Slavonic March and Letter 599: Difference between pages

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Tchaikovsky's '''''Slavonic March''''' (Славянский марш) in B-flat minor, [[Op.]] 31 ([[TH]] 45 ; [[ČW]] 42), sometimes known by the French title '''''Marche slave''''', was composed and orchestrated in late September/early October 1876 in [[Moscow]] for a charity concert in aid of victims of the war between Serbia and Turkey.
{{letterhead
|Date=9/21 September 1877
|To=[[Modest Tchaikovsky]]
|Place=[[Kiev]]
|Language=Russian
|Autograph=[[Klin]] (Russia): {{RUS-KLč}} (a{{sup|3}}, No. 1477)
|Publication={{bib|1901/24|Жизнь Петра Ильича Чайковского ; том 2}} (1901), p. 28–29 (abridged)<br/>{{bib|1940/210|П. И. Чайковский. Письма к родным ; том 1}} (1940), p. 294–295 <br/>{{bib|1955/37|П. И. Чайковский. Письма к близким}} (1955), p. 124–125 (abridged)<br/>{{bib|1961/38|П. И. Чайковский. Полное собрание сочинений ; том VI}} (1961), p. 173–174 (abridged)<br/>{{bib|1981/81|Piotr Ilyich Tchaikovsky. Letters to his family. An autobiography}} (1981), p. 122–123 (English translation; abridged)<br/>{{bibx|1998/70|Tchaikovsky and his World}} (1998), p. 83–85 (English translation)
}}
==Text and Translation==
{{Lettertext
|Language=Russian
|Translator=Alexander Poznansky
|Original text={{right|''Киев''<br/>''9 сентября 1877 г[ода]''}}
{{centre|Милый Модя!}}
Вчера утром мы приехали сюда с Алёшей и тотчас же получили милейшее письмо твоё. Изображение господина, который кипятится в общественных местах по всякому поводу, написано художественно и ещё раз подтверждает меня в том мнении, что ты одарён положительным литературным талантом, коим напрасно пренебрегаешь. Если тебе лень писать длинные повести или романы с завязками и развязками, то ты должен бы смастерит целый ряд очерков, вроде того, который ты написал о выше реченном господине. Это было бы свежо, оригинально и принесло бы тебе деньги. Подумай, до чего твоя жизнь будет мила, если ты будешь её делить между педагогическими обязанностями и литературой, как она будет полна и плодотворна! Советую тебе серьёзно об этом подумать, пока ты молод и пока ''le pli du dillettantisme'' ещё не сложился. Я знаю, что, будь я на твоём месте, я бы не оставил втуне своих способностей. После твоего отъезда я ещё кое-что прочёл из «''Карениной''». Как тебе не стыдно восхищаться этой возмутительно пошлой дребеденью, прикрытою претензией на глубокость психического анализа. Да черт его побери, этот психический анализ, когда в результате остаётся впечатление пустоты и ничтожества, точно будто присутствовал при разговоре ''Alexandrine Dolgorouky'' с ''Nicolas Kondratie'вым'' о разных Китти, Алинах и Лили!  Да твой эпизод из станционного ожидания в тысячу раз художественнее, серьёзнее и интереснее, чем все эти барские тонкости...


==Instrumentation==
Но довольно о литературе.
The March is scored for an orchestra comprising 2 piccolos, 2 flutes, 2 oboes, 2 clarinets (in B-flat), 2 bassoons + 4 horns (in F), 2 cornets (in B-flat), 2 trumpets (in B-flat), 3 trombones, tuba + 3 timpani, military drum, cymbals, bass drum, tam tam + violins I, violins II, violas, cellos, and double basses.


==Duration==
После твоего отъезда из Каменки, мне было очень грустно, и эта грусть с каждым днём увеличивалась. В последние дни я даже страдал ''поносом'' от особого рода ощущения ''жуткости'', свойственной нервным людям в виду сильных и неприятных ощущений. Впрочем, были и очень приятные эпизоды.
There is one movement: Moderato in modo di Marcia funebre (B-flat minor)—Più mosso. Allegro (B-flat major, 240 bars), lasting around 10 to 12 minutes in performance.


