Letter 3219a and Smolensk: Difference between pages

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{{letterhead
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|Date=4/16 April 1887
|To=[[Jacques Dusautoy]]
|Place=[[Maydanovo]]
|Language=French
|Autograph=Tübingen (Germany): {{D-Tu}}
|Publication={{bib|1994/180|Bisher unbekannte Briefe und musikalische Arbeiten Čajkovskijs}} (1994), p. 4<br/>{{bibx|1995/75|Internationales Čajkovskij Symposium, Tübingen 1993. Bericht}} (1995), p. 21–35
}}


==Text and Translation==
'''''Smolensk''''' (Смоленск) is a city and the administrative centre of Smolensk district (Смоленский район) and Smolensk oblast (Смоленская область) in the Russian Federation.  
{{Lettertext
|Language=French
|Translator=Luis Sundkvist
|Original text={{right|''4/16 Avril 1887''<br/>''Kline, Maïdanowo''}}
{{centre|Cher Monsieur et ami!}}
J'ai été bien ingrat vis à vis de Vous! Combien V[ou]s avez été gentil et plein d'{{sic|egards|égards}} pour moi, et combien peu je le {{sic|merite|mérite}}! Votre lettre est datée le ''27 {{sic|Fevrier|Février}}'' et c'est le 16 Avril que [je] prends enfin la plume pour V[ou]s remercier de la peine que V[ou]s V[ou]s {{sic|ètes|êtes}} donnée pour me décrire Vos impressions de la soirée-audition organisée par Mackar! Que V[ou]s dire pour obtenir Votre pardon? Le fait est que tout ce temps-ci j'{{sic|etais|étais}} si accablé par un travail {{sic|incessants|incessant}} et par {{sic|toute espèce|toutes espèces}} de soucis et d'affaires que forcément j'ai bien négligé ma {{sic|correspondence|correspondance}} et que j'ai été sans le vouloir en faute vis à vis de bien {{sic|de|des}} {{sic|pesonnes|personnes}}, dont j'apprécie l'amitié et les bons sentiments.  


Il y a encore une raison pour laquelle j'ai tardé à V[ou]s répondre. Je voulais obtenir {{sic|quelquechose|quelque chose}} de précis sur la question que V[ou]s posez, notamment celle de savoir s'il y a à faire {{sic|quelquechose|quelque chose}} pour V[ou]s {{sic|aux|au}} Conservatoire de Petersbourg ou de Moscou? Eh bien, à mon très grand regret, je ne puis V[ou]s dire rien de précis ni de sûr. V[ou]s avez laissé de très bons souvenirs à Petersbourg, et on serait charmé de V[ou]s y revoir, mais on ne peut pas V[ou]s offrir une position '' sûre'' et qui pût V[ou]s convenir. Je crois que si V[ou]s aviez le courage de venir à Petersbourg à Vos risques et périls, V[ou]s finiriez peu {{sic|a|à}} peu à {{sic|acquerir|acquérir}} une belle position. Mais il faut attendre, commencer par {{sic|ce|se}} contenter de quelques leçons, être un peu {{sic|géné|gêné}} dans les premiers temps etc. etc. Mais, certainement, ce n'est pas facile tout cela! Nous causerons de tout cela à Paris où je compte venir en été. Y serez V[ou]s? Ou bien allez V[ou]s à la campagne? Je saurai par Mackar où V[ou]s trouver. En attendant je V[ou]s serre bien cordialement la main.  
During Tchaikovsky's lifetime it formed part of the Smolensk district (Смоленский уезд) and Smolensk province (Смоленская губерния) of the Russian Empire.


Votre {{sic|tres|très}} {{sic|devou|devoué}},
==Tchaikovsky in Smolensk==
{{right|P. Tschaïkowsky}}
Tchaikovsky visited Smolensk on 20 May/1 June 1885 to attend the unveiling of a monument to the composer [[Mikhail Glinka]], where he saw "a huge confluence of famous people", and did not have "one minute of freedom or quiet" throughout the proceedings <ref name="note1"/>. He left the following day, missing the rest of the festivities.  


|Translated text={{right|''4/16 April 1887<br/>[[Klin]], [[Maydanovo]]''}}
At one of the concerts given in Smolensk as part of these festivities, Tchaikovsky's overture-fantasia ''[[Romeo and Juliet]]'' was performed at the request of [[Glinka]]'s elderly sister, Lyudmila Shestakova (1816-1906) <ref name="note2"/>.
{{centre|Dear Sir and friend<ref name="note1"/>! }}
I have been very ungrateful towards you! How kind and full of consideration you have been towards me, and how little do I deserve it! Your letter is dated ''27 February'', yet it is on 16 April that I now finally take up my pen to thank you for the trouble you took in describing to me your impressions of the evening recital organized by [[Mackar]]<ref name="note2"/>! What can I say to you so as to obtain your pardon? The fact is that all this time I have been so burdened by an incessant amount of work and by all kinds of worries and business matters that I have necessarily had to neglect my correspondence considerably, and, without wishing to, I have been remiss with regard to quite a few people whose friendship and kind feelings I much appreciate <ref name="note3"/>.  


