>. On 13/25 August in a letter to [[Nadezhda von Meck]], with the ballet in mind, Tchaikovsky reported: "And so this labour draws near its end. For several days I will sigh deeply and experience that rare feeling of having brought a complex work to its conclusion... I lavished particular care on its instrumentation, and devised several completely new orchestral combinations, which I hope will be very beautiful and interesting" <ref name="note40"/>. On 16/28 August in a letter to [[Semyon Kruglikov]], we read: "Congratulate me: Today I finished an enormous ballet score. These arms have raised an entire mountain" <ref name="note41"/>. On the same day the composer wrote on the manuscript full score: "''End of 2nd act''. 16th August 89 {{OS}}. Hurrah!". It is possible that after 16/28 August, Tchaikovsky introduced other corrections into his work, since in a letter to [[Yuliya Shpazhinskaya]] of 2/14 September 1889, he referred to 20 August/1 September as the date on which he wrote the "longed-for concluding chord of the last act"<ref name="note42"/>.
In October 1889, during the orchestral rehearsals of the ballet, the directors asked Tchaikovsky to write additional music for the scene of Cinderella and Fortuné (No. 26b). The scenario for this number, compiled by [[Marius Petipa]] from a synopsis by Riccardo Drigo, was sent to Tchaikovsky at [[Frolovskoye]] on 7/19 October <ref name="note43"/>. In all probability this number was written immediately on Tchaikovsky's receipt of the scenario. On 17/29 October, [[Petipa]] wrote to Tchaikovsky, apparently with regard to this additional number: "The dance is a little long, and I beg you to permit me to make a small cut" <ref name="note44"/>.
On 27 December 1889/8 January 1890, Tchaikovsky received a telegram from [[Ivan Vsevolozhsky]] in which, after setting out the schedule for the final rehearsals and first production, went on: "Your presence is desirable all the more because your agreement will probably be required to dispense with Auer's solo: it slows down the action" <ref name="note45"/>. Tchaikovsky's reaction to this suggestion is not documented, but the ''Entr'acte'' (No. 18) before the symphonic picture ''Sleep'' was not included in the performance <ref name="note46"/>.
==Arrangements==
On 25 July/6 August 1889, Tchaikovsky wrote to [[Nadezhda von Meck]]: "My ballet will appear in print in November or December. The arrangement for piano is being made by [[Ziloti]]" <ref name="note47"/>. Even during his work on the orchestration, Tchaikovsky approached [[Aleksandr Ziloti]] with a request to make a two-hand arrangement of the ballet. "I am finding work terribly stressful and, probably as a result of old age, am tired in the extreme. I dread to think that, after writing this enormous full score, I still have to do the two-hand arrangement, which is required by the ballet master and [[Jurgenson]], who hopes to have it in print by early autumn. And so, [[Aleksandr Ziloti|Sasha]], I would be indescribably happy if you were to do the arrangement. Besides [[Taneyev]] and yourself there's no one I can trust". Assuring [[Ziloti]] that he would not be offended if he declined the proposed work, Tchaikovsky wrote: "I am conscious of the fact that this is not a trivial task, and that nowhere else is music more essential than in ballet... I will wait until the 28th {{OS}}, and if you say ''yes'', then I will prepare you two acts"<ref name="note48"/>. [[Aleksandr Ziloti]] immediately agreed to carry out the request by the composer, who intended to send him the score of the Prologue. However, after receiving a letter from the theatre directorate, Tchaikovsky reported to [[Ziloti]] on 18/30 June that: "I was just preparing to send to you the score of the first act [i.e. Prologue], when I received a letter from ''[[Khristoforov]]'', immediately requiring the full score so that it can be copied, the parts written out, and, chiefly, the compilation of the violin ''répétiteur'', which ''[[Petipa]]'' needs as soon as possible... I must therefore send my manuscript to [[Khristoforov]], and he, after all the copies have been taken, will return it. This notwithstanding, I urge you not to turn down the work on the arrangement. It's just that it has to begin rather later". Further on, he suggests that the Prologue should be returned "in three weeks"<ref name="note49"/>.
It might be assumed that arrangements concerning the Prologue went according to plan, but eventually [[Aleksandr Ziloti]] found that he was working faster than the copyists at the Mariinsky Theatre. In a letter from Tchaikovsky of 23 July/4 August we read: "I am at a loss, since I could have sent you part of the third act long ago—this comprised one or two copybooks which only had to be marked up and sent off. But above all I wanted to finish the entire instrumentation of this act, before inserting the markings and sending everything away. Meanwhile for some reason everything happened in a rush, and I was alarmed by your telegram... All the acts will be completely ready and sent to you within three or four days at the latest. Tomorrow I am sending you just one notebook... This act is enormous. Then the remaining two (unfamiliar to you), which are somewhat shorter. They are some of my best work, and I am very glad that out of necessity you've started with the weakest. Did you receive the full score in [[Petersburg]]? I think everything will be finished by 15th August" {{OS}} <ref name="note50"/>. The remaining part of Act III was sent to [[Ziloti]] on 28 July/9 August <ref name="note51"/>.
On 17/29 August the composer wrote to [[Aleksandr Ziloti]]: "I'm sending you the 2nd act and introduction to the ballet! I cannot express how happy I am that it is finished. If you see any slips of the pen then please correct them. Could you please arrange the introduction to the second scene so that the ''pedal'' in the upper voice is on a separate system, or directly into four hands, since it will not work otherwise"<ref name="note52"/>.
On 26 January/7 February 1890, Tchaikovsky wrote to [[Pyotr Jurgenson]] from [[Florence]]: "Would it be possible to arrange the whole of ''The Sleeping Beauty'' for four hands? But only entrust such work... to real musicians" <ref name="note53"/>.
The arrangement was commissioned from eighteen-year-old [[Sergei Rachmaninoff]].
During June 1891, Tchaikovsky dealt with the proofs of this arrangement, to be published by [[Pyotr Jurgenson]] <ref name="note54"/>. Tchaikovsky found that [[Sergei Rachmaninoff]]'s work was "absolutely lacking in courage, initiative and ''creativity''!!!", and asked [[Aleksandr Ziloti]] to undertake "a thorough revision and correction of the ''ballet''". Tchaikovsky continued, "I wanted the ballet to be arranged for four hands so that it might be rendered as seriously and skilfully as an arrangement of a symphony. Alas, this is impossible; what has been done cannot be undone; but at least it will be an improvement on what we have now" <ref name="note55"/>.