==Composition==
В Воскресенье мы ездили на охоту в ''Зрубанец''. Жалко что ты не испытал охоты на ''куропаток''. Она полна совершенно особенных неожиданностей и сюрпризов. Было очень весело, очень интересно, но и ужасно утомительно, так как приходилось все время бегать в кустах с горы на гору. В 2 часа у ''Николая'' были ''пельмени'', на которых присутствовали все, не исключая и Алёши. Что касается моей прелести, о которой я не могу подумать без того, чтоб хуй не делал на караул и у которой ''я счёл бы себя счастливым целую жизнь чистить сапоги'', выносить горшки и вообще всячески унижаться, ''лишь бы хоть изредка иметь право целовать ручки и ножки'', то она присутствовала на охоте и убила перепёлку, а также стреляла по лисе.  Перед этой охотой я ездил с Левой на целый день в Вербовку и просидел часов 6 на пруде. Утки летали в массе, но ни одна не была лишена жизни.
The March was commissioned by the director of the Russian Musical Society, [[Nikolay Rubinstein]], for a concert in aid of victims of the conflict between Serbia and Turkey <ref name="note1"/>. Tchaikovsky received the request around 20 September/2 October 1876, and the completed full score is dated 25 September/7 October.


During its composition and up to the time of publication, the composer himself referred to the March as the ''Serbo-Russian'': the autograph inscription on the title page of the manuscript score reads: "Serbo-Russian March on Slavonic folk themes" <ref name="note2"/>.
Танины именины прошли с торжеством. Утром было поднесенье подарков; я поднёс стихи и 25 р[ублей]. В 12 часов был молебен и питие шоколада. Вечером множество гостей, танцы и великолепный ужин. Да, забыл тебе сказать, что накануне я обедал у ''Плесских'', а перед этим был у них с визитом.


==Arrangements==
В среду в 7 часов я уехал. Разумеется, меня провожали, а ''Вишницкий'' до того расчувствовался, что проводил меня до ''Бобринской, чтоб мне было веселее'', как он выразился. В Киев приехали вместо 9 часов в 1 пополудни. Ночь провели плохо, — народу было много. Пообедав, я отправил Алёшу в Лавру, а сам пошёл гулять. Вечером был в опере; давали «''Травиату''», в коей главную роль пела некто ''Павловская'' очень хорошо. Все остальное плохо. Сегодня, отлично выспавшись, отправился с Алёшей в Софийский собор, к Михайлу, в Лавру, в Аскольдову могилу и, наконец, в прелестный, восхитительный ''Выдубецкий'' монастырь. Алёша стал опять ужасно мил, нежен, ласков. У него чудное сердце и необычайно ''тонкая'' натура.
Tchaikovsky arranged the March for solo piano simultaneously with the full score.


==Performances==
Сегодня получил письмо от супружницы. Пишет, что ждёт не дождётся. Выезжаю завтра утром.
The first performance of the March took place on 5/17 November 1876 in [[Moscow]], conducted by [[Nikolay Rubinstein]] at the first symphony concert of the Russian Musical Society, in aid of the Slavonic Charitable Society. The March had great success and was repeated by popular demand. Tchaikovsky wrote about this concert on 8/20 November 1876 to [[Aleksandra Davydova]]: "Last Saturday my ''Serbo-Russian'' march was played here for the first time, which produced a whole storm of patriotic enthusiasm" <ref name="note3"/>.


