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	<id>https://en.tchaikovsky-research.net/index.php?action=history&amp;feed=atom&amp;title=Letter_623a</id>
	<title>Letter 623a - Revision history</title>
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	<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_623a&amp;action=history"/>
	<updated>2026-10-14T23:36:39Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_623a&amp;diff=66303&amp;oldid=prev</id>
		<title>Tony: Inserted commas and &quot;—&quot; for clarity of meaning</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_623a&amp;diff=66303&amp;oldid=prev"/>
		<updated>2024-04-12T11:55:40Z</updated>

		<summary type="html">&lt;p&gt;Inserted commas and &amp;quot;—&amp;quot; for clarity of meaning&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:55, 12 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot;&gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Your letter of 5 September did not reach me until a few days ago &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;. Since a grave illness has forced me to flee the harsh climate of my country, it is in Switzerland that I have established my abode for a while, and it is here that I have had the honour of receiving your communication &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Your letter of 5 September did not reach me until a few days ago &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;. Since a grave illness has forced me to flee the harsh climate of my country, it is in Switzerland that I have established my abode for a while, and it is here that I have had the honour of receiving your communication &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Monsieur and illustrious &amp;#039;&amp;#039;maestro&amp;#039;&amp;#039;! It is with the greatest joy that I accept your offer to take part in the anthology which you intend to publish in honour of the great master whose fervent admirer I have always been.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Monsieur and illustrious &amp;#039;&amp;#039;maestro&amp;#039;&amp;#039;! It is with the greatest joy that I accept your offer to take part in the anthology which you intend to publish in honour of the great master&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;whose fervent admirer I have always been.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I shall send you the requested piece not later than the 1st of December &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I shall send you the requested piece not later than the 1st of December &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l38&quot;&gt;Line 38:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 38:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes and References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes and References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;In 1876 the remains of [[Vincenzo Bellini]] (who died on his estate near [[Paris]] in 1835) had been transferred from the Père Lachaise cemetery to the cathedral of his native town Catania in Sicily. This had led to a number of commemorative events across Italy. To accompany the unveiling of a [[Bellini]] monument in [[Naples]], where the composer had studied and achieved his first operatic successes, [[Lauro Rossi]], the director of the city&amp;#039;s conservatory, wanted to publish an album of piano pieces in his honour. [[Rossi]] wrote to a number of composers, including Tchaikovsky, asking them to contribute to this [[Bellini]] album. As this letter shows, Tchaikovsky gladly accepted the offer — note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;In 1876&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;the remains of [[Vincenzo Bellini]] (who died on his estate near [[Paris]] in 1835) had been transferred from the Père Lachaise cemetery to the cathedral of his native town Catania in Sicily. This had led to a number of commemorative events across Italy. To accompany the unveiling of a [[Bellini]] monument in [[Naples]], where the composer had studied and achieved his first operatic successes, [[Lauro Rossi]], the director of the city&amp;#039;s conservatory, wanted to publish an album of piano pieces in his honour. [[Rossi]] wrote to a number of composers, including Tchaikovsky, asking them to contribute to this [[Bellini]] album. As this letter shows, Tchaikovsky gladly accepted the offer — note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;By these references to his &amp;quot;grave illness&amp;quot; and the &amp;quot;harsh climate&amp;quot; of Russia Tchaikovsky is obliquely alluding to his escape abroad in early October 1877. The composer, in consultation with his brothers [[Anatoly]] and [[Modest]], had decided to explain his sudden flight from his wife [[Antonina]] as the result of a nervous breakdown, following which the doctors had allegedly advised him to go abroad. Tchaikovsky and [[Anatoly]] arrived in [[Clarens]] on 10/22 October 1877 and rented rooms at the Villa Richelieu.