==Suite==
: ''See: [[The Sleeping Beauty (suite)]]''.
Early in 1890, the composer considered creating a [[The Sleeping Beauty (suite)|suite]] from the music for the ballet. In 1899 a suite of numbers from the ballet compiled by an unknown person was published by [[Jurgenson]] as "[[Op.]] 66a".
==Performances==
The first production of the ballet took place on the stage of the Mariinsky Theatre in [[Saint Petersburg]] on 3/15 January 1890, conducted by Riccardo Drigo, and choreographed by [[Marius Petipa]]. The principal roles were performed by Feliks Krzesiński (''Florestan''), Giuseppina Cecchetti (''Queen''), Carlotta Brianza (''Aurora''), Marie Petipa (''Lilac Fairy''), Enrico Cecchetti (''Carabosse'') and Pavel Gerdt (''Desiré'').
The ballet was produced for the first time on the [[Moscow]] stage at the Bolshoi Theatre on 17/29 January 1899, under balletmaster Aleksandr Gorsky, with Lyubov Roslavleva as Aurora, and Ivan Khlyustin as Desiré.
Outside Russia, ''The Sleeping Beauty'' was first staged at the Teatro alla Scala in [[Milan]] in 1896, under balletmaster Giorgio Saracco, and Carlotta Brianza reprising her role as Aurora.
The first complete performance in [[London]] was given by the ''Ballets russes'' on 9 November 1921 at the Alhambra Theatre, conducted by Eugene Goossens, and choreographed by Serge Diaghilev under the title ''The Sleeping Princess''.
In the United States the ballet was first produced in its entirety at the Academy of Music in [[Philadelphia]] on 11 February 1937, in a version choreographed by Catherine Littlefield.
==Critical Reception==
Tchaikovsky's attitude towards his ballet was consistent; frequently he was enthusiastic towards his works, before becoming disappointed with them, but this was not the case with ''The Sleeping Beauty''. "It seems to me", the composer wrote on 25 July/6 August 1889, while orchestrating the ballet, "that the music from this ballet will be amongst my best works. The subject is so poetical, it is so suited for music, that in composing it I was utterly absorbed, and wrote with a fervour and passion which always result in work of merit" <ref name="note56"/>.
After the ballet had been staged, his estimation was unchanged. "Besides, I confess that I love working in a rush, I love the anticipation and the urgency! And yet this doesn't show itself at all in the quality of my works. Isn't "''The Sleeping Beauty''" perhaps the best of all my compositions, and yet I wrote it incredibly quickly" <ref name="note57"/>.
==Publication==
At the end of 1889, [[Aleksandr Ziloti]]'s arrangement for solo piano appeared in an edition by [[Pyotr Jurgenson]]. On 3/15 January 1890, Tchaikovsky wrote to [[Aleksey Suvorin]]: "As you see, the arrangement of the ballet for piano is already in print" <ref name="note58"/>. During February 1890 the same publishing house printed a simplified arrangement for solo piano by [[Eduard Langer]]. [[Sergei Rachmaninoff]]'s arrangement for piano 4 hands appeared in print in October 1891.
There is some uncertainty regarding the publication of the full score. In the catalogue of Tchaikovsky's works produced by [[Boris Jurgenson]] in 1898, the full score of ''The Sleeping Beauty'' is listed among the published compositions. The plate numbers, number of pages and price are also shown. However, neither the edition nor the plates have been found. The only corresponding plate number, shown in the records of the firm of [[P. Jurgenson]] as having been printed, relates to the ''Polonaise'' (No. 22).
In 1890 the [[Hamburg]] music publisher [[Daniel Rahter]] submitted a request to the music department of the [[Saint Petersburg]] theatres to withdraw their copy of the score of the ballet. In a letter of 17/29 November 1890 to [[Nikolay Khristoforov]], Tchaikovsky gave his consent to this request <ref name="note59"/>. [[Rahter]] produced the score by lithography, resulting in a very limited print run, which might not therefore be considered as publication in the traditional sense. The Act II ''Entr'acte'' (No. 18) was omitted from [[Rahter]]'s edition.
In 1952 the full score of ''The Sleeping Beauty'' was published in volume 12 of Tchaikovsky's ''[[Complete Collected Works]]'', edited by Anatoly Dmitriyev. [[Aleksandr Ziloti]]'s transcription for solo piano was included in volume 57 of the same series (1954).
==Autographs==
Tchaikovsky's autograph score of the complete ballet is now preserved the {{RUS-SPtob}} in [[Saint Petersburg]] (VII.1.4.154).
==Recordings==
{{reclink}}
==Dedication==
The ballet is dedicated to [[Ivan Vsevolozhsky]] <ref name="note60"/>.
==Related Works==
The music of the apotheosis in the final act is based on a popular French song, Marche Henri IV. The Marche was used as the national anthem of the Kingdom of France during the 17th (and 18th) century in which the ballet takes place. The original melody was written by a French cleric, ''Thoinot Arbeau'' (1520 – 1595).
