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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_2611</id>
	<title>Letter 2611 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_2611"/>
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	<updated>2026-08-18T22:02:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_2611&amp;diff=69399&amp;oldid=prev</id>
		<title>Tony at 12:06, 15 January 2025</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_2611&amp;diff=69399&amp;oldid=prev"/>
		<updated>2025-01-15T12:06:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:06, 15 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot;&gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, thanks to a letter from [[Jurgenson]], I learnt about the row over &amp;#039;&amp;#039;Tamara&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt; and that it was going to be played at one of the forthcoming concerts, I imagined that the performance would be next Saturday and at all costs I wanted to get to [[Moscow]] by that day. But I have just found out from a telegram from [[Jurgenson]] that it is going to be performed on 26 January. I am awfully glad that I will get to hear it: I am very curious about how your score, which I have been reading through very carefully all this time, will turn out in performance. There are passages which I can vividly picture to myself, but there are also some which puzzle me — for instance, the very opening with the low &amp;#039;&amp;#039;tuba&amp;#039;&amp;#039; notes. In any case, this is a work endowed with tremendous merits.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When, thanks to a letter from [[Jurgenson]], I learnt about the row over &amp;#039;&amp;#039;Tamara&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt; and that it was going to be played at one of the forthcoming concerts, I imagined that the performance would be next Saturday and at all costs I wanted to get to [[Moscow]] by that day. But I have just found out from a telegram from [[Jurgenson]] that it is going to be performed on 26 January. I am awfully glad that I will get to hear it: I am very curious about how your score, which I have been reading through very carefully all this time, will turn out in performance. There are passages which I can vividly picture to myself, but there are also some which puzzle me — for instance, the very opening with the low &amp;#039;&amp;#039;tuba&amp;#039;&amp;#039; notes. In any case, this is a work endowed with tremendous merits.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Did you receive my Cherubim&amp;#039;s Songs? Which one did you choose?&amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt; If you write a word or two to me in [[Moscow]], I would be extremely glad. I shall see you in person in early January, after the holidays&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Did you receive my Cherubim&amp;#039;s Songs? Which one did you choose? &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt; If you write a word or two to me in [[Moscow]], I would be extremely glad. I shall see you in person in early January, after the holidays&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Give my regards to [[N. A. Rimsky-Korsakov]] and to all yours.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Give my regards to [[N. A. Rimsky-Korsakov]] and to all yours.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l40&quot;&gt;Line 40:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 40:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;In fact, both the [[Piano Concerto No. 1]] (soloist [[Hans von Bülow]]) and the [[Suite No. 3]] would be performed on the same date in [[Moscow]], namely on 19/31 January 1885 at a Russian Musical Society concert conducted by [[Max Erdmannsdörfer]].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;In fact, both the [[Piano Concerto No. 1]] (soloist [[Hans von Bülow]]) and the [[Suite No. 3]] would be performed on the same date in [[Moscow]], namely on 19/31 January 1885 at a Russian Musical Society concert conducted by [[Max Erdmannsdörfer]].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;In a letter to Tchaikovsky on 6/18 November 1884 [[Pyotr Jurgenson]] had written about the attempts by [[Erdmannsdörfer]] and the directors of the [[Moscow]] branch of the RMS to prevent a performance of [[Balakirev]]&amp;#039;s symphonic poem &amp;#039;&amp;#039;Tamara&amp;#039;&amp;#039;, and how he, [[Jurgenson]], had managed to overcome these.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;In a letter to Tchaikovsky on 6/18 November 1884&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;[[Pyotr Jurgenson]] had written about the attempts by [[Erdmannsdörfer]] and the directors of the [[Moscow]] branch of the RMS to prevent a performance of [[Balakirev]]&amp;#039;s symphonic poem &amp;#039;&amp;#039;Tamara&amp;#039;&amp;#039;, and how he, [[Jurgenson]], had managed to overcome these.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;See [[Letter 2594]] to [[Mily Balakirev]], 17/29 November 1884.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;See [[Letter 2594]] to [[Mily Balakirev]], 17/29 November 1884.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_2611&amp;diff=50806&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_2611&amp;diff=50806&amp;oldid=prev"/>
		<updated>2022-07-12T12:41:25Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:41, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_2611&amp;diff=50805&amp;oldid=prev</id>
		<title>Brett at 19:50, 16 November 2019</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_2611&amp;diff=50805&amp;oldid=prev"/>