Other notable early performances included:
Целую тебя, милый Модя. Я в восторге, что все у тебя идёт хорошо, а главное, что любовь Коли к тебе так прочна и крепка. Прощай, мой голубчик. Покажи Коле следующую строчку: ''Я ужасно люблю Колю и рад, что он любит Модю''.
* [[Saint Petersburg]], Mariinsky Theatre, charity concert, 26 December 1876/7 January 1877, conducted by [[Eduard Nápravník]]
{{right|Твой П. Чайковский}}
* [[Moscow]], Bolshoi Theatre concert, 13/25 February 1877, conducted by Tchaikovsky
Лёня велел кланяться, передать ''"нижающее почтение и целую ихние ручки"''
* Manchester, Hallé Orchestra concert, 19 February/3 March 1881, conducted by Charles Hallé
* Boston, Music Hall, 23 February/7 March 1883, conducted by [[George Henschel]]
* [[London]], 5th London Symphony Concert, 1/13 December 1887, conducted by [[George Henschel]]
* [[Paris]], 23rd [[Colonne]] symphony concert, 24 March/5 April 1891, conducted by Tchaikovsky
* [[Moscow]], [[Aleksandr Ziloti]]'s concert, 6/18 November 1891, conducted by Tchaikovsky
* [[Saint Petersburg]], Charity Concert, 1/13 December 1891, conducted by Tchaikovsky
* Amsterdam, Concertgebouw, matinee concert, 18/30 July 1893, conducted by Jean Renard.


==Publication==
|Translated text={{right|''[[Kiev]]''<br/>''9th September 1877''}}
In October 1876, the March was printed by [[Pyotr Jurgenson]] in the author's arrangement for piano under the title ''Slavonic March''. The same publisher also printed an arrangement for piano duet by [[Aleksandra Batalina]] in February 1879; the full score in February 1880; and the orchestral parts in December 1887.  
{{centre|Dear [[Modya]]!}}
Yesterday morning I arrived here with [[Alyosha]] and immediately received your loveliest letter. Your depiction of the gentleman who boils with rage in public places at any pretext is artistically written, and once again confirms my opinion that you are blessed with a positive literary talent that you wrongly neglect. If you are too lazy to write long stories or novels full of entanglements and disentanglements you can then at least write short essays or sketches like the one you wrote about that man. It would be fresh and original, and would earn you money. Think how pleasant your life would be if you could divide it between teaching and literature; how full and fruitful it would become! I advise you to think seriously about it while you are still young and ''le pli du dilettantisme'' <ref name="note1"/> has not taken hold. I know that had I been in your place I would not have left such abilities dormant. Since you left, I've read more of ''Karenina''. How can you be so excited about this revoltingly vulgar nonsense masquerading as profound psychological analysis?  Yes, damn this psychological analysis, which leaves an impression of emptiness and insignificance, just as if one were present at conversation between ''Alexandrine Dolgorouky'' <ref name="note2"/>  with ''[[Nikolay Kondratyev|Nicolas Kondratyev]]'' about all sorts of Kittys, Alinas and Lillys. Furthermore, your episode of waiting at the station is a thousand times more artistic than all those aristocratic niceties...


In 1889, a new edition of the full score and parts was produced <ref name="note5"/>, and in May 1893 an arrangement for two pianos and eight hands by [[Eduard Langer]] was published.
But enough about literature.


The full score and Tchaikovsky's solo piano arrangement of the Slavonic March were published in volumes 24 (1961) and 50Б (1965) respectively of the composer's ''[[Complete Collected Works]]'', edited by Irina Iordan. The statements of the anthem 'God Save the Tsar' were replaced with other music, with the original text confined to footnotes and appendices.
After you left [[Kamenka]] I felt very sad, and that sadness increased with the passing of the days. These last few days I have even suffered from diarrhoea, and a characteristic ''sinister'' feeling to which nervous persons who have strong and unpleasant sensations are prone. There were, however, also very pleasant episodes.  


==Autographs==
On Sunday we went hunting to ''Zrubanets'' <ref name="note3"/> . It's a pity that you never had an experience of hunting ''partridge''. It is full of unexpected things and very special surprises. It was great fun, very interesting as well as awfully exhausting, since one had all the time to run through the bushes and from one hill to another. At two o'clock we had ''dumplings'' at ''Nikolay'''s <ref name="note4"/>  that was attended by everyone, including [[Alyosha]]. As regards my source of delight, about whom I cannot even think without being sexually aroused and whose ''boots I would happily clean all my life long'', whose chamber pots I would like to take out and I generally ready to lower myself anyhow, provided that I could be allowed, even ''if only occasionally to kiss his hands and feet'', was present at the hunt, and she killed quail and shot a fox <ref name="note5"/> . Before this hunt I went with [[Lev Davydov|Lev]] for a whole day to [[Verbovka]] and spent six hours at the lake. The ducks were flying en masse, but not one of them was deprived of its life.
Tchaikovsky's manuscripts of the full score {{TOW2|slavyanskiy-marsh-na-narodno-slavyanskie-temy-2017-08-17|(ф. 88, No. 86)}} and solo piano arrangement {{TOW2|slavyanskiy-marsh-na-narodno-slavyanskie-temy|(ф. 88, No. 87)}} are preserved in the {{RUS-Mcm}} in [[Moscow]].