==External Links==
* {{imslpscore|The_Sleeping_Beauty_(ballet),_Op.66_(Tchaikovsky,_Pyotr)|The Sleeping Beauty (ballet)}}


==Notes and References==
[[Category:Bibliography]]
<references>
<ref name="note1">[[Letter 3759]] to [[Nadezhda von Meck]], 8/20 January 1889. [[Perrault]]'s version was itself a retelling of the Italian story ''Sun, Moon, and Talia'' (Sole, Luna, e Talia) published in 1634 by Giambattista Basile (1566-1632).</ref>
<ref name="note2">Letter from [[Ivan Vsevolozhsky]] to Tchaikovsky, 13/25 May 1888 — [[Klin]] House-Museum Archive.</ref>
<ref name="note3">Letter from I. I. Ryumin to Tchaikovsky, 20 July/1 August 1888 — [[Klin]] House-Museum Archive.</ref>
<ref name="note4">Letter from [[Ivan Vsevolozhsky]] to Tchaikovsky, 22 August/3 September 1888 — [[Klin]] House-Museum Archive.</ref>
<ref name="note5">[[Letter 3643]] to [[Ivan Vsevolozhsky]], 13/25 August 1888.</ref>
<ref name="note6">[[Letter 3647]] to [[Ivan Vsevolozhsky]], 22 August/3 September 1888.</ref>
<ref name="note7">[[Letter 3650]] to [[Modest Tchaikovsky]], 22 August/3 September 1888.</ref>
<ref name="note8">A. A. Bakhrushin State Central Theatrical Museum, [[Moscow]].</ref>
<ref name="note9">From {{bib|2002/22|The Tchaikovsky Handbook, vol. 1}} (2002), p. 111–112.</ref>
<ref name="note10">Letter from [[Vladimir Pogozhev]] to Tchaikovsky, 24 September/6 October 1888 — [[Klin]] House-Museum Archive.</ref>
<ref name="note11">i.e. the [[Symphony No. 5]], and the overture-fantasia ''[[Hamlet (overture-fantasia)|Hamlet]]''.</ref>
<ref name="note12">[[Letter 3682]] to [[Vladimir Pogozhev]], 1/13 October 1888.</ref>
<ref name="note13">Until 7 October he was occupied with the instrumentation of the overture-fantasia ''[[Hamlet (overture-fantasia)|Hamlet]]'', and on the 10th he completed his [[Six French Songs, Op. 65]]. On 22 October he arrived in [[Moscow]] where, according to his letters, his time was taken up composing.</ref>
<ref name="note14">See letter from [[Ivan Vsevolozhsky]] to Tchaikovsky, 2/14 November 1888 — [[Klin]] House-Museum Archive, and [[Letter 3720]] to [[Ivan Vsevolozhsky]], 3/15 November 1888.</ref>
<ref name="note15">See [[Marius Petipa]]'s note on the duplicate libretto for the Prologue — A. A. Bakhrushin State Central Theatrical Museum, [[Moscow]].</ref>
<ref name="note16">See [[Letter 3748]] to [[Nadezhda von Meck]], 26 December 1888/7 January 1889.</ref>
<ref name="note17">See [[Marius Petipa]]'s note on the duplicate libretto for the Prologue — A. A. Bakhrushin State Central Theatrical Museum, [[Moscow]].</ref>
<ref name="note18">Tchaikovsky referred to Act I as the second act, and to the Prologue as the first.</ref>
<ref name="note19">See {{bib|1923/23|Дневники П. И. Чайковского}} (1923), pp. 219–220.</ref>
<ref name="note20">[[Letter 3759]] to [[Nadezhda von Meck]], 6/18 January 1889. See also [[Letter 3758]] to [[Ivan Vsevolozhsky]] of the same date.</ref>
<ref name="note21">See {{bib|1923/23|Дневники П. И. Чайковского}} (1923), pp. 220–221.</ref>
<ref name="note22">[[Letter 3758]] to [[Ivan Vsevolozhsky]], 6/18 January 1889.</ref>
<ref name="note23">See [[Letter 3758]] to [[Ivan Vsevolozhsky]], 6/18 January 1889; diary entry for 22 January, and [[Marius Petipa]]'s date on the manuscript scenario of the fifth scene — [[Klin]] House-Museum Archive.</ref>
<ref name="note24">See {{bib|1923/23|Дневники П. И. Чайковского}} (1923), p. 222.</ref>
<ref name="note25">See {{bib|1923/23|Дневники П. И. Чайковского}} (1923), p. 228.</ref>
<ref name="note26">See diary entries for 4/16 and 5/17 April 1889, and the composer's dates on the sketches.</ref>
<ref name="note27">See Tchaikovsky's date on the sketches.</ref>
<ref name="note28">[[Letter 3839]] to [[Modest Tchaikovsky]], 15/27 April 1889. See also diary entries for 18/30 April, 20 April/2 May 1889.</ref>
<ref name="note29">See sketches in [[Klin]] House-Museum Archive.</ref>
<ref name="note30">[[Letter 3843]] to [[Marius Petipa]], 26 April/8 May 1889.</ref>
<ref name="note31">See diary entry for 15/27 May 1889.</ref>
<ref name="note32">See {{bib|1923/23|Дневники П. И. Чайковского}} (1923), p. 241.</ref>
<ref name="note33">[[Letter 3869]] to [[Modest Tchaikovsky]], 2/14 June 1889.</ref>
<ref name="note34">[[Letter 3872]] to [[Grand Duke Konstantin Konstantinovich]], 7/19 June 1889.</ref>
<ref name="note35">See {{bib|1923/23|Дневники П. И. Чайковского}} (1923), p. 242.</ref>
<ref name="note36">See {{bib|1923/23|Дневники П. И. Чайковского}} (1923), p. 244.</ref>
<ref name="note37">[[Letter 3882]] to [[Nikolay Khristoforov]], 18/30 June 1889.</ref>
<ref name="note38">[[Letter 3894]] to [[Grand Duke Konstantin Konstantinovich]], 2/14 July 1889.</ref>
<ref name="note39">[[Letter 3919]] to [[Mikhail Ippolitov-Ivanov]], 9/21 August 1889.</ref>
<ref name="note40">[[Letter 3920]] to [[Nadezhda von Meck]], 13/25 August 1889.</ref>
<ref name="note41">[[Letter 3922]] to [[Semyon Kruglikov]], 16/28 August 1889.</ref>
<ref name="note42">[[Letter 3928]] to [[Yuliya Shpazhinskaya]], 2/14 September 1889.</ref>
<ref name="note43">See scenario and letter from [[Nikolay Khristoforov]] to Tchaikovsky, 7/19 October 1889.</ref>
<ref name="note44">[[Letter 4134]] to [[Anna Aleksandrova-Levenson]], 4/16 June 1890.</ref>