		<updated>2019-11-16T19:50:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{letterhead &lt;br /&gt;
|Date=1/13 December 1884 &lt;br /&gt;
|To=[[Mily Balakirev]] &lt;br /&gt;
|Place=[[Paris]] &lt;br /&gt;
|Language=Russian &lt;br /&gt;
|Autograph=[[Saint Petersburg]] (Russia): {{RUS-SPsc}} (ф. 834, ед. хр. 12, л. 19–20) &lt;br /&gt;
|Publication={{bib|1912/19|Переписка М. А. Балакирева и П. И. Чайковского}} [1912], p. 86–87&amp;lt;br/&amp;gt;{{bibx|1962/71|Милий Алексеевич Балакирев. Воспоминания и письма}} (1962), p. 174&amp;lt;br/&amp;gt;{{bib|1970/86|П. И. Чайковский. Полное собрание сочинений ; том XII}} (1970), p. 503–504 &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Text and Translation==&lt;br /&gt;
{{Lettertext&lt;br /&gt;
|Language=Russian&lt;br /&gt;
|Translator=Luis Sundkvist&lt;br /&gt;
|Original text={{right|1/13 декабря 1884 г[ода]&amp;lt;br/&amp;gt;&amp;#039;&amp;#039;Париж&amp;#039;&amp;#039;}}&lt;br /&gt;
{{centre|Дорогой друг Милий Алексеевич!}}&lt;br /&gt;
Обстоятельства сложились так, что я теперь проеду прямо в Москву. 15-го числа там идёт мой концерт для ф-п., а 22-го — новая сюита. То и другое теперь печатается, и мне необходимо успеть хоть одну корректуру сделать обеих вещей. Таким образом, увижу Вас не так скоро, как думал, и очень сожалею об этом, ибо очень бы хотелось побеседовать с Вами. &lt;br /&gt;
&lt;br /&gt;
Узнав из письма Юргенсона об истории с «&amp;#039;&amp;#039;Тамарой&amp;#039;&amp;#039;» и о том, что она будет в одном из следующих концертов играться, я вообразил, что она пойдёт в будущую субботу, и хотел во что бы то ни стало попасть в Москву к этому дню. Но из телеграммы Юргенсона узнал сейчас, что она пойдёт 26 января. Ужасно рад, что услышу её: меня очень интересует, как Ваша партитура, которую я всё это время очень внимательно прочитывал, выходит в исполнении. Есть места, которые я живо представляю себе, но есть и такие, которые смущают меня, например: самое начало с низкими нотами &amp;#039;&amp;#039;тубы&amp;#039;&amp;#039;. Во всяком случае, это вещь, обладающая капитальными достоинствами. &lt;br /&gt;
&lt;br /&gt;
Получили ли Вы мои «Херувимские»? Какую из них выбрали? Если напишете мне словечка два в Москву, до крайности буду рад. Лично Вас я увижу в начале января, после праздников&lt;br /&gt;
&lt;br /&gt;
Поклонитесь от меня Н. А. Римскому-Корсакову и всем Вашим.&lt;br /&gt;
{{right|Ваш П. Чайковский}}&lt;br /&gt;
За &amp;#039;&amp;#039;«Манфреда»&amp;#039;&amp;#039; ещё серьёзно не принимался, но много думаю о нём.&lt;br /&gt;
&lt;br /&gt;
|Translated text={{right|1/13 December 1884&amp;lt;br/&amp;gt;&amp;#039;&amp;#039;[[Paris]]&amp;#039;&amp;#039;}}&lt;br /&gt;
{{centre|Dear friend [[Mily Alekseyevich]]!}}&lt;br /&gt;
Circumstances have turned out such that I shall now be heading straight for [[Moscow]]. On the 15th my [[Piano Concerto No. 1|piano concerto]] is to be played there, and on the 22nd my [[Suite No. 3|new suite]] &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;. These two works are now being printed, and it is essential for me to proof-read them both at least once. Thus, I shall not see you as soon as I had thought, and this I am very sorry about, because I very much want to talk to you. &lt;br /&gt;
&lt;br /&gt;
When, thanks to a letter from [[Jurgenson]], I learnt about the row over &amp;#039;&amp;#039;Tamara&amp;#039;&amp;#039; &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt; and that it was going to be played at one of the forthcoming concerts, I imagined that the performance would be next Saturday and at all costs I wanted to get to [[Moscow]] by that day. But I have just found out from a telegram from [[Jurgenson]] that it is going to be performed on 26 January. I am awfully glad that I will get to hear it: I am very curious about how your score, which I have been reading through very carefully all this time, will turn out in performance. There are passages which I can vividly picture to myself, but there are also some which puzzle me — for instance, the very opening with the low &amp;#039;&amp;#039;tuba&amp;#039;&amp;#039; notes. In any case, this is a work endowed with tremendous merits. &lt;br /&gt;
&lt;br /&gt;
Did you receive my Cherubim&amp;#039;s Songs? Which one did you choose?&amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt; If you write a word or two to me in [[Moscow]], I would be extremely glad. I shall see you in person in early January, after the holidays&lt;br /&gt;
&lt;br /&gt;
Give my regards to [[N. A. Rimsky-Korsakov]] and to all yours.&lt;br /&gt;
{{right|Yours, P. Tchaikovsky }}&lt;br /&gt;
I haven&amp;#039;t embarked on &amp;quot;&amp;#039;&amp;#039;[[Manfred]]&amp;#039;&amp;#039;&amp;quot; in earnest yet, but I am thinking about it a lot. &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Notes and References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;In fact, both the [[Piano Concerto No. 1]] (soloist [[Hans von Bülow]]) and the [[Suite No. 3]] would be performed on the same date in [[Moscow]], namely on 19/31 January 1885 at a Russian Musical Society concert conducted by [[Max Erdmannsdörfer]].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;In a letter to Tchaikovsky on 6/18 November 1884 [[Pyotr Jurgenson]] had written about the attempts by [[Erdmannsdörfer]] and the directors of the [[Moscow]] branch of the RMS to prevent a performance of [[Balakirev]]&amp;#039;s symphonic poem &amp;#039;&amp;#039;Tamara&amp;#039;&amp;#039;, and how he, [[Jurgenson]], had managed to overcome these.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;See [[Letter 2594]] to [[Mily Balakirev]], 17/29 November 1884.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
</feed>