==Recordings==
[[Tanya]]'s name-day was celebrated with pomp. In the morning there were presents; I wrote some verses and presented her with 25 rubles. At 12 o'clock there was a short service and we all drank hot chocolate. In the evening there were lots of guests, dancing and a magnificent supper. Oh, and I forgot to tell you that the day before I dined at the ''Plesskys'' and before that I'd paid them a visit.
{{reclink}}


==Related Works==
At 7 o'clock on Wednesday I left. Naturally I was seen off by everybody and ''Vyshnitsky'' <ref name="note6"/>  was so full of kind feelings that he accompanied me to the ''Bobrinsky Station, in order that it should be more pleasant'', as he put it. We arrived in [[Kiev]] at one instead of nine o'clock, and had a bad night as there were so many people. After dinner I dispatched [[Alyosha]] to the Lavra <ref name="note7"/>  and went for a walk by myself. In the evening I was at the opera. "''Traviata''" was performed, with the principal part very well sung by a certain ''[[Pavlovskaya]]''. Nothing else was any good. After a good night's sleep, this morning [[Alyosha]] and I went to St. Sofya's Cathedral, to St. Michael's, the Lavra, the Grave of Askold and then, finally, to the delightful splendid ''Vydubetsky'' Monastery. [[Alyosha]] once again became extremely sweet, tender and affectionate. He has a wonderful heart and a remarkably delicate disposition.
Tchaikovsky made use of authentic Serbian folksongs in his Slavonic March, which he marked on the manuscript of the piano arrangement:
* ''Sunce jarko, ne sijaš jednako'' [The bright sun doesn't shine everywhere], from bar 5
* ''Prag je ovo milog Srba'' [On the borders of our beloved Serbia], from bar 86
* ''Jer puščani prah ne zadaje njemu strah'' [Because he does not fear their guns], the fourth section of the song ''Радо иде Србин у војнике'' [The Serb is happy to go to war], from bar 104.


The central section and coda (bars 123–134, 205–219) quote from the Russian anthem ''God Save the Tsar'' (Боже Цапя храни) by Aleksey Lvov (1833).
Today I received a letter from my spouse. She writes that she cannot wait for me to come. I depart tomorrow morning <ref name="note8"/> .


In 1880, Tchaikovsky was asked by [[Karl Davydov]] to write music for one of a series of tableaux, depicting the principal events of the [[Alexander II]]'s reign, he was less than enthusiastic about the scene commissioned from him, described as "The moment at which news is received in Montenegro of Russia's declaration of war on Turkey (the Leader reading the manifesto to the Montenegrins)". "Montenegro? The reading of a manifest? I am discomfited by this, and so far my head is completely empty", he replied. "Would it be possible to slip my Serbo-Russian March into this performance? Perhaps this is a silly idea, but I still really do not understand what it is all about. If this question (regarding the march) could be settled by you in the affirmative, then, perhaps, you could even find it possible to have it illustrate the 7th scene" <ref name="note4"/>. However, this idea was rejected, and Tchaikovsky was required to devise [[Montenegro|new music]] instead.
I kiss you, dear [[Modya]]. I am delighted that everything goes well with you, and, most important, that [[Nikolay Konradi|Kolya]]'s love for you is so strong and firm. Goodbye, my golubchik. Show the following line to [[Nikolay Konradi|Kolya]]: ''I am awfully fond of [[Nikolay Konradi|Kolya]] and I am happy that he loves [[Modya]]''.


