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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Bibliography_%281995%29</id>
	<title>Bibliography (1995) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Bibliography_%281995%29"/>
	<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;action=history"/>
	<updated>2026-11-13T13:59:08Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=69102&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Korabelnikova, Lyudmila Zinovyeva, 1930-&quot; to &quot;Korabelnikova, Lyudmila Zinovyeva, 1930-2023&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=69102&amp;oldid=prev"/>
		<updated>2024-12-28T11:24:05Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Korabelnikova, Lyudmila Zinovyeva, 1930-&amp;quot; to &amp;quot;Korabelnikova, Lyudmila Zinovyeva, 1930-2023&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:24, 28 December 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l61&quot;&gt;Line 61:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 61:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Block, Julius, 1858-1934 (author)&amp;lt;br/&amp;gt;Korabelnikova, Lyudmila Zinovyeva, 1930- (editor)&amp;lt;br/&amp;gt;Smirnova, O. M. (translator)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Block, Julius, 1858-1934 (author)&amp;lt;br/&amp;gt;Korabelnikova, Lyudmila Zinovyeva, 1930-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(editor)&amp;lt;br/&amp;gt;Smirnova, O. M. (translator)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/12|Ю. И. Блок. Воспоминания о П. И. Чайковском}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/12|Ю. И. Блок. Воспоминания о П. И. Чайковском}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l376&quot;&gt;Line 376:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 376:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Korabelnikova, Lyudmila Zinovyeva, 1930- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Korabelnikova, Lyudmila Zinovyeva, 1930-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/79|Čajkovskij im Dialog mit Zeitgenossen}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/79|Čajkovskij im Dialog mit Zeitgenossen}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Korabelnikova, Lyudmila Zinovyeva, 1930- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Korabelnikova, Lyudmila Zinovyeva, 1930-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/80|Чайковский в самосознаний русского зарубежна 20-30-х годов}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/80|Чайковский в самосознаний русского зарубежна 20-30-х годов}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Russian&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Russian&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Korabelnikova, Lyudmila Zinovyeva, 1930- (editor)&amp;lt;br/&amp;gt;Vaidman, Polina Yefimovna, 1947-2016 (editor)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Korabelnikova, Lyudmila Zinovyeva, 1930-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(editor)&amp;lt;br/&amp;gt;Vaidman, Polina Yefimovna, 1947-2016 (editor)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/81|Zwölf Stücke für Klavier, Opus 40. Nach dem Autograph und den Ausgaben des Originalverlegers}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/81|Zwölf Stücke für Klavier, Opus 40. Nach dem Autograph und den Ausgaben des Originalverlegers}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Book&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Book&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=69057&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Klimovitsky, Arkady Iosifovich, 1937-&quot; to &quot;Klimovitsky, Arkady Iosifovich, 1937-2024&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=69057&amp;oldid=prev"/>
		<updated>2024-12-28T11:21:55Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Klimovitsky, Arkady Iosifovich, 1937-&amp;quot; to &amp;quot;Klimovitsky, Arkady Iosifovich, 1937-2024&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:21, 28 December 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l326&quot;&gt;Line 326:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 326:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Russian&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Russian&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Klimovitsky, Arkady Iosifovich, 1937- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Klimovitsky, Arkady Iosifovich, 1937-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2024 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/69|Čajkovskij und das russische Silberne Zeitalter}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/69|Čajkovskij und das russische Silberne Zeitalter}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Klimovitsky, Arkady Iosifovich, 1937- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Klimovitsky, Arkady Iosifovich, 1937-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2024 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/70|Отзвуки русского сентиментализма в Пушкинских операх Чайковского}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/70|Отзвуки русского сентиментализма в Пушкинских операх Чайковского}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=64145&amp;oldid=prev</id>
