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  • Autobiographical Account of a Tour Abroad in the Year 1888
    ...s Tchaikovsky's experiences of his first concert tour to Western Europe as the conductor of his own works. ...for the first time) and [[London]] (concert on 10/22 March). Nevertheless, the thirteen complete chapters which he did set down on paper form a unique per
    153 KB (24,955 words) - 10:52, 7 April 2023
  • Articles
    | Article for the journal ''Contemporary Chronicle'' | ''[[A Voice from Moscow's Musical World]]''
    9 KB (1,204 words) - 13:12, 12 July 2022
  • The Italian Opera. Russian Quartet Debut
    ...s Tchaikovsky's twenty-ninth music-review article for the Moscow journal ''Russian Register'' (Русские ведомости), in which it was published o ...usiastically discussed in [[TH 269]]); and a very favourable review of the Russian Quartet's debut concert in [[Moscow]] and, in particular, their performance
    29 KB (4,641 words) - 14:34, 12 July 2022
  • Two Quartet Matinées and the Seventh Symphony Concert of the Musical Society. The Italian Opera. A Musical-Bibliographical Curiosity
    ...ти), in which it was published on 2 February 1873 {{OS}}, signed only with the initials "B.L.". ...[[Beethoven]]'s late period and an interesting discussion of [[Rossini]]'s musical personality and ''Guillaume Tell''as an opera in which [[Rossini]] was not
    36 KB (5,622 words) - 14:34, 12 July 2022
  • Tchaikovsky: A Life
    {{Ybox|The following essay has been specially written by<br/>'''''Alexander Poznansky' {{picture|file=Photo116.jpg|caption=Tchaikovsky at the height of his fame in 1893}}
    135 KB (20,349 words) - 23:29, 1 January 2024
  • Beethoven and His Time
    ...shed article written by Tchaikovsky for the [[Saint Petersburg]] journal ''The Citizen'' (Гражданин) <ref name="note1"/>, in which it was seriali ...s" in which his "radiant genius" as a symphonist revealed itself fully for the first time (see also [[TH 268]])
    127 KB (20,852 words) - 13:14, 12 July 2022
  • The Italian Opera. The Russian Musical Society's Quartet Sessions
    ...ти), in which it was published on 24 October 1872 {{OS}}, signed only with the initials "B.L.". ...performance as Violetta in ''La Traviata''; reflections on the richness of the German tradition in chamber music; an enthusiastic tribute to [[Schubert]]'
    22 KB (3,674 words) - 14:34, 12 July 2022
  • A Frank Discussion with the Reader. The Russian Musical Society. The Italian Opera
    ...и), in which it was published on 19 December 1873 {{OS}}, signed only with the initials "B.L.". ..., which Tchaikovsky considered to be his finest work; and an appeal to the Italian Opera Company to overhaul its repertoire with new works such as [[Verdi]]'s
    32 KB (5,076 words) - 10:52, 6 April 2023
  • The Second and Third Quartet Matinées. The First Symphony Concert of the Russian Musical Society. The Italian Opera
    ...ти), in which it was published on 7 November 1872 {{OS}}, signed only with the initials "B.L.". ...ate attitude towards music in [[Saint Petersburg]] compared to [[Moscow]]; the significance of [[Beethoven]]'s '' Eroica'' Symphony; and on [[Liszt]]'s re
    26 KB (4,232 words) - 14:34, 12 July 2022
  • The Third and Fourth Symphony Concerts of the Russian Musical Society. The Italian Opera
    ...и), in which it was published on 29 November 1872 {{OS}}, signed only with the initials "B.L.". ...mself in [[Moscow]], in 1863; and further ironical remarks about Merelli's Italian Opera Company.
    30 KB (4,816 words) - 12:40, 10 September 2023
  • The Eighth Russian Musical Society Concert. The Italian Opera
    ...и), in which it was published on 24 February 1873 {{OS}}, signed only with the initials "B.L.". ...ian Opera was of a much higher standard but also new Russian operas like ''The Maid of Pskov'' and ''Boris Godunov'' were being staged.