==External Links==
{{right|Yours, P. Tchaikovsky}}
* {{imslpscore|Slavonic_March,_Op.31_(Tchaikovsky,_Pyotr)|Slavonic March}}
[[Aleksey Sofronov|Lyonya]] <ref name="note9"/>  bows down to you, and conveys his "''most humble respect and kisses your hands''."
}}


==Notes and References==
==Notes and References==
<references>
<references>
<ref name="note1">See [[Letter 862]] to [[Nadezhda von Meck]], 24 June/6 August 1878.</ref>  
<ref name="note1">'Le pli du dilettantisme' (French) {{=}} "the fold of dilettantism".</ref>
<ref name="note2">See also [[Letter 862]] to [[Nadezhda von Meck]], 24 June/6 August 1878.</ref>  
<ref name="note2">Alexandrine Dolgorouky was a society friend.</ref>
<ref name="note3">See [[Letter 1414]] to [[Karl Davydov]], 25 January/6 February 1880.</ref>  
<ref name="note3">A village near [[Kamenka]].</ref>
<ref name="note4">[[Letter 513]] to [[Aleksandra Davydova]], 8/20 November 1876.</ref>
<ref name="note4">Nikolay Davydov, older brother of Tchaikovsky's brother-in-law [[Lev Davydov]].</ref>
<ref name="note5">See [[Letter 4361]] to [[Pyotr Jurgenson]], 30 March/11 April 1891.</ref>  
<ref name="note5">Tchaikovsky is referring to Yevstafy Krivenkо, a servant boy at [[Kamenka]].</ref>
<ref name="note6">An acquaintance at [[Kamenka]].</ref>
<ref name="note7">The [[wikipedia:Kiev Pechersk Lavra|Kiev Pechersk Lavra]], also known as the "Monastery of the Caves".</ref>
<ref name="note8">After returning to [[Moscow]], the composer lived with his wife [[Antonina]] only from 12/24 September to 24 September/6 October only, before leaving her for good.</ref>
<ref name="note9">"Lyonya" was a pet name for Tchaikovsky's servant [[Aleksey Sofronov|Aleksey ("Alyosha") Sofronov]].</ref>
</references>
</references>
[[Category:Orchestral Music]]
{{DEFAULTSORT:Letter 0599}}

Latest revision as of 12:57, 9 April 2024

Date 9/21 September 1877
Addressed to Modest Tchaikovsky
Where written Kiev
Language Russian
Autograph Location Klin (Russia): Tchaikovsky State Memorial Musical Museum-Reserve (a3, No. 1477)
Publication Жизнь Петра Ильича Чайковского, том 2 (1901), p. 28–29 (abridged)
П. И. Чайковский. Письма к родным (1940), p. 294–295
П. И. Чайковский. Письма к близким. Избранное (1955), p. 124–125 (abridged)
П. И. Чайковский. Полное собрание сочинений, том VI (1961), p. 173–174 (abridged)
Piotr Ilyich Tchaikovsky. Letters to his family. An autobiography (1981), p. 122–123 (English translation; abridged)
Tchaikovsky and his World (1998), p. 83–85 (English translation)

Text and Translation

Russian text
(original)
English translation
By Alexander Poznansky
Киев
9 сентября 1877 г[ода]

Милый Модя!

Вчера утром мы приехали сюда с Алёшей и тотчас же получили милейшее письмо твоё. Изображение господина, который кипятится в общественных местах по всякому поводу, написано художественно и ещё раз подтверждает меня в том мнении, что ты одарён положительным литературным талантом, коим напрасно пренебрегаешь. Если тебе лень писать длинные повести или романы с завязками и развязками, то ты должен бы смастерит целый ряд очерков, вроде того, который ты написал о выше реченном господине. Это было бы свежо, оригинально и принесло бы тебе деньги. Подумай, до чего твоя жизнь будет мила, если ты будешь её делить между педагогическими обязанностями и литературой, как она будет полна и плодотворна! Советую тебе серьёзно об этом подумать, пока ты молод и пока le pli du dillettantisme ещё не сложился. Я знаю, что, будь я на твоём месте, я бы не оставил втуне своих способностей. После твоего отъезда я ещё кое-что прочёл из «Карениной». Как тебе не стыдно восхищаться этой возмутительно пошлой дребеденью, прикрытою претензией на глубокость психического анализа. Да черт его побери, этот психический анализ, когда в результате остаётся впечатление пустоты и ничтожества, точно будто присутствовал при разговоре Alexandrine Dolgorouky с Nicolas Kondratie'вым о разных Китти, Алинах и Лили! Да твой эпизод из станционного ожидания в тысячу раз художественнее, серьёзнее и интереснее, чем все эти барские тонкости...