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;By these references to his &amp;quot;grave illness&amp;quot; and the &amp;quot;harsh climate&amp;quot; of Russia&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;Tchaikovsky is obliquely alluding to his escape abroad in early October 1877. The composer, in consultation with his brothers [[Anatoly]] and [[Modest]], had decided to explain his sudden flight from his wife [[Antonina]] as the result of a nervous breakdown, following which the doctors had allegedly advised him to go abroad. Tchaikovsky and [[Anatoly]] arrived in [[Clarens]] on 10/22 October 1877 and rented rooms at the Villa Richelieu.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;Tchaikovsky was unable to keep his promise, and on 11 May 1878 {{NS}} [[Rossi]] wrote to him again to remind him about the [[Bellini]] album. Since he was occupied with other work at the time, Tchaikovsky decided to make use of the piano piece &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; — No. 10 of the [[Twelve Pieces, Op. 40]] (1878), which in fact he had written earlier in 1877 as an additional number for the ballet &amp;#039;&amp;#039;[[Swan Lake]]&amp;#039;&amp;#039;. He changed some nuances in the dynamics and phrasing of the &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; and sent the new manuscript score (written in his own hand) to [[Naples]], where to this day it is still kept in the library of the Conservatory. The &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; was incorporated into the &amp;#039;&amp;#039;Album per pianoforte alla memoria di Vincenzo Bellini&amp;#039;&amp;#039;, which was eventually published by Ricordi in [[Milan]] in 1885 note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;Tchaikovsky was unable to keep his promise, and on 11 May 1878 {{NS}} [[Rossi]] wrote to him again to remind him about the [[Bellini]] album. Since he was occupied with other work at the time, Tchaikovsky decided to make use of the piano piece &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; — No. 10 of the [[Twelve Pieces, Op. 40]] (1878), which in fact he had written earlier in 1877 as an additional number for the ballet &amp;#039;&amp;#039;[[Swan Lake]]&amp;#039;&amp;#039;. He changed some nuances in the dynamics and phrasing of the &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; and sent the new manuscript score (written in his own hand) to [[Naples]], where to this day it is still kept in the library of the Conservatory. The &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; was incorporated into the &amp;#039;&amp;#039;Album per pianoforte alla memoria di Vincenzo Bellini&amp;#039;&amp;#039;, which was eventually published by Ricordi in [[Milan]] in 1885 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;— &lt;/ins&gt;note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Letter 0623a}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Letter 0623a}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tony</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_623a&amp;diff=53737&amp;oldid=prev</id>
		<title>Brett at 13:14, 12 July 2022</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_623a&amp;diff=53737&amp;oldid=prev"/>
		<updated>2022-07-12T13:14:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:14, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l40&quot;&gt;Line 40:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 40:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;In 1876 the remains of [[Vincenzo Bellini]] (who died on his estate near [[Paris]] in 1835) had been transferred from the Père Lachaise cemetery to the cathedral of his native town Catania in Sicily. This had led to a number of commemorative events across Italy. To accompany the unveiling of a [[Bellini]] monument in [[Naples]], where the composer had studied and achieved his first operatic successes, [[Lauro Rossi]], the director of the city&amp;#039;s conservatory, wanted to publish an album of piano pieces in his honour. [[Rossi]] wrote to a number of composers, including Tchaikovsky, asking them to contribute to this [[Bellini]] album. As this letter shows, Tchaikovsky gladly accepted the offer — note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;In 1876 the remains of [[Vincenzo Bellini]] (who died on his estate near [[Paris]] in 1835) had been transferred from the Père Lachaise cemetery to the cathedral of his native town Catania in Sicily. This had led to a number of commemorative events across Italy. To accompany the unveiling of a [[Bellini]] monument in [[Naples]], where the composer had studied and achieved his first operatic successes, [[Lauro Rossi]], the director of the city&amp;#039;s conservatory, wanted to publish an album of piano pieces in his honour. [[Rossi]] wrote to a number of composers, including Tchaikovsky, asking them to contribute to this [[Bellini]] album. As this letter shows, Tchaikovsky gladly accepted the offer — note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;By these references to his &amp;quot;grave illness&amp;quot; and the &amp;quot;harsh climate&amp;quot; of Russia Tchaikovsky is obliquely alluding to his escape abroad in early October 1877. The composer, in consultation with his brothers [[Anatoly]] and [[Modest]], had decided to explain his sudden flight from his wife [[Antonina]] as the result of a nervous breakdown, following which the doctors had allegedly advised him to go abroad. Tchaikovsky and [[Anatoly]] arrived in [[Clarens]] on 10/22 October 1877 and rented rooms at the Villa Richelieu.