		<title>Tony at 11:19, 30 October 2023</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=64145&amp;oldid=prev"/>
		<updated>2023-10-30T11:19:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:19, 30 October 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l96&quot;&gt;Line 96:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 96:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Russian&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Russian&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Bulkina, T (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Bulkina, T&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/19|Парад Щелкунчиков}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/19|Парад Щелкунчиков}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l226&quot;&gt;Line 226:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 226:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Herruer, Paul&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Herruer, Paul (author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/48|De Weense wals van Schoenberg, Berg en Webern, een duidelijk een-twee-drie?}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/48|De Weense wals van Schoenberg, Berg en Webern, een duidelijk een-twee-drie?}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l266&quot;&gt;Line 266:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 266:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Russian&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Russian&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Jackson, Timothy L, 1958- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Jackson, Timothy L&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;, 1958- (author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/57|Aspects of sexuality and structure in the later symphonies of Tchaikovsky}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/57|Aspects of sexuality and structure in the later symphonies of Tchaikovsky}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l486&quot;&gt;Line 486:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 486:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nikitin, K. N (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nikitin, K. N&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/100|Об одном хоре П. И. Чайковского, считавшемся утерянным}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/100|Об одном хоре П. И. Чайковского, считавшемся утерянным}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=64135&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Holden, Anthony, 1947-&quot; to &quot;Holden, Anthony, 1947-2023&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=64135&amp;oldid=prev"/>
		<updated>2023-10-28T21:55:55Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Holden, Anthony, 1947-&amp;quot; to &amp;quot;Holden, Anthony, 1947-2023&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:55, 28 October 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l236&quot;&gt;Line 236:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 236:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| German&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/50|Čajkovskij&amp;#039;s death. Cholera or suicide}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/50|Čajkovskij&amp;#039;s death. Cholera or suicide}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/51|Coda of silence}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/51|Coda of silence}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/53|Tchaikovsky}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/53|Tchaikovsky}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Book&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Book&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947- (compiler)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Holden, Anthony, 1947-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023 &lt;/ins&gt;(compiler)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/54|Interview with Dr. Bertenson}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/54|Interview with Dr. Bertenson}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=60283&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Taruskin, Richard, 1945-&quot; to &quot;Taruskin, Richard, 1945-2022&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=60283&amp;oldid=prev"/>