Но довольно о литературе.

После твоего отъезда из Каменки, мне было очень грустно, и эта грусть с каждым днём увеличивалась. В последние дни я даже страдал поносом от особого рода ощущения жуткости, свойственной нервным людям в виду сильных и неприятных ощущений. Впрочем, были и очень приятные эпизоды.

В Воскресенье мы ездили на охоту в Зрубанец. Жалко что ты не испытал охоты на куропаток. Она полна совершенно особенных неожиданностей и сюрпризов. Было очень весело, очень интересно, но и ужасно утомительно, так как приходилось все время бегать в кустах с горы на гору. В 2 часа у Николая были пельмени, на которых присутствовали все, не исключая и Алёши. Что касается моей прелести, о которой я не могу подумать без того, чтоб хуй не делал на караул и у которой я счёл бы себя счастливым целую жизнь чистить сапоги, выносить горшки и вообще всячески унижаться, лишь бы хоть изредка иметь право целовать ручки и ножки, то она присутствовала на охоте и убила перепёлку, а также стреляла по лисе. Перед этой охотой я ездил с Левой на целый день в Вербовку и просидел часов 6 на пруде. Утки летали в массе, но ни одна не была лишена жизни.

Танины именины прошли с торжеством. Утром было поднесенье подарков; я поднёс стихи и 25 р[ублей]. В 12 часов был молебен и питие шоколада. Вечером множество гостей, танцы и великолепный ужин. Да, забыл тебе сказать, что накануне я обедал у Плесских, а перед этим был у них с визитом.

В среду в 7 часов я уехал. Разумеется, меня провожали, а Вишницкий до того расчувствовался, что проводил меня до Бобринской, чтоб мне было веселее, как он выразился. В Киев приехали вместо 9 часов в 1 пополудни. Ночь провели плохо, — народу было много. Пообедав, я отправил Алёшу в Лавру, а сам пошёл гулять. Вечером был в опере; давали «Травиату», в коей главную роль пела некто Павловская очень хорошо. Все остальное плохо. Сегодня, отлично выспавшись, отправился с Алёшей в Софийский собор, к Михайлу, в Лавру, в Аскольдову могилу и, наконец, в прелестный, восхитительный Выдубецкий монастырь. Алёша стал опять ужасно мил, нежен, ласков. У него чудное сердце и необычайно тонкая натура.

Сегодня получил письмо от супружницы. Пишет, что ждёт не дождётся. Выезжаю завтра утром.

Целую тебя, милый Модя. Я в восторге, что все у тебя идёт хорошо, а главное, что любовь Коли к тебе так прочна и крепка. Прощай, мой голубчик. Покажи Коле следующую строчку: Я ужасно люблю Колю и рад, что он любит Модю.

Твой П. Чайковский

Лёня велел кланяться, передать "нижающее почтение и целую ихние ручки"

Kiev
9th September 1877

Dear Modya!