<ref name="note45">Telegram from [[Ivan Vsevolozhsky]] to Tchaikovsky, 27 December 1889/8 January 1890 — [[Klin]] House-Museum Archive.</ref>
<ref name="note46">Preserved in the [[Klin]] House-Museum Archive is a poster relating to a concert in [[Saint Petersburg]] on 19/31 October 1894, which advertised in the programme "for the first time" the violin solo from the ballet ''The Sleeping Beauty''. A review of this concert published in the journal ''New Time'' (Новое время) of 20 October {{OS}} the same year, noted that the solo was not performed.</ref>
<ref name="note47">[[Letter 3909]] to [[Nadezhda von Meck]], 25 July/6 August 1889.</ref>
<ref name="note48">See [[Letter 3874]] to [[Aleksandr Ziloti]], 12/24 June 1889.</ref>
<ref name="note49">See [[Letter 3881]] to [[Aleksandr Ziloti]], 18/30 June 1889.</ref>
<ref name="note50">[[Letter 3907]] to [[Aleksandr Ziloti]], 23 July/4 August 1889.</ref>
<ref name="note51">[[Letter 3911]] to [[Aleksandr Ziloti]], 28 July/9 August 1889.</ref>
<ref name="note52">[[Letter 3923]] to [[Aleksandr Ziloti]], 17/29 August 1889.</ref>
<ref name="note53">[[Letter 4015]] to [[Pyotr Jurgenson]], 26 January/7 February 1890.</ref>
<ref name="note54">See [[Letter 4400]] to [[Aleksandr Ziloti]], 11/23 June 1891, and [[Letter 4408]] to [[Pyotr Jurgenson]], 14/26 June 1891.</ref>
<ref name="note55">See [[Letter 4405]] to [[Aleksandr Ziloti]], 14/26 June 1891.</ref>
<ref name="note56">See [[Letter 3909]] to [[Nadezhda von Meck]], 25 July/6 August 1891.</ref>
<ref name="note57">See [[Letter 4017]] to [[Pyotr Jurgenson]], 28 January/9 February 1890.</ref>
<ref name="note58">[[Letter 3997]] to [[Aleksey Suvorin]], 3/15–4/16 January 1890.</ref>
<ref name="note59">[[Letter 4257]] to [[Nikolay Khristoforov]], 17/29 November 1890.</ref>
<ref name="note60">[[Letter 3983]] to [[Pyotr Jurgenson]], 11/23 December 1889.</ref>
</references>
[[Category:Ballets]]

Revision as of 11:54, 20 October 2023

The following is a list of 252 notable books, articles and academic papers about Tchaikovsky which were published in the year 1990. Click on a title to display more information.

Contributor Title Format Language
Acocella, Joan Ross, 1945- (author) Tchaikovsky's death. The autopsy continues Article English
Akhmatova, G. (author) Человек и судьба Article Russian
Angerer, Manfred, 1953-2010 (author) Ästhetik der Symphonie und russishce Symphonik Article German
Arkadyev, Mikhail Pavlovich (author) О несходстве сходного. Пиковая дама и миф о царе Эдипе (опыт сопоставления несопоставимого) Article Russian
Arutyunov, Devil Amayakovich, 1936- (author) Взгляды П. И. Чайковского на музыкальную форму (по материалам высказываний) Article Russian
Asafyev, Boris Vladimirovich, 1884-1949 (author) О тайнах балета Щелкунчик Article Russian
Asafyev, Boris Vladimirovich, 1884-1949 (author) Чайковский, рассуждающий со своей собственной рукописью. Монолог или диалог? Article Russian
Ayzenshtadt, B. (author)
Ayzenshtadt, M. (author) 		Забытый музыкальный салон Article Russian
Ayzenshtadt, B. (author)
Ayzenshtadt, M. (author) 		Следом за Чайковским Article Russian
Banevich, Sergey (author) Что завещал нам Пётр Ильич. Завтра в Ленинграде открывается Детский музыкальный фестиваль, посвящённый 150-летию со дня рождения П. И. Чайковского Article Russian
Barsova, Inna Alekseyevna, 1927- (author) Самые патетические композиторы европейской музыки. Чайковский и Малер Article Russian
Bellingardi, Luigi, 1929- (author) Invito all'ascolto di Petr Il'ič Čajkovskij Book Italian
Belonovich, Galina Ivanovna (author) На память Article Russian
Belonovich, Galina Ivanovna (author) На память. 150 лет со дня рождения П. И. Чайковского Article Russian
Belonovich, Galina Ivanovna (compiler) Государственный Дом-музей П. И. Чайковского в Клину. Проспект Book Russian
Belonovich, Galina Ivanovna (compiler)
Kotomina, Svetlana Samuilovna (compiler)
Sidelnikov, Leonid Sergeyevich, 1931- (editor) 		Чайковский, 1840-1893, том 1 Book Russian and English
Belonovich, Galina Ivanovna (compiler)
Kotomina, Svetlana Samuilovna (compiler)
Sidelnikov, Leonid Sergeyevich, 1931- (editor) 		Чайковский, 1840-1893, том 2 Book Russian and English
Belousov, M. (author) Шедевры на все времена. К 150-летию со дня рождения П. И. Чайковского Article Russian
Benois, Alexandre, 1870-1960 (author) Пиковая дама Article Russian
Benois, Alexandre, 1870-1960 (author) Спящая красавица Article Russian
Benois, Alexandre, 1870-1960 (author)
Wiley, Roland John, 1942- (translator) 		The Sleeping Beauty Article English
Berberova, Nina Nikolayevna, 1902-1993 (author) Tchaïkovski. Biographie Book French
Berberova, Nina Nikolayevna, 1902-1993 (author)
Martín Bermûdez, Santiago, 1947- (translator) 		Chaikovski Book Spanish
Beznosov, A. (author) С монограммой «ПЧ». Автографы Чайковского в Праге Article Russian
Biryukov, O. (author) С именем Чайковского Article Russian
Blinov, Nikolay Orestovich, 1929-1988 (author) События двух дней. Хроника по сообщениям петербургских газет и свидетельствам современников Article Russian
Blok, Vladimir Mikhaylovich, 1932-1996 (author) К историй знаменитых Вариаций Article Russian
Bograd, G. (author) Страницы прошлого листая. Чайковский в Павловске Article Russian
Bograd, G. (author) Чайковский в Павловске Article Russian
Brodin, Gereon, 1901-1992 (author) Tjajkovskij Symfoni nr 6, Pathéthique Article Swedish