		<updated>2023-06-18T19:00:40Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Taruskin, Richard, 1945-&amp;quot; to &amp;quot;Taruskin, Richard, 1945-2022&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:00, 18 June 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l636&quot;&gt;Line 636:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 636:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Taruskin, Richard, 1945- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Taruskin, Richard, 1945-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/129|Another world. Why The Queen of Spades is the great symbolist opera}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/129|Another world. Why The Queen of Spades is the great symbolist opera}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Taruskin, Richard, 1945- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Taruskin, Richard, 1945-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/130|Busnoys and Chaikovsky}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/130|Busnoys and Chaikovsky}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Taruskin, Richard, 1945- (author)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Taruskin, Richard, 1945-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2022 &lt;/ins&gt;(author)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/131|Pathetic symphonist. Chaikovsky, Russia, sexuality and the study of music}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| {{bib|1995/131|Pathetic symphonist. Chaikovsky, Russia, sexuality and the study of music}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Article&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=49446&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=49446&amp;oldid=prev"/>
		<updated>2022-07-12T12:35:52Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en-GB&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:35, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=49445&amp;oldid=prev</id>
		<title>Brett: Text replacement - &quot;Bryantseva, V. N&quot; to &quot;Bryantseva, Vera N.&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Bibliography_(1995)&amp;diff=49445&amp;oldid=prev"/>
		<updated>2021-05-06T20:08:42Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;Bryantseva, V. N&amp;quot; to &amp;quot;Bryantseva, Vera N.&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{bibhead|1995}}&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; width=&amp;quot;99%&amp;quot;&lt;br /&gt;
! width=35%|Contributor&lt;br /&gt;
! width=55%|Title&lt;br /&gt;
! width=10%|Format&lt;br /&gt;
! width=10%|Language&lt;br /&gt;
|-&lt;br /&gt;
| Abrahams, B. P. (author)&lt;br /&gt;
| {{bib|1995/1|Tchaikovsky discovers America [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Aranovsky, Mark Genrikovich, 1928-2009 (author)&lt;br /&gt;
| {{bib|1995/2|Находки и ошибки творческой интуиций (из рукописного архива П. И. Чайковского)}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Assier, Andrey Mikhaylovich, 1778-1835&lt;br /&gt;
| {{bib|1995/158|Аттестат А. М. Ассиера}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Austin, Paul Britten, 1922-2005 (author)&lt;br /&gt;
| {{bib|1995/3| Angående något som hände Tjajkovskij. Essä om konstnärens livsprojekt }}&lt;br /&gt;
| Book&lt;br /&gt;
| Swedish&lt;br /&gt;
|-&lt;br /&gt;
| Barsova, Inna Alekseyevna, 1927- (author)&lt;br /&gt;
| {{bib|1995/4|Mahler - ein Schüler Čajkovskijs?}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Barsova, Inna Alekseyevna, 1927- (author)&lt;br /&gt;
| {{bib|1995/5|Mahler und Russland}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Belonovich, Galina Ivanovna (author)&lt;br /&gt;
| {{bib|1995/6|Čajkovskijs letzter Wohnsitz und das Museum in Klin}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Belonovich, Galina Ivanovna (author)&lt;br /&gt;
| {{bib|1995/7|Чайковский и его окружение на фотографиях современников}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Belova, Olga Pavlovna (author)&lt;br /&gt;
| {{bib|1995/9|Диалог через лета. К вопросу о критике Кюй романсов Чайковского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Bertenson, Lev Bernardovich, 1850-1929 (author)&lt;br /&gt;
| {{bib|1995/10|P. I. Tchaikovsky&amp;#039;s illness}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Betz, M. (author)&lt;br /&gt;
| {{bib|1995/11|Peter Tschaikowsky. Aufsätze und Erinnerungen [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Block, Julius, 1858-1934 (author)&amp;lt;br/&amp;gt;Korabelnikova, Lyudmila Zinovyeva, 1930- (editor)&amp;lt;br/&amp;gt;Smirnova, O. M. (translator)&lt;br /&gt;
| {{bib|1995/12|Ю. И. Блок. Воспоминания о П. И. Чайковском}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Bobéth, Marek, 1935-2012 (author)&lt;br /&gt;
| {{bib|1995/13|Čajkovskij und das Mächtige Häuflein}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Bobéth, Marek, 1935-2012 (author)&lt;br /&gt;
| {{bib|1995/14|Petr Il&amp;#039;ič Čajkovskij und Hans von Bülow}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Bragg, Melvyn, 1939- (author)&lt;br /&gt;
| {{bib|1995/15|Gay murder by committee}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Brown, David, 1929-2014 (author)&lt;br /&gt;
| {{bib|1995/16|Russia before the Revolution}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Brown, David, 1929-2014 (author)&lt;br /&gt;
| {{bib|1995/17|Tschaikowsky}}&lt;br /&gt;
| Article&lt;br /&gt;
| Gernan&lt;br /&gt;
|-&lt;br /&gt;