Yesterday morning I arrived here with Alyosha and immediately received your loveliest letter. Your depiction of the gentleman who boils with rage in public places at any pretext is artistically written, and once again confirms my opinion that you are blessed with a positive literary talent that you wrongly neglect. If you are too lazy to write long stories or novels full of entanglements and disentanglements you can then at least write short essays or sketches like the one you wrote about that man. It would be fresh and original, and would earn you money. Think how pleasant your life would be if you could divide it between teaching and literature; how full and fruitful it would become! I advise you to think seriously about it while you are still young and le pli du dilettantisme [1] has not taken hold. I know that had I been in your place I would not have left such abilities dormant. Since you left, I've read more of Karenina. How can you be so excited about this revoltingly vulgar nonsense masquerading as profound psychological analysis? Yes, damn this psychological analysis, which leaves an impression of emptiness and insignificance, just as if one were present at conversation between Alexandrine Dolgorouky [2] with Nicolas Kondratyev about all sorts of Kittys, Alinas and Lillys. Furthermore, your episode of waiting at the station is a thousand times more artistic than all those aristocratic niceties...

But enough about literature.

After you left Kamenka I felt very sad, and that sadness increased with the passing of the days. These last few days I have even suffered from diarrhoea, and a characteristic sinister feeling to which nervous persons who have strong and unpleasant sensations are prone. There were, however, also very pleasant episodes.

On Sunday we went hunting to Zrubanets [3] . It's a pity that you never had an experience of hunting partridge. It is full of unexpected things and very special surprises. It was great fun, very interesting as well as awfully exhausting, since one had all the time to run through the bushes and from one hill to another. At two o'clock we had dumplings at Nikolay's [4] that was attended by everyone, including Alyosha. As regards my source of delight, about whom I cannot even think without being sexually aroused and whose boots I would happily clean all my life long, whose chamber pots I would like to take out and I generally ready to lower myself anyhow, provided that I could be allowed, even if only occasionally to kiss his hands and feet, was present at the hunt, and she killed quail and shot a fox [5] . Before this hunt I went with Lev for a whole day to Verbovka and spent six hours at the lake. The ducks were flying en masse, but not one of them was deprived of its life.

Tanya's name-day was celebrated with pomp. In the morning there were presents; I wrote some verses and presented her with 25 rubles. At 12 o'clock there was a short service and we all drank hot chocolate. In the evening there were lots of guests, dancing and a magnificent supper. Oh, and I forgot to tell you that the day before I dined at the Plesskys and before that I'd paid them a visit.

At 7 o'clock on Wednesday I left. Naturally I was seen off by everybody and Vyshnitsky [6] was so full of kind feelings that he accompanied me to the Bobrinsky Station, in order that it should be more pleasant, as he put it. We arrived in Kiev at one instead of nine o'clock, and had a bad night as there were so many people. After dinner I dispatched Alyosha to the Lavra [7] and went for a walk by myself. In the evening I was at the opera. "Traviata" was performed, with the principal part very well sung by a certain Pavlovskaya. Nothing else was any good. After a good night's sleep, this morning Alyosha and I went to St. Sofya's Cathedral, to St. Michael's, the Lavra, the Grave of Askold and then, finally, to the delightful splendid Vydubetsky Monastery. Alyosha once again became extremely sweet, tender and affectionate. He has a wonderful heart and a remarkably delicate disposition.

Today I received a letter from my spouse. She writes that she cannot wait for me to come. I depart tomorrow morning [8] .

I kiss you, dear Modya. I am delighted that everything goes well with you, and, most important, that Kolya's love for you is so strong and firm. Goodbye, my golubchik. Show the following line to Kolya: I am awfully fond of Kolya and I am happy that he loves Modya.

Yours, P. Tchaikovsky

Lyonya [9] bows down to you, and conveys his "most humble respect and kisses your hands."

Notes and References

  1. 'Le pli du dilettantisme' (French) = "the fold of dilettantism".
  2. Alexandrine Dolgorouky was a society friend.
  3. A village near Kamenka.
  4. Nikolay Davydov, older brother of Tchaikovsky's brother-in-law Lev Davydov.
  5. Tchaikovsky is referring to Yevstafy Krivenkо, a servant boy at Kamenka.
  6. An acquaintance at Kamenka.
  7. The Kiev Pechersk Lavra, also known as the "Monastery of the Caves".
  8. After returning to Moscow, the composer lived with his wife Antonina only from 12/24 September to 24 September/6 October only, before leaving her for good.
  9. "Lyonya" was a pet name for Tchaikovsky's servant Aleksey ("Alyosha") Sofronov.