Brodsky, Anna Skadovsky, 1855-1929 (author)
Nestyev, V. (editor) 		Из воспоминаний Article Russian
Brown, David, 1929-2014 (author) Shedding a mask. Tchaikovsky's personal relationships Article English
Brown, David, 1929-2014 (author) Tchaikovsky. The spirited mind Article English
Buck, Dorothy C. (author) The Journey of the swan maiden. A verse narrative retelling of an ancient myth Dissertation English
Budashevskaya, L. (author) Чайковский. Вчера, сегодня, завтра Article Russian
Canning, Hugh (author) Queen of Spades Article English
Chkhikvadze, Zakhary Ivanovich, 1862-1930 (author)
Bakhtadze, Inga (editor)
Dimitriadi, Nana (editor) 		Воспоминания о П. И. Чайковском Article Russian
Cliburn, Van, 1934-2013 (author) Мой Чайковский Article Russian
Comuzio, Ermanno, 1923-2012 (author) Attraverso il fuoco mi son fatto strada. Le vite fiammeggianti idei musicisti sullo schermo e in televisione Article Italian
Dulova, Yekaterina Nikolayevna (author) Спящая красавица в контексте позднего стиля Чайковского Article Russian
Dunayev, V. (author) Год Чайковского. Гений человечества Article Russian
Dürbach, Fanny, 1822-1901 (author)
Kalina, M. (editor) 		Это был стеклянный ребёнок. Воспоминания гувернантки П. И. Чайковского Article Russian
Dyshevskaya, Vera Anatolyevna (author)
Golovskaya, Klavdiya Vasilyevna (author) 		П. И. Чайковский. Методическая разработка для учителей музыки и руководителей кружков средней школы Book Russian
Esambayev, Makhmud Alisultan (author) Жить хорошо (После премьеры) Article Russian
Eskina, M. (author) Все симфоний Чайковского. Геометрия судьбы Article Russian
Fedianina, L. D. (author) Поэтика тихого света в концепций Шестой симфоний Чайковского Article Russian
Ferrero Costa, Augusto (author) Yolanda, la última ópera de Tchaikovsky Article Spanish
Forser, S. (author) Ånken, kompositoeren och d 1 100 breven Article Swedish
Gaines, C. T. (author) Sesquicentennial. Peter Ilyich Tchaikovsky Article English
Gakkel, Leonid Yevgenyevich (author) Думая о нем, мы думаем о себе. Завтра исполняется 150 лет со дня рождения Петра Ильича Чайковского Article Russian
Galvert, M. De (author) Queen of Spades Article English
Gaydamovich, Tatyana Alekseyevna (author) Два варианта одного сочинения, два варианта его интерпретаций. Вариаций на тему рококо Article Russian
Gerdt, O. (author) Я претендую на шедевр этого жанра Article Russian
Gilinsky, Joshua Earl (author) Unity and opposition in the orchestration of Tchaikovsky's Romeo and Juliet overture Dissertation English
Gippo, Jan (author) The Nutcracker and the piccolo Article English
Golota, V. V. (author) Театральная Одесса Book Russian
Golubin, V. (author) На родине гения русской музыки Article Russian
Goodwin, Noël, 1927- (author) A Tale of two entr'actes. Aspects of Tchaikovsky and the Sleeping Beauty Article English
Gornostayeva, Vera Vasilyevna, 1929-2015 (author) Музыка на все времена Article Russian
Greenfield, Edward Harry, 1928-2015 (compiler)
Layton, Robert, 1930- (compiler)
March, Ivan, 1928-2018 (editor) 		Tchaikovsky, Peter (1840-93) Article English
Grigorovich, Valentina Borisovna (compiler)
Andreyeva, Zinayda Mikhaylovna (compiler) 		Чайковский, Пётр Илиьч Article Russian
Helm, Everett, 1913-1999 (author) Peter I. Tschaikowsky. In Selbstzeugnissen und Bilddokumenten Book German
Holmes, John Leonard, 1925- (author) Peter Tchaikovsky (1840-1893) Article English
Igumnov, Konstantin Nikolayevich, 1873-1948 (author)
Sokolov, Mikhail Georgyevich, 1907- (editor) 		О фортепьянных сочинениях П. И. Чайковского. Статьи о композиторах Article Russian
Ilyichev, V. (author) Чайковский и Большой театр. Из историй постановки опер балетов композитора на сцене Большого театра Article Russian
Ilyicheva, Marina Aleksandrovna (author) На грани бессмертия и псевдо-жизни Article Russian
Itkin, D. (author) На Малой Морской Article Russian
Itkina, Zh. M. (author)
Yudin, Gavryl Yakovlevich (editor) 		Некоторые особенности исполнительских трактовок Натана Рахлина в его казанских программах Article Russian
Jacobs, Arthur, 1922-1996 (author) Vakula the Smith. BBC Radio 3 Article English
Jansson, Anders, 1930- (author) Pjotr Tjajkovskij. Sista verket Article Swedish
Johansson, Warren, 1934-1994 (author)
Dynes, Wayne R., 1934- (editor) 		Tchaikovsky, Peter Il'ich (1840-1893) Article English
Kandinsky, Aleksey Ivanovich, 1918- (editor)
Rozanova, Yuliya Andreyevna (compiler) 		Чайковский. Вопросы историй, теорий и исполнительства. К 150-летию со дня рождения Book Russian
Kandinsky-Rybnikov, Aleksey Alekseyevich (author)
Mesropova, Marina Grantovna (author) 		Времена года и Детский альбом Чайковского. Цикличность и проблемы исполнения Article Russian
Karagicheva, Lyudmila Vladimirovna (author) Два этюда о Пиковой даме. Модест Чайковский или Пушкин? Почему ариетта из оперы Гретри? Article Russian
Keldysh, Yury Vsevolodovich, 1907-1995 (author) Симфонизм Чайковского и эволюция симфонического мышления в XIX веке Article Russian
Kennicott, P. (author) Notes on The Nutcracker Article English
Kholfina, Serafima Sergeyevna (author) Вспоминая мастеров московского балета Book Russian
Kholopov, Yury Nikolayevich, 1932-2003 (author) О системе музыкальных форм в симфониях Чайковского. К проблеме классификации музыкальных форм Article Russian