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;By these references to his &amp;quot;grave illness&amp;quot; and the &amp;quot;harsh climate&amp;quot; of Russia Tchaikovsky is obliquely alluding to his escape abroad in early October 1877. The composer, in consultation with his brothers [[Anatoly]] and [[Modest]], had decided to explain his sudden flight from his wife [[Antonina]] as the result of a nervous breakdown, following which the doctors had allegedly advised him to go abroad. Tchaikovsky and [[Anatoly]] arrived in [[Clarens]] on 10/22 October 1877 and rented rooms at the Villa Richelieu.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;Tchaikovsky was unable to keep his promise, and on 11 May 1878 {{NS}} [[Rossi]] wrote to him again to remind him about the [[Bellini]] album. Since he was occupied with other work at the time, Tchaikovsky decided to make use of the piano piece &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; — No. 10 of the [[Twelve Pieces, Op. 40]] (1878), which in fact he had written earlier in 1877 as an additional number for the ballet &amp;#039;&amp;#039;[[Swan Lake]]&amp;#039;&amp;#039;. He changed some nuances in the dynamics and phrasing of the &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; and sent the new manuscript score (written in his own hand) to [[Naples]], where to this day it is still kept in the library of the Conservatory. The &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; was incorporated into the &amp;#039;&amp;#039;Album per pianoforte alla memoria di Vincenzo Bellini&amp;#039;&amp;#039;, which was eventually published by &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Ricordi&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;in [[Milan]] in 1885 note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;Tchaikovsky was unable to keep his promise, and on 11 May 1878 {{NS}} [[Rossi]] wrote to him again to remind him about the [[Bellini]] album. Since he was occupied with other work at the time, Tchaikovsky decided to make use of the piano piece &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; — No. 10 of the [[Twelve Pieces, Op. 40]] (1878), which in fact he had written earlier in 1877 as an additional number for the ballet &amp;#039;&amp;#039;[[Swan Lake]]&amp;#039;&amp;#039;. He changed some nuances in the dynamics and phrasing of the &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; and sent the new manuscript score (written in his own hand) to [[Naples]], where to this day it is still kept in the library of the Conservatory. The &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; was incorporated into the &amp;#039;&amp;#039;Album per pianoforte alla memoria di Vincenzo Bellini&amp;#039;&amp;#039;, which was eventually published by Ricordi in [[Milan]] in 1885 note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Letter 0623a}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Letter 0623a}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_623a&amp;diff=53244&amp;oldid=prev</id>
		<title>Brett: 1 revision imported</title>
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		<updated>2022-07-12T12:47:40Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:47, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en-GB&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
	<entry>
		<id>https://en.tchaikovsky-research.net/index.php?title=Letter_623a&amp;diff=53243&amp;oldid=prev</id>
		<title>Brett at 17:41, 25 February 2020</title>
		<link rel="alternate" type="text/html" href="https://en.tchaikovsky-research.net/index.php?title=Letter_623a&amp;diff=53243&amp;oldid=prev"/>
		<updated>2020-02-25T17:41:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{letterhead &lt;br /&gt;
|Date=20 October/1 November 1877 &lt;br /&gt;
|To=[[Lauro Rossi]] &lt;br /&gt;
|Place=[[Clarens]] &lt;br /&gt;
|Language=French &lt;br /&gt;
|Autograph=[[Naples]] (Italy): {{I-Nc}}&lt;br /&gt;
|Publication={{bib|1981/80|П. И. Чайковский. Полное собрание сочинений ; том XVII}} (1981), p. 225&amp;lt;br/&amp;gt;{{bibx|1998/47|Čajkovskijs Homosexualität und sein Tod. Legenden und Wirklichkeit}} (1998), p. 190–191 (with German translation, p. 192)}}&lt;br /&gt;
&lt;br /&gt;
==Text and Translation==&lt;br /&gt;
{{Lettertext&lt;br /&gt;
|Language=French&lt;br /&gt;
|Translator=Luis Sundkvist&lt;br /&gt;
|Original text={{right|Clarens&amp;lt;br/&amp;gt;1er Novembre 1877}}&lt;br /&gt;
{{centre|Monsieur!}}&lt;br /&gt;