| Bryantseva, Vera N. (author)&amp;lt;br/&amp;gt;Kandinsky, Aleksey Ivanovich, 1918- (editor)&lt;br /&gt;
| {{bib|1995/18|О претворений вальсовости в творчестве П. И. Чайковского и С. В. Рахманинова}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Bulkina, T (author)&lt;br /&gt;
| {{bib|1995/19|Парад Щелкунчиков}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Canning, Hugh (author)&lt;br /&gt;
| {{bib|1995/20|Tchaikovsky (Anthony Holden) [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Chekan, Yu. I. (author)&lt;br /&gt;
| {{bib|1995/22|Об интонационной концепций творчества Чайковского 90-х годов}}&lt;br /&gt;
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| {{bib|1995/23|The Choreographer and composer of Swan Lake. Petipa and Tchaikovsky}}&lt;br /&gt;
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| {{bib|1995/24|Swan Lake at 100}}&lt;br /&gt;
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| Cuyler, Louise Elvira, 1908-1998 (author)&lt;br /&gt;
| {{bib|1995/25|The Symphony}}&lt;br /&gt;
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| Dammann, Susanne, 1960- (author)&lt;br /&gt;
| {{bib|1995/26|Überlegungen zu einer problemgeschichtlichen Untersuchung von Čajkovskijs 4. Sinfonie}}&lt;br /&gt;
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| Davydov, Yury Lvovich, 1876-1965 (author)&lt;br /&gt;
| {{bib|1995/27|1943. Yuri Davidov}}&lt;br /&gt;
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| {{bib|1995/28|Vice admirable}}&lt;br /&gt;
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| Dürbach, Fanny, 1822-1901 (author)&lt;br /&gt;
| {{bib|1995/30|M-elle Fanny Durbach}}&lt;br /&gt;
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| {{bib|1995/31|Tchaikovsky discovers America [book review]}}&lt;br /&gt;
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| {{bib|1995/32|An der Schwelle zum neuen Jahrhundert. Anmerkungen zu Čajkovskijs Harmonik}}&lt;br /&gt;
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| {{bib|1995/34|Eugene Onegin}}&lt;br /&gt;
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| {{bib|1995/35|О концепций финала Четвертой симфоний Чайковского}}&lt;br /&gt;
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| {{bib|1995/36|Zu deutschen Vorbildern von Čajkovskijs Harmonielehre}}&lt;br /&gt;
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| Galishinkova, A. Yu. (compiler)&lt;br /&gt;
| {{bib|1995/37|П. Чайковский. Каталог звукозаписей}}&lt;br /&gt;
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| Gaydamovich, Tatyana Alekseyevna (author)&lt;br /&gt;
| {{bib|1995/38|Трио Чайковского Памяти великого художника и эпитафяльная традиция жанра}}&lt;br /&gt;
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| {{bib|1995/39|Крепкий орех в оригинальной упаковке}}&lt;br /&gt;
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| Girardi, M. (author)&lt;br /&gt;
| {{bib|1995/40|Čajkovskij. La vita, tutte le composizioni [book review]}}&lt;br /&gt;
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| {{bib|1995/41|Unvergleichliche Schönheiten. Mozarts Variation über Unser dummer Pöbel meint und ihre Bearbeitung bei Tschaikowsky}}&lt;br /&gt;
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| {{bib|1995/42|Unvergleichliche Schönheiten. Mozarts Variation über Unser dummer Pöbel meint und ihre Bearbeitung bei Tschaikowsky}}&lt;br /&gt;
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| {{bib|1995/43|Рукописи Чайковского в кипе макулатуры}}&lt;br /&gt;
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| Grönke, Kadja (author)&lt;br /&gt;
| {{bib|1995/44|Čajkovskijs Tod. Ein kritischer Literaturbericht}}&lt;br /&gt;
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| {{bib|1995/45|Zur Rolle des Gremin in Čajkovskijs Oper Evgenij Onegin}}&lt;br /&gt;
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| Gushchin, Vitaly Andreyevich (author)&lt;br /&gt;
| {{bib|1995/46|На новых местах против Английского парка. Дача Чайковских в Петергофе}}&lt;br /&gt;
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| Helm, Everett, 1913-1999 (author)&lt;br /&gt;
| {{bib|1995/47|Peter I. Tschaikowsky. In Selbstzeugnissen und Bilddokumenten}}&lt;br /&gt;
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| Herruer, Paul. (author)&lt;br /&gt;
| {{bib|1995/48|De Weense wals van Schoenberg, Berg en Webern, een duidelijk een-twee-drie?}}&lt;br /&gt;
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| Hoffmann, Freia, 1945- (author)&lt;br /&gt;
| {{bib|1995/49|Die Qualen und die Seligkeit der Liebe. Tschaikowsky als homosexueller Komponist und seine 4. Sinfonie}}&lt;br /&gt;
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| Holden, Anthony, 1947- (author)&lt;br /&gt;
| {{bib|1995/50|Čajkovskij&amp;#039;s death. Cholera or suicide}}&lt;br /&gt;
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| Holden, Anthony, 1947- (author)&lt;br /&gt;
| {{bib|1995/51|Coda of silence}}&lt;br /&gt;
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| Holden, Anthony, 1947- (author)&lt;br /&gt;
| {{bib|1995/53|Tchaikovsky}}&lt;br /&gt;
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| Holden, Anthony, 1947- (compiler)&lt;br /&gt;