    24 KB (4,039 words) - 14:34, 12 July 2022
  • The Sixth Russian Musical Society Concert. The Italian Opera. A Quartet Session
    ...ти), in which it was published on 10 January 1873 {{OS}}, signed only with the initials "B.L.". ...ts'', but a damning review of its staging by Merelli's company (except for the performances of Emilio Naudin as Raoul and Antonio Cotogni as Nevers).
    20 KB (3,212 words) - 14:34, 12 July 2022
  • Musical Chronicle. "Don Giovanni" and "Zora" on the Italian Stage. The Fifth Concert of the Russian Musical Society
    ...ти), in which it was published on 16 January 1874 {{OS}}, signed only with the initials "B.L.". ...husiastic description of [[Schumann]]'s Second Symphony, which, along with the "Rhenish", Tchaikovsky considered to be his finest symphonic work; a damnin
    25 KB (3,879 words) - 12:37, 17 April 2023
  • The Sixth and Seventh Concerts of the Russian Musical Society
    ...s Tchaikovsky's thirty-fifth music-review article for the Moscow journal ''Russian Register'' (Русские ведомости), in which it was published o ...erhaps because Tchaikovsky had recently suffered the bitter blow of seeing the score of his own [[Piano Concerto No. 1]] sharply criticized by [[Nikolay R
    26 KB (4,240 words) - 14:34, 12 July 2022
  • Richard Wagner
    ...e="note2"/> Tchaikovsky refuted this gross misrepresentation and jumped to the defence of his former teacher: ...ls a long series of concerts which were very much epoch-making. Since then the music of this great German master has taken root in our country <ref name="
    93 KB (14,333 words) - 21:51, 28 August 2023
  • The First Concert of the Russian Musical Society. Madame Laura Kahrer. Beethoven's 8th Symphony. The Italian Opera. Madame Patti
    ...523) <ref name="note1"/> was Tchaikovsky's third music-review article for the Moscow journal Contemporary Chronicle (Современная летопи� ...ities of [[Adelina Patti]]'s voice whilst regretting at the same time that Russian opera was being so sorely neglected in [[Moscow]]
    16 KB (2,523 words) - 14:34, 12 July 2022
  • The Fifth Symphony Concert. The Italian Opera
    ...ти), in which it was published on 8 December 1872 {{OS}}, signed only with the initials "B.L.". ...ut the conduct of certain fashionable theatre-goers at performances of the Italian Opera; and lavish praise for Christina Nilsson's interpretation of Margueri
    26 KB (4,270 words) - 14:34, 12 July 2022
  • The Italian Opera: "L'Africaine". "Il Trovatore". Mr Demidov's Benefit. Entertainments at the "Slavyansky Bazaar". Musical Chronicler of "The Citizen"
    ...), in which it was published on 24 September 1872 {{OS}}, signed only with the initials "B.L.". ...rtistic standards; reflections on privately funded initiatives to acquaint the wider public with serious music
    31 KB (5,136 words) - 14:34, 12 July 2022
  • The Fifth Symphony Concert. The Second Quartet Series. The Italian Opera
    ...Tchaikovsky's thirty-fourth music-review article for the Moscow journal ''Russian Register'' (Русские ведомости), in which it was published o ...first violin [[Ferdinand Laub]]; and a mock eulogy to the managers of the Italian Opera Company on behalf of a 'grateful' [[Moscow]].
    28 KB (4,491 words) - 14:45, 2 September 2023
  • The Russian Musical Society. Italian Opera. The Decisive Battle with my Journalistic Foes
    ...orty-eighth and last regular music-review article for the Moscow journal ''Russian Register'' (Русские ведомости), in which it was published o ...ogists for Dmitry Slavyansky's "Russian Concerts"; and a certain dismay at the way in which one critic who wrote for Russia's most important newspaper had
    26 KB (4,130 words) - 14:34, 12 July 2022

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