Kikta, V. (author) Чайковский в скульптуре Article Russian
Klimovitsky, Arkady Iosifovich, 1937- (editor) Голоса из Клинского дома. Письма, документы Article Russian
Klimovitsky, Arkady Iosifovich, 1937- (editor) Неизвестные страницы эпистолярия Чайковского Article Russian
Kline, P. (author) Letters to the editor. Zajaczkowski on Tchaikovsky Article English
Kogan, Marina Eduardovna (author) Родословная П. И. Чайковского Article Russian
Kohlhase, Thomas, 1941- (author) Petr I. Čajkovskij. Ein Erneurer der mehrstimmigen Russischen Kirchenmusik ; II. Die Vsenoš naja, Op. 52, und einzelne Chöre Article German
Kohlhase, Thomas, 1941- (author) Russische Samen säen? Peter I. Čajkovskijs ursprüngliches Vorwort zur Ganznächtlichen Vigil wiederentdeckt Article German
Kolmakova, M. (author) Все симфоний Чайковского. Загадка Мастера Article Russian
Kolosova, V. (author) Зимний путь Article Russian
Konstantinova, Marina Yevgenyevna (author) Спящая красавица Book Russian
Konyshev, V. (author) Пари над миром, русский гений (из высказываний о композиторе) Article Russian
Kopytova, Galina Viktorovna, 1946- (author) Год Чайковского. По следам Франчески да Римини Article Russian
Korabelnikova, Lyudmila Zinovyeva, 1930- (author) Письма к Чайковскому. Диалог с эпохой Article Russian
Korabelnikova, Lyudmila Zinovyeva, 1930- (author)
Feldman, O. (author) 		Завоевывать новые миры в искусстве. Д. Шостакович, И. Соллертинский, Вс. Мейерхольд Article Russian
Koroleva, Elfrida Aleksandrovna (author) Идеи, актуальные сегодня. Балет Спящая красавица П. Чайковского в Театре оперы и балета Молдавской ССР (К 150-летию со дня рождения П. И. Чайковского) Article Russian
Kozlov, V. (author) Дар фонду культуры. Пять писем Чайковского Article Russian
Ladygin, D. (author) Многострадальная история музыки балета продолжается Article Russian
Ladygin, D. (author) Партитура Лебединого озера. Тревожные факты её биографий Article Russian
Laroche, Herman, 1845-1904 (author)
Wiley, Roland John, 1942- (translator) 		The Sleeping Beauty Article English
Lazarus, John, 1947- (author) Eugene Onegin Article English
Lazarus, John, 1947- (author) The Queen of Spades Article English
Lehmann, H. (author) Ein Mensch wie von Puschkin. Zum 150. Geburtstag von Peter Tschaikowski Article German
Lenzon, Viktor Markovich (author) Беседы о музыке. Зимние грезы Article Russian
Llorens, Pedro, 1937- (author) Chaikovsky. El ballet en el siglo Article Spanish
Lunacharsky, Anatoly Vasiliyevich, 1875-1933 (author)
Vaidman, Polina Yefimovna, 1947-2016 (editor) 		Вклад Чайковского в русскую культуру бесценен Article Russian
Lvov, V. (author) Чайковский всегда с нами Article Russian
Macaulay, Alastair (author) Ermler's Tchaikovsky Article English
Macaulay, Alastair (author) The Big sleep. The Sleeping Beauty at its centenary. Tchaikovsky-Petipa collaboration Article English
Maksov, Aleksandr (author) К звездом и в розовое море надеж Article Russian
Maksov, Aleksandr (author) На памятник Чайковскому Article Russian
Malsheva, T. F. (author) Канонические основы Всенощного бдения и их трактовке П. И. Чайковским Article Russian
Mayer, Martin, 1928- (author) The Maid of Orleans Article English
Mikhaylov, Mikhail Kesarevich, 1904-1983 (author) Об истоках одной темы Чайковского Article Russian
Milovanova, N. (author) Звучит музыка Чайковского Article Russian
Minayeva, V. (author) Дует для голоса и мятущейся души Article Russian
Molin, D. (author) Листая Юным о музыке. Детский альбом Article Russian
Morita, Minoru, 1932- (editor) Chaikofusukī (チャイコフスキー) Book Japanese
Mountfield, David, 1938-2005 (author) Pyotr Ilyich Tchaikovsky, 1840-1893 Book English
Mountfield, David, 1938-2005 (author)
Dovaz, Claude (translator) 		Tchaïkovski Book French
Moyseyev, Ya. (author) Избирательное сродство. Чайковский о Пушкине Article Russian
Naborshchikova, S. (author) Балет. Чайковский в Ташкенте Article Russian
Nadeynsky, E. (author) Династия из дома на Неглинной Article Russian
Nagibin, Yury Markovich, 1920-1994 (author) Чайковский. Финал трагедий Article Russian
Nagibin, Yury Markovich, 1920-1994 (author) Чайковский. Финал трагедий Article Russian
Neef, Hermann, 1936-2017 (author) Schwanensee. Die Tragödie der gehorsamen Kinder Article German
Neef, Sigrid, 1944- (author) Was ist der Name meiner Gegenwart?. Zum 150. Geburtstag Pjotr Iljitsch Tschaikowskis Article German
Nicastro, Aldo, 1936- (author) Petr Ilîč Čajkovskij Book Italian
Nikitin, Boris Semyonovich (author) Чайковский. Старое и новое Book Russian
Nikolsky, A. V. (author) П. И. Чайковский как духовный композитор Article Russian
Nyuberg-Kashkina, Sofya Nikolayevna (author) Из воспоминания Article Russian
Onchurova, N. (author) Из музейных архивов. юрий Бахрушин о балетах Чайковского Article Russian
Orlova, Aleksandra Anatolyevna, 1911-2014 (author) П. И. Чайковский о музыке. К 150-летию со дня рождения композитора Article Russian
Orlova, Aleksandra Anatolyevna, 1911-2014 (compiler)
Davison, R. M. (translator) 		Tchaikovsky. A self-portrait Book English
Orokhovatsky, Yury Ivanovich, 1938-2002 (author) Ангелы-хранители. Упасите от поругания Article Russian
Osipova, L. (author) Песни Ротшильда Article Russian
Papp, Márta, 1948- (author) Orosz klassizka, szovjet modern. Csajkovszkij es Sosztakovics a Dresdai Unnepi Jatekokom Article Hungarian