| {{bib|1995/54|Interview with Dr. Bertenson}}&lt;br /&gt;
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| Illarionov, Boris Aleksandrovich (author)&lt;br /&gt;
| {{bib|1995/55|Культура. Красавицей любуясь спящей}}&lt;br /&gt;
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| Ivanova, L. P. (author)&lt;br /&gt;
| {{bib|1995/56|О единстве цикла в первых трёх симфониях Чайковского}}&lt;br /&gt;
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| Jackson, Timothy L, 1958- (author)&lt;br /&gt;
| {{bib|1995/57|Aspects of sexuality and structure in the later symphonies of Tchaikovsky}}&lt;br /&gt;
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| Jacobs, Arthur, 1922-1996 (author)&lt;br /&gt;
| {{bib|1995/58|The Maid of Orleans}}&lt;br /&gt;
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| Jameson, M. (author)&lt;br /&gt;
| {{bib|1995/59|Tchaikovsky. Violin Concerto}}&lt;br /&gt;
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| Kalman, Esther (author)&amp;lt;br/&amp;gt;Fernandez, Laura, 1960- (illustrator)&amp;lt;br/&amp;gt;Jacobson, Rick, 1959- (illustrator)&lt;br /&gt;
| {{bib|1995/60|Tchaikovsky discovers America}}&lt;br /&gt;
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| Kandinsky, Aleksey Ivanovich, 1918- (compiler)&amp;lt;br/&amp;gt;Rozanova, Yuliya Andreyevna (compiler)&amp;lt;br/&amp;gt;Skvortsova, Irina Arnoldovna, 1956- (compiler)&amp;lt;br/&amp;gt;Sorokina, Yelena Gennadyevna, 1940- (compiler)&lt;br /&gt;
| {{bib|1995/61|П. И. Чайковский. К 100-летию со дня смерти (1893-1993). Материалы научной конференций}}&lt;br /&gt;
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| Karnisnina, L. (author)&lt;br /&gt;
| {{bib|1995/62|Знаменитый гость Подольского уезда}}&lt;br /&gt;
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| Keats, Jonathan (author)&lt;br /&gt;
| {{bib|1995/63|Tchaikovsky by Anthony Holden [book review]}}&lt;br /&gt;
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| Keldysh, Yury Vsevolodovich, 1907-1995 (author)&lt;br /&gt;
| {{bib|1995/64|Увертюра-фантазия Ромео и Джульетта и её роль в становлений симфонизма Чайковского}}&lt;br /&gt;
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| Kholopov, Yury Nikolayevich, 1932-2003 (author)&lt;br /&gt;
| {{bib|1995/65|Что же делать с музыкальными формами Чайковского?}}&lt;br /&gt;
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| Kirchberg, Klaus (author)&lt;br /&gt;
| {{bib|1995/66|Schlaflose Nächte mit Tschaikowsky [book review]}}&lt;br /&gt;
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| Klimenko, Ivan Aleksandrovich, 1841-1914 (author)&lt;br /&gt;
| {{bib|1995/67|Мой воспоминания о Петре Ильиче Чайковском}}&lt;br /&gt;
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| Klimenko, Tatyana Ivanovna (author)&amp;lt;br/&amp;gt;Belonovich, Galina Ivanovna (editor)&lt;br /&gt;
| {{bib|1995/68|Т. И. Клименко (Воспоминания об оце)}}&lt;br /&gt;
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| Klimovitsky, Arkady Iosifovich, 1937- (author)&lt;br /&gt;
| {{bib|1995/69|Čajkovskij und das russische Silberne Zeitalter}}&lt;br /&gt;
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| Klimovitsky, Arkady Iosifovich, 1937- (author)&lt;br /&gt;
| {{bib|1995/70|Отзвуки русского сентиментализма в Пушкинских операх Чайковского}}&lt;br /&gt;
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| Kluge, Rolf-Dieter, 1937- (author)&lt;br /&gt;
| {{bib|1995/71|Čajkovskij und die literarische Kultur Russlands}}&lt;br /&gt;
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| Koegler, Horst, 1927-2012 (author)&lt;br /&gt;
| {{bib|1995/72|Zeitlos und unkritisch, opulent und beliebig. Zu den Dornröschen inszenierungen der letzten Spielzeit}}&lt;br /&gt;
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| Kohlhase, Thomas, 1941- (author)&lt;br /&gt;
| {{bib|1995/73|Editionsprobleme der Neuen Čajkovskij-Gesamtausgabe am Beispiel der 6. Sinfonie}}&lt;br /&gt;
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| Kohlhase, Thomas, 1941- (editor)&lt;br /&gt;
| {{bib|1995/74|Internationales Čajkovskij Symposium, Tübingen 1993. Bericht}}&lt;br /&gt;
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| Kohlhase, Thomas, 1941- (editor)&amp;lt;br/&amp;gt;Wille, Irmgard, 1935-2018 (translator)&lt;br /&gt;
| {{bib|1995/75|Drei bisher unbekannte Briefe Čajkovskijs von 1887, 1891 und 1893, sowie sechs weitere Briefe vom 20. August 1893}}&lt;br /&gt;
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| Kolesnikov, A. (author)&lt;br /&gt;
| {{bib|1995/76|Башкирский Щелкунчик в американское рождество}}&lt;br /&gt;
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| Kolesnikov, A. (author)&lt;br /&gt;
| {{bib|1995/77|Григорович везеит а США балет Уфи}}&lt;br /&gt;
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| Koolbergen, Jeroen (author)&lt;br /&gt;
| {{bib|1995/78|Tchaikovsky. 1840-1893}}&lt;br /&gt;
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| Korabelnikova, Lyudmila Zinovyeva, 1930- (author)&lt;br /&gt;
| {{bib|1995/79|Čajkovskij im Dialog mit Zeitgenossen}}&lt;br /&gt;