Votre lettre de 5 Septembre n&amp;#039;est parvenue jusqu&amp;#039;à moi que depuis quelques jours. Une grave maladie ayant forcé de fuir le climat rigoureux de mon pays, c&amp;#039;est en Suisse que je me suis fixé pour quelque temps, et c&amp;#039;est ici que j&amp;#039;ai eu l&amp;#039;honneur de recevoir Votre missive&lt;br /&gt;
&lt;br /&gt;
Monsieur et illustre &amp;#039;&amp;#039;maître&amp;#039;&amp;#039;! C&amp;#039;est avec la plus grande joie que j&amp;#039;accepte la proposition que V[ou]s me faites de prendre part au recueil que V[ou]s avez l&amp;#039;intention de publier en l&amp;#039;honneur du grand maître, dont j&amp;#039;ai toujours été un fervent admirateur&lt;br /&gt;
&lt;br /&gt;
Pas plus tard que le 1er Decembre je V[ou]s enverrai la pièce demandée&lt;br /&gt;
&lt;br /&gt;
En attendant, agréez, Monsieur l&amp;#039;expression du profond respecte de Votre serviteur dévoué &lt;br /&gt;
{{right|P. Tchaïkovsky}}&lt;br /&gt;
&amp;#039;&amp;#039;Clarens. Villa Richelieu. Suisse&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
|Translated text={{right|[[Clarens]]&amp;lt;br/&amp;gt;1st November 1877}}&lt;br /&gt;
{{centre|Monsieur!}}&lt;br /&gt;
Your letter of 5 September did not reach me until a few days ago &amp;lt;ref name=&amp;quot;note1&amp;quot;/&amp;gt;. Since a grave illness has forced me to flee the harsh climate of my country, it is in Switzerland that I have established my abode for a while, and it is here that I have had the honour of receiving your communication &amp;lt;ref name=&amp;quot;note2&amp;quot;/&amp;gt;. &lt;br /&gt;
&lt;br /&gt;
Monsieur and illustrious &amp;#039;&amp;#039;maestro&amp;#039;&amp;#039;! It is with the greatest joy that I accept your offer to take part in the anthology which you intend to publish in honour of the great master whose fervent admirer I have always been.&lt;br /&gt;
&lt;br /&gt;
I shall send you the requested piece not later than the 1st of December &amp;lt;ref name=&amp;quot;note3&amp;quot;/&amp;gt;. &lt;br /&gt;
&lt;br /&gt;
In the meanwhile, please accept, Monsieur, this assurance of profound respect from your devoted servant.&lt;br /&gt;
{{right|P. Tchaikovsky}}&lt;br /&gt;
&amp;#039;&amp;#039;[[Clarens]]. Villa Richelieu. Switzerland&amp;#039;&amp;#039;&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Notes and References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note1&amp;quot;&amp;gt;In 1876 the remains of [[Vincenzo Bellini]] (who died on his estate near [[Paris]] in 1835) had been transferred from the Père Lachaise cemetery to the cathedral of his native town Catania in Sicily. This had led to a number of commemorative events across Italy. To accompany the unveiling of a [[Bellini]] monument in [[Naples]], where the composer had studied and achieved his first operatic successes, [[Lauro Rossi]], the director of the city&amp;#039;s conservatory, wanted to publish an album of piano pieces in his honour. [[Rossi]] wrote to a number of composers, including Tchaikovsky, asking them to contribute to this [[Bellini]] album. As this letter shows, Tchaikovsky gladly accepted the offer — note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note2&amp;quot;&amp;gt;By these references to his &amp;quot;grave illness&amp;quot; and the &amp;quot;harsh climate&amp;quot; of Russia Tchaikovsky is obliquely alluding to his escape abroad in early October 1877. The composer, in consultation with his brothers [[Anatoly]] and [[Modest]], had decided to explain his sudden flight from his wife [[Antonina]] as the result of a nervous breakdown, following which the doctors had allegedly advised him to go abroad. Tchaikovsky and [[Anatoly]] arrived in [[Clarens]] on 10/22 October 1877 and rented rooms at the Villa Richelieu.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;note3&amp;quot;&amp;gt;Tchaikovsky was unable to keep his promise, and on 11 May 1878 {{NS}} [[Rossi]] wrote to him again to remind him about the [[Bellini]] album. Since he was occupied with other work at the time, Tchaikovsky decided to make use of the piano piece &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; — No. 10 of the [[Twelve Pieces, Op. 40]] (1878), which in fact he had written earlier in 1877 as an additional number for the ballet &amp;#039;&amp;#039;[[Swan Lake]]&amp;#039;&amp;#039;. He changed some nuances in the dynamics and phrasing of the &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; and sent the new manuscript score (written in his own hand) to [[Naples]], where to this day it is still kept in the library of the Conservatory. The &amp;#039;&amp;#039;Danse russe&amp;#039;&amp;#039; was incorporated into the &amp;#039;&amp;#039;Album per pianoforte alla memoria di Vincenzo Bellini&amp;#039;&amp;#039;, which was eventually published by [[Ricordi]] in [[Milan]] in 1885 note based on information provided by Thomas Kohlhase in {{bib|1998/46|Bisher unbekannte Briefe, Notenautographe und andere Čajkovskij-Funde}} (1998), p. 190–191.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
{{DEFAULTSORT:Letter 0623a}}&lt;/div&gt;</summary>
		<author><name>Brett</name></author>
	</entry>
</feed>