Percival, John, 1927-2012 (author) A Beauty past compare. Petipa's scenario for The Sleeping Beauty Article English
Perkina, L. (author) Балет и Чайковский Article Russian
Pinto, J. M. (author) Chaikovsky. La musica impudica Article Spanish
Platek, Yakov Moyseyevich, 1930- (author) Единый лавр их дружно обвивает. [1] Article Russian
Pletnev, Mikhail Vasilyevch, 1957- (author) Бесконечность гения Article Russian
Pletnev, Mikhail Vasilyevch, 1957- (author) Музыка на все времена. 150 лет со дня рождения П. И. Чайковского Article Russian
Pozdeyeva, T. A. (compiler)
Prudnikova, O. F. (compiler)
Krypova, V. M. (photographer)
Pomosova, A. N. (photographer) 		На родине П. И. Чайковского Book Russian
Pribegina, Galina Alekseyevna, 1933- (author) Пётр Ильич Чайковский Book Russian
Proleyeva, Valentina Iosifovna (author) К родословной П. И. Чайковского. Жизнь и деятельность П. Ф. Чайковского Book Russian
Pudełek, Janina, 1930-2004 (author) Swan Lake in Warsaw, 1900 Article English
Raikhina, E. (compiler) Пётр Ильич Чайковский, 1840-1990 Book Russian
Rakhmanova, Marina Pavlovna, 1947- (author) Огромное и ещё едва тронутое поле деятельности Article Russian
Regitz, Hartmut (author) 100 Jahre Dornröschen - Ballet Article German
Rimsky, Leonid (author) Все симфоний Чайковского. Глубокое и утонченное искусство Article Russian
Robinson, H. (author) Tchaikovsky. Symphony #4 Article English
Rozanova, Yuliya Andreyevna (author) Создавая новую летопись жизни и творчества Чайковского Article Russian
Sagaev, Dimitŭr Konstantinov, 1915-2003 (author) Pismo na P. I. Chaykovski do K. I. Mikhaylov-Stoyan Article Bulgarian
Savenko, Svetlana Ilinichna, 1946- (author) Считаю себя из племени, порожденного Чайковским Article Russian
Savinov, I. (author) Жизнь вернулась во дворец Article Russian
Savkina, Nataliya Pavlovna (author) Молодой Прокофьев и Чайковский. Наблюдения над стилем оперы Маддалена Article Russian
Sazhina, M. (author) О палочке, балетной туфельке и великом городе Article Russian
Seboshev, S. (author) Где быть памятнику П. И. Чайковскому? Article Russian
Seibert, David Chipman (author) The Tchaikovsky Fifth. A symphony without a programme Article English
Shadrina, N. (author) Иоанна д'Арк на московской сцене Article Russian
Shalnev, Aleksandr Anatolyevich (author) Без тринадцатого этажа Article Russian
Shalnev, Aleksandr Anatolyevich (author) Поиски, находки. Автограф из Карнеги-холл Article Russian
Shapovalov, A. (author) Чарующие звуки над Влтавой. К 150-летию П. И. Чайковского Article Russian
Shapovalov, P. (author) Чарующие звуки над Влтавой Article Russian
Sherikhova, G. (author) Все симфоний Чайковского. Зимний путь Article Russian
Shevchuk, S. (author) Мир слушает Чайковского Article Russian
Shevchuk, S. (author) Ответный звук Article Russian
Shokhman, Gennady (author) Взгляд с других берегов Article Russian
Sidelnikov, Leonid Sergeyevich, 1931- (author) Остались позади верстовые столбы Россий. Первое зарубежное путешествие П. И. Чайковского Article Russian
Sidorova, T. O. (author) О некоторых специфических чертах творческого процесса Чайковского Article Russian
Skalkovsky, Konstantin Apollonovich, 1843-1906 (author)
Wiley, Roland John, 1942- (translator) 		The Sleeping Beauty Article English
Skorbiashchenskaya, Olga Adolfovna (author) Чайковский и Вебер Article Russian
Slonimsky, S. (author) Вслушаемся в эту музыку. К 150-летию со дня рождения П. И. Чайковского Article Russian
Slyusarenko, T. (author) Все симфоний Чайковского. Без ложной скромности скажу? Article Russian
Slyusarenko, T. (author) Все симфоний Чайковского. Между жизнью и смертью Article Russian
Slyusarenko, T. (author) Встреча в Клину. Такой, как все Article Russian
Smetannikov, Leonid Anatolyevich, 1943- (author) Мои Чайковский. К 150-летию со дня рождения Article Russian
Smirnov, Mstislav Anatolyevich (author) Чайковский. Вечность мгновения Article Russian
Smyth, Ethel, 1858-1944 (author)
Nestyev, V. (translator) 		Из воспоминаний Article Russian
Sorokina, I. (author) История одной жизни. Из оперного наследия Чайковского Article Russian
Sorokina, Yelena Gennadyevna, 1940- (author) Фортепьянные сонаты Чайковского. К проблеме становления классической сонаты в русской музыке 2-и половины XIX века Article Russian
Struchkova, Raissa Stepanovna, 1925-1978 (author) Школа сердце. К 150-летию со дня рождения П. И. Чайковского Article Russian
Stuart, O. (author) Tchaikovsky's enduring Nutcracker Article English
Studwell, William Emmett, 1936-2010 (compiler)
Hamilton, David Arnold, 1927- (compiler) 		Iolanta Article English
Studwell, William Emmett, 1936-2010 (compiler)
Hamilton, David Arnold, 1927- (compiler) 		Mazeppa Article English
Studwell, William Emmett, 1936-2010 (compiler)
Hamilton, David Arnold, 1927- (compiler) 		Oprichnik Article English
Studwell, William Emmett, 1936-2010 (compiler)
Hamilton, David Arnold, 1927- (compiler) 		The Little Shoes Article English
Studwell, William Emmett, 1936-2010 (compiler)
Hamilton, David Arnold, 1927- (compiler) 		The Maid of Orleans Article English
Studwell, William Emmett, 1936-2010 (compiler)
Hamilton, David Arnold, 1927- (compiler) 		The Queen of Spades Article English
Studwell, William Emmett, 1936-2010 (compiler)
Hamilton, David Arnold, 1927- (compiler) 		The Sorceress Article English