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| Korabelnikova, Lyudmila Zinovyeva, 1930- (author)&lt;br /&gt;
| {{bib|1995/80|Чайковский в самосознаний русского зарубежна 20-30-х годов}}&lt;br /&gt;
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| Korabelnikova, Lyudmila Zinovyeva, 1930- (editor)&amp;lt;br/&amp;gt;Vaidman, Polina Yefimovna, 1947-2016 (editor)&lt;br /&gt;
| {{bib|1995/81|Zwölf Stücke für Klavier, Opus 40. Nach dem Autograph und den Ausgaben des Originalverlegers}}&lt;br /&gt;
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| Korganov, Vasily Davidovich, 1865-1934 (author)&lt;br /&gt;
| {{bib|1995/82|Чайковский на Кавказе}}&lt;br /&gt;
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| Korobkov, S. (author)&lt;br /&gt;
| {{bib|1995/83|Пиковая дама означает тайную недоброжелательность}}&lt;br /&gt;
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| Krylova, O. (author)&lt;br /&gt;
| {{bib|1995/84|Женщины, так и не ставшие судьбой Чайковского}}&lt;br /&gt;
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| Kuzovleva, Tatyana Yevgenyevna (author)&lt;br /&gt;
| {{bib|1995/85|По музыке - лучший, по танцам - бедный}}&lt;br /&gt;
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| Kuzovleva, Tatyana Yevgenyevna (author)&lt;br /&gt;
| {{bib|1995/86|Спящая красавица проспулась век спустя}}&lt;br /&gt;
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| Kuzovleva, Tatyana Yevgenyevna (author)&lt;br /&gt;
| {{bib|1995/87|Щелкунчик Чайковского в Государственном театре классического балете}}&lt;br /&gt;
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| Lauer, Lucinde, 1967- (author)&lt;br /&gt;
| {{bib|1995/88|Čajkovskij und Mozart. Ein Leserbrief von 1881}}&lt;br /&gt;
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| Lauer, Lucinde, 1967- (author)&lt;br /&gt;
| {{bib|1995/89|Čajkovskijs Pikovaja Dama und die Tradition der französischen Opéra-comique-Ballade}}&lt;br /&gt;
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| Lehmann, Dieter (author)&lt;br /&gt;
| {{bib|1995/90|Čajkovsijs Ansichten über deutsche Komponisten}}&lt;br /&gt;
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| Lyatev, G. (author)&lt;br /&gt;
| {{bib|1995/91|Поневоле или по воле?}}&lt;br /&gt;
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| Mamontova, Lyudmila Ivanovna (author)&lt;br /&gt;
| {{bib|1995/92|Образы в музыке. Литературний-поэтический композиции к произведениям П. И. Чайковского и Р. Шумана}}&lt;br /&gt;
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| Martinotti, Sergio, 1931- (author)&lt;br /&gt;
| {{bib|1995/93|Rivisitazione di Grieg}}&lt;br /&gt;
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| Milner, C. (author)&amp;lt;br/&amp;gt;Farrell, N. (author)&lt;br /&gt;
| {{bib|1995/33|Book reopens Tchaikovsky gay suicide row}}&lt;br /&gt;
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| Morita, Minoru, 1932- (author)&lt;br /&gt;
| {{bib|1995/94|Some observations on Japan&amp;#039;s association with Russian music and Čajkovskij}}&lt;br /&gt;
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| Mösch, Stephan, 1964- (author)&lt;br /&gt;
| {{bib|1995/95|Tschaikowsky. Eugen Onegin. Irgendwo und nirgendwo}}&lt;br /&gt;
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| Nazaykinsky, Yevgeny Vladimirovich (author)&lt;br /&gt;
| {{bib|1995/96|Об одном примере оркестровки П. И. Чайковского}}&lt;br /&gt;
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| Neef, Sigrid, 1944- (author)&lt;br /&gt;
| {{bib|1995/97|Čajkovskj mit den Augen Stravinskijs gesehen. Zum Verhältnis von ontologischer und psychisch determinierter Zeit in den Opern Čajkovskijs}}&lt;br /&gt;
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| Nicastro, Aldo, 1936- (author)&lt;br /&gt;
| {{bib|1995/98|Petr Ilîč Čajkovskij}}&lt;br /&gt;
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| Nice, David Michael, 1962- (author)&lt;br /&gt;
| {{bib|1995/99|Tchaikovsky}}&lt;br /&gt;
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| Nikitin, K. N (author)&lt;br /&gt;
| {{bib|1995/100|Об одном хоре П. И. Чайковского, считавшемся утерянным}}&lt;br /&gt;
| Article&lt;br /&gt;
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| Pfuhl, W. (author)&lt;br /&gt;
| {{bib|1995/101|Das Merkwürdige Märchen vom gemüchelten Meister. Zum Selbstmord gezungen oder Opfer für Cholera. Ein deutsch-russisches Forscher-Team untersucht das Gesamtwerk and das Leben Tschaikowskys}}&lt;br /&gt;
| Article&lt;br /&gt;
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| Pollard, Michael, 1931- (author)&amp;lt;br/&amp;gt;Gårsjö, Kerstin, 1940- (translator)&lt;br /&gt;
| {{bib|1995/102|Peter Iljitj Tjajkovskij}}&lt;br /&gt;
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| Porter, H. (author)&lt;br /&gt;
| {{bib|1995/103|Tchaikovsky (Anthony Holden) [book review]}}&lt;br /&gt;
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| Poznansky, Alexander, 1950- (author)&lt;br /&gt;
| {{bib|1995/104|Fate and game. Tchaikovsky in The Queen of Spades}}&lt;br /&gt;
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| English&lt;br /&gt;
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| Poznansky, Alexander, 1950- (author)&lt;br /&gt;
| {{bib|1995/105|Modest Čajkovskij. In his brother&amp;#039;s shadow}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Poznansky, Alexander, 1950- (author)&lt;br /&gt;
| {{bib|1995/106|Tchaikovsky. The man behind the myth}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Regitz, Hartmut (author)&lt;br /&gt;
| {{bib|1995/107|Ein Stück vollkommenheit. Vor 100 Jahren gaben Marius Petipa und Lew Iwanow dem Schwanensee-Ballett seine endgütlige Gestalt}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Rich, Alan, 1924-2010 (author)&lt;br /&gt;
| {{bib|1995/108|Pyotr Ilyich Tchaikovsky. Play by play}}&lt;br /&gt;
| Book&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Robinson, H. (author)&lt;br /&gt;
| {{bib|1995/109|The Russian bard. Alexander Pushkin and The Queen of Spades}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Rozanova, Olga Ivanovna (author)&lt;br /&gt;
| {{bib|1995/110|Колдовская власть Лебединого озера}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Rozanova, Yuliya Andreyevna (author)&lt;br /&gt;
| {{bib|1995/111|Русские поэты в переписке с Чайковским (по неопубликованным письмам)}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Rubtsova, Valentina Vasilyevna, 1944- (author)&lt;br /&gt;
| {{bib|1995/112|Čajkovskij und die russische Kultur seiner Zeit}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Rudel, Anthony J. (author)&lt;br /&gt;
| {{bib|1995/113|1812 Overture, Op. 49}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Rudel, Anthony J. (author)&lt;br /&gt;
| {{bib|1995/114|Symphony No. 6 in B minor}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Rudichenko, Tatyana Semyonovna (author)&lt;br /&gt;
| {{bib|1995/115|Mazeppa}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Russell, Paul Elliott, 1956- (author)&lt;br /&gt;
| {{bib|1995/116|Tchaikovsky}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Schwinger, Eckart, 1934- (author)&lt;br /&gt;
| {{bib|1995/117|Tschaikowsky. Eugen Onegin, trost aus der Flasche}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Shearer, Moira, 1926-2006 (author)&lt;br /&gt;
| {{bib|1995/118|A Russian tragedy}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Sinkovskaya, Natalya Nikolayevna, 1922-2012 (author)&lt;br /&gt;
| {{bib|1995/119|У истоков стиля}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Skvortsova, Irina Arnoldovna, 1956- (author)&lt;br /&gt;
| {{bib|1995/120|Замыслы и их судьба. Неизвестные страницы творческого диалога М. И. Петипа и П. И. Чайковского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Smirnov, Valery Vasilyevich, 1937- (author)&lt;br /&gt;
| {{bib|1995/121|Čajkovskij und Stravinskij}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Smith, Jane Stuart, 1925-2016 (author)&amp;lt;br/&amp;gt;Carlson, Betty, 1919- (author)&lt;br /&gt;
| {{bib|1995/21|Tchaikovsky}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Sokolov, Valery Solomonovich, 1953- (author)&lt;br /&gt;
| {{bib|1995/122|Čajkovskijs Tod}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Sokolov, Valery Solomonovich, 1953- (author)&lt;br /&gt;
| {{bib|1995/123|Письма П. И. Чайковского без купюр. Неизвестные страницы эпистолярии}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Sokolov, Valery Solomonovich, 1953- (author)&lt;br /&gt;
| {{bib|1995/124|Письмо в редакцию}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Sokolov, Valery Solomonovich, 1953- (author)&lt;br /&gt;
| {{bib|1995/125|Семейная драма Петра Ильича}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Steinberg, Michael, 1928-2009 (author)&lt;br /&gt;
| {{bib|1995/126|The Symphony. A listener&amp;#039;s guide}}&lt;br /&gt;
| Book&lt;br /&gt;
| English&lt;br /&gt;
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| Stevenson, A. B. (author)&lt;br /&gt;
| {{bib|1995/127|Chaikovski and Mrs. Rosa Newmarch revisited. A contribution to the composer&amp;#039;s centennial celebrations}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Svejda, Jim, 1947- (author)&lt;br /&gt;
| {{bib|1995/128|Tchaikovsky, Piotr Ilyich}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Taruskin, Richard, 1945- (author)&lt;br /&gt;
| {{bib|1995/129|Another world. Why The Queen of Spades is the great symbolist opera}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Taruskin, Richard, 1945- (author)&lt;br /&gt;
| {{bib|1995/130|Busnoys and Chaikovsky}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Taruskin, Richard, 1945- (author)&lt;br /&gt;
| {{bib|1995/131|Pathetic symphonist. Chaikovsky, Russia, sexuality and the study of music}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Tchaikovsky, Ilya Petrovich, 1795-1880 (author)&lt;br /&gt;
| {{bib|1995/132|Записки кадета Горного кадетского корпуса И. П. Чайковского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Tchaikovsky, Modest Ilyich, 1850-1916 (author)&lt;br /&gt;
| {{bib|1995/133|[P. I. Tchaikovsky&amp;#039;s illness]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Tchaikovsky, Modest Ilyich, 1850-1916 (author)&amp;lt;br/&amp;gt;Vaidman, Polina Yefimovna, 1947-2016 (editor)&lt;br /&gt;