Svetlanov, Yevgeny Fyodorovich, 1928-2002 (author) Великий сын Россий Article Russian
Svetlanov, Yevgeny Fyodorovich, 1928-2002 (author) Великий сын Россий. К 150-летию со дня рождения П. И. Чайковского Article Russian
Tchaikovskaya, Olga Georgyevna, 1917-2012 (author) Пиковые дамы Article Russian
Tchaikovsky, Pyotr Ilyich, 1840-1893 (author)
Korabelnikova, Lyudmila Zinovyeva, 1930- (editor)
Rakhmanova, Marina Pavlovna, 1947- (editor) 		П. И. Чайковский. Полное собрание сочинений, том 63 Book Russian
Tsareva, Yekaterina Mikhaylovna (author) Манфред Байрона у Шумана и Чайковского. К проблеме музыки и слова Article Russian
Tsareva, Yekaterina Mikhaylovna (author)
Keldysh, Yury Vsevolodovich, 1907-1995 (editor) 		Чайковский, Пётр Ильич Article Russian
Tsukkerman, Viktor Abramovich, 1903-1988 (author) Чайковский Article Russian
Tugarinov, Yevgeny Svyatoslavovich. (author) Под знаком его творчества Article Russian
Tulintsev, Boris (author) В память о Чайковском Article Russian
Tulintsev, Boris (author) Из историй культуры. В память о Чайковском Article Russian
Tyurina, G. (author) Гений чистой красотy. К 150-летию со дня рождения П. И. Чайковского Article Russian
Ulyanova, M. (author) Здесь рождалась его музыка Article Russian
Vaidman, Polina Yefimovna, 1947-2016 (author) Запись становится косым дождем, ливнем. Клинская тетрадь Б. В. Асафьева Article Russian
Vaidman, Polina Yefimovna, 1947-2016 (author) Начало. Новые материалы из архива П. И. Чайковского Article Russian
Varvarina, M. (author) Воскрешенная Литургия Article Russian
Vasilyeva, G. (author) Загадочная русская душа. Исполняется 150-лет со дня рождения П. И. Чайковского Article Russian
Vasilyeva, N. (author) Год Чайковского. Я русский в полнейшем смысле этого слова Article Russian
Vavilina-Mravinskaya, Aleksandra Mikhaylovna (author) От души, к душе. К 150-летию со дня рождения П. И. Чайковского Article Russian
Volkonsky, S. M. (author) Бессмертно то, что мы любим Article Russian
Warrack, John Hamilton, 1928- (author) Poisonous rumours Article English
Welch, Frances, 1957-. (author) Why he took arsenic Article English
Werner, E. (author) Dass er ein Schöpfer der Melodie war Article German
Wiley, Roland John, 1942- (author) Life sentence on Chaikovsky Article English
Wiley, Roland John, 1942- (author) Musical form in The Sleeping Beauty Article English
Wiley, Roland John, 1942- (author) Reflections on Tchaikovsky Article English
Wiley, Roland John, 1942- (translator) The Sleeping Beauty Article English
Woodside, Mary S. (author) Comment and chronicle. Tchaikovsky's suicide Article English
Zajaczkowski, Henry, 1955- (author) Letters to the editor. Tchaikovsky's vices Article English
Zajaczkowski, Henry, 1955- (author) Tchaikovsky. The missing piece of the jigsaw puzzle Article English
Zajaczkowski, Henry, 1955- (author) Tchaikovsky's musical style Article English
Zak, V. I. (author) Важный ориентир стиля Article Russian
Zakharova, Olga Ivanovna (author) Чайковский читает Библию Article Russian
Zhilinskaya, M. (author) Чайковский в кругу родных Article Russian
Zolotov, A. (author) В нем, и Россия, и весь мир. К 50-летию со дня рождения П. И. Чайковского Article Russian
Zubachev, D. (author) Дом в Клину Article Russian
Zubkov, I. S. (compiler) Музыкальные праздники на родине П. И. Чайковского. К 150-летию со дня рождения П. И. Чайковского Book Russian
Zverev, V. (author) Мир Чайковского Article Russian
Zviguilsky, Alexandre (author) En marge d'une lettre inedité de Tchaikovsky à Edouard Colonne Article French
Chaykovski. Spomeni, pisma Article Bulgarian
В Доме-музее П. И. Чайковского в Клину Article Russian
Венок Петру Ильичу Чайковскому. К 150-летию со дня рождения Article Russian
Год П. И. Чайковского Article Russian
Год Чайковского. Музыка рождалась в его душе Article Russian
Год Чайковского. Передать на сооружение памятника Article Russian
Детективная история с дирижерской палочкой Чайковского Article Russian
Из писем композитора Article Russian
История одной фотографий П. И. Чайковского, датированной 22 октября 1890 Article Russian
К 150-летию со дня рождения Петра Ильича Чайковского. Великая жизнь в письмах и фотографиях Article Russian
Музыка в книжном знаке. Каталог Выставки к 150-летию со дня рождения П. И. Чайковского Book Russian
Наше наследие. Гений русской музыки Article Russian
Нет более меня влюбленного в матушку Русь. К 150-летию со дня рождения П. И. Чайковского Article Russian
О времени, о музыке, о себе. Из писем, дневников, статей П. И. Чайковского Article Russian
П. И. Чайковский. Отрывок из дневника (1886 г) Article Russian
Пётр Ильич о себе и музыке Article Russian
По следам веснянки из фортепьянного концерта П. Чайковского [book review] Article Russian
Советская музыка Book Russian
Творческое наследие П. И. Чайковского, 1840-1893. Материалы к обсуждению на педагогическом семинаре Book Russian
Театры Россий на сцене Большого. Фестиваль балета Article Russian
Три диалога о любви. Из переписки П. И. Чайковского и воспоминаний современников Article Russian
Фестиваль Балеты П. И. Чайковского Article Russian
Чайковский и мы. Круглый стол в редакций Article Russian
Чайковский сегодня. Ван Клиберн и Едисон Денисов о музыке Чайковского, Article Russian
Чайковский. Мысли о музыке Article Russian
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