| {{bib|1995/134|Из семейных воспоминаний}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Tsareva, Yekaterina Mikhaylovna (author)&lt;br /&gt;
| {{bib|1995/135|Чайковский в наши дни. Между двумя датами}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Vaidman, Polina Yefimovna, 1947-2016 (author)&lt;br /&gt;
| {{bib|1995/136|Unbekannter Čajkovskij. Entwürfe zu nicht ausgeführten Komponisten}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Vaidman, Polina Yefimovna, 1947-2016 (author)&lt;br /&gt;
| {{bib|1995/137|Некоторые аспекты композиторской работы П. И. Чайковского 80-90-х годов (по материалам архива композитора)}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Vaidman, Polina Yefimovna, 1947-2016 (author)&lt;br /&gt;
| {{bib|1995/138|Новые документы П. И. Чайковского. Обзор источников}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Vaidman, Polina Yefimovna, 1947-2016 (author)&lt;br /&gt;
| {{bib|1995/139|Открывая нового Чайковского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Vaidman, Polina Yefimovna, 1947-2016 (author)&lt;br /&gt;
| {{bib|1995/140|Род Чайковских к 1894 году}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
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| Vaidman, Polina Yefimovna, 1947-2016 (compiler)&amp;lt;br/&amp;gt;Belonovich, Galina Ivanovna (compiler)&amp;lt;br/&amp;gt;Kotomina, Svetlana Samuilovna (editor)&amp;lt;br/&amp;gt;Abramova, O. S. (editor)&lt;br /&gt;
| {{bib|1995/8|П. И. Чайковский. Забытое и новое. Воспоминания современников. Новые материалы и документы}}&lt;br /&gt;
| Book&lt;br /&gt;
| Russian&lt;br /&gt;
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| Venezia, Mike, 1945- (author)&lt;br /&gt;
| {{bib|1995/141|Peter Tchaikovsky}}&lt;br /&gt;
| Book&lt;br /&gt;
| English&lt;br /&gt;
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| Warrack, John Hamilton, 1928- (author)&lt;br /&gt;
| {{bib|1995/142|Cháikěfusījī. Bālěi yīnyuè (柴可夫斯基. 芭蕾音樂)}}&lt;br /&gt;
| Book&lt;br /&gt;
| Chinese&lt;br /&gt;
|-&lt;br /&gt;
| Watson, E. S. (author)&lt;br /&gt;
| {{bib|1995/143|Tchaikovsky discovers America [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| Weber-Bockholdt, Petra, 1954- (author)&lt;br /&gt;
| {{bib|1995/144|Das Rosen Adagio. Gedanken zur Qualität von Čajkovskijs Balletmusik}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| Welzien, Leonore, 1949- (author)&lt;br /&gt;
| {{bib|1995/145|Mein Tschaikowsky ist keine cola. Ein gespräch mit Boris Eifman}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
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| Whitaker, R. (author)&lt;br /&gt;
| {{bib|1995/146|Tchaikovsky&amp;#039;s Piano Concerto No. 2}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Wiley, Roland John, 1942- (author)&lt;br /&gt;
| {{bib|1995/147|Tchaikovsky remembered [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Zajaczkowski, Henry, 1955- (author)&lt;br /&gt;
| {{bib|1995/148|On Čajkovskij&amp;#039;s psychopathology and its relationship with his creativity}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Zemtsovsky, Izaly Iosifovich, 1936- (author)&lt;br /&gt;
| {{bib|1995/149|Čajkovskij and the European melosphere. A case of cantilena-narration}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
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| Zhukovskaya, Glafira Vyacheslavovna, 1898- (author)&lt;br /&gt;
| {{bib|1995/150|Памяти Пушкина, Глинки и Чайковского. О посвящений оперы Мавра И. Стравинского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Zhukovskaya, Glafira Vyacheslavovna, 1898- (author)&lt;br /&gt;
| {{bib|1995/151|Стравинский и Чайковский}}&lt;br /&gt;
| Dissertation&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| Zvirin, Stephanie (author)&lt;br /&gt;
| {{bib|1995/152|Tchaikovsky discovers America [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1995/153|100-летие Дома-музея Чайковского}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1995/154|Meine Erinnerungen an Peter Tschaikowski [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1995/155|Schlaflose Nächte mit Tschaikowsky [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| German&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1995/156|The Piano concertos of Peter Tchaikovsky [book review]}}&lt;br /&gt;
| Article&lt;br /&gt;
| English&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1995/157|Автограф Чехова, Чайковского и Николая будут представлены на аукционе ЛГ}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1995/159|Новая трактовка Щелкунчика}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1995/160|Новый Щелкунчик (Премьера. Новосибирск)}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|-&lt;br /&gt;
| &lt;br /&gt;
| {{bib|1995/161|Символ мирового балета}}&lt;br /&gt;
| Article&lt;br /&gt;
| Russian&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
[[Category:Bibliography]]&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
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