There is another reason, too, why I have been slow to reply to you. I wanted to find out something specific regarding the question you asked — that is, your question as to whether there might be something for you to do at the [[Petersburg]] or [[Moscow]] Conservatory <ref name="note4"/>. Well, to my profound regret, I cannot tell you anything specific or certain. You have left a very good impression in [[Petersburg]] <ref name="note5"/>}, and people there would be delighted to see you again, but they cannot offer you a ''reliable'' position which might suit you. I think that if you had the courage to come to [[Petersburg]] at your own risk and peril, you would eventually, little by little, obtain a good post. But it is necessary to wait, to start by contenting oneself with a few lessons, to endure a bit of hardship at first etc. etc. But, certainly, all this is not easy! We shall chat about it all in [[Paris]], where I am intending to come in the summer <ref name="note6"/>. Will you be there? Or will you perhaps go to the country? I shall find out from [[Mackar]] where you are to be found. In the meanwhile I shake your hand most cordially.
==External Links==
 
* [[wikipedia:Smolensk|Wikipedia]]
Your most devoted,
{{right|P. Tchaikovsky}}
}}


==Notes and References==
==Notes and References==
<references>
<references>
<ref name="note1">In the commentary accompanying the publication of this letter in {{bib|1995/75|Drei bisher unbekannte Briefe Čajkovskijs von 1887, 1891 und 1893}} (1995), p. 29–35, Thomas Kohlhase explains how its unnamed addressee was identified — namely, on the basis of Tchaikovsky's reference to his correspondent's letter of 27 February [1887] {{NS}}. Polina Vaidman, director of the [[Klin]] House-Museum archive, was able to track down a letter with this date among the ca. 6,000 letters received by Tchaikovsky which are stored there. In the above-cited publication Professor Kohlhase also includes the text of this letter from [[Jacques Dusautoy]] to Tchaikovsky and discusses its contents and tone.</ref>
<ref name="note1">[[Letter 2712]] to [[Nadezhda von Meck]], 26 May/7 June 1885.</ref>
<ref name="note2">In his letter to Tchaikovsky of 27 February 1887 {{NS}} [[Dusautoy]] had described a recital which took place at the Salle Erard in [[Paris]] on 23 February 1887 {{NS}}. The recital was organized by Tchaikovsky's French publisher [[Félix Mackar]] and featured the following works: the ''[[Sérénade mélancolique]]'' (in Tchaikovsky's own arrangement for violin and piano; played by the Belgian violinist [[Martin Pierre Marsick]] (1848–1924), with [[Anatoly Brandukov]] accompanying on the piano); the ''Nocturne'', No. 4 of the [[Six Pieces, Op. 19]], for piano, arranged for solo cello and piano (played by [[Brandukov]], with Marsick accompanying); the [[Piano Trio]] (played by [[Louis Diémer]], [[Brandukov]], and Marsick); Nos. 1, 2, 5, and 6 from the [[Six Romances, Op. 6]] (sung by Juliette Conneau); the ''Polonaise'' from ''[[Yevgeny Onegin]]'' in [[Liszt]]'s transcription for piano; ''Chant sans paroles'', No. 3 from ''[[Souvenir de Hapsal]]'', Op. 2; ''Polka de salon'', No. 2 of the [[Three Pieces, Op. 9]]; ''Mazurka'', No. 5 of the [[Twelve Pieces, Op. 40]]; and ''Romance'', No. 5 of the [[Six Pieces, Op. 51]] (all played by [[Diémer]]). [[Dusautoy]] noted, in particular, the strong impression which the [[Piano Trio]] had produced, and also how ''None But the Lonely Heart'', No. 6 of the [[Six Romances, Op. 6]], and the smaller piano pieces had gone down very well with the audience — note based on Thomas Kohlhase's commentary in {{bib|1995/75|Drei bisher unbekannte Briefe Čajkovskijs von 1887, 1891 und 1893}} (1995), p. 29–35.</ref>
<ref name="note2">See [[Balakirev]]'s letter to Tchaikovsky, 31 October/12 November 1884 in {{bibx|1962/71|Милий Алексеевич Балакирев. Воспоминания и письма}} (1962), p. 173.</ref>
<ref name="note3">In the first months of 1887 Tchaikovsky had been completing the piano reduction of ''[[The Enchantress]]'' which was due to be published by [[Jurgenson]] in April and required a lot of proof-reading. He was also working intensely on the instrumentation of his opera. At the same time, with the premiere of ''[[Cherevichki]]'' at the [[Moscow]] Bolshoi Theatre on 19/31 January 1887, which he himself conducted, Tchaikovsky had embarked on what was in effect a 'second career' as a conductor. Since he conducted two more performances of ''[[Cherevichki]]'' and a concert of his own works in [[Saint Petersburg]] on 5/17 March, these months had also been packed with rehearsals — note based on Thomas Kohlhase's commentary in {{bib|1995/75|Drei bisher unbekannte Briefe Čajkovskijs von 1887, 1891 und 1893}} (1995), p. 29–35.</ref>
<ref name="note4">At the end of his letter of 27 February 1887 {{NS}} [[Dusautoy]] had asked: "N'y a t'il rien à faire aux Conservatoires de Pétersbourg ou de Moscou, Direction [[Anton Rubinstein|Rubinstein]]?", hinting that Tchaikovsky might be able to use his influence to secure a teaching post for him.</ref>
<ref name="note5">It has not been possible to establish when exactly [[Dusautoy]] visited [[Saint Petersburg]].</ref>
<ref name="note6">That summer, Tchaikovsky was in [[Paris]] for only a few days, from 2/14 to 4/16 August 1887. It is not clear whether he did actually meet [[Dusautoy]] on that occasion — note based on Thomas Kohlhase's commentary in {{bib|1995/75|Drei bisher unbekannte Briefe Čajkovskijs von 1887, 1891 und 1893}} (1995), p. 29–35.</ref>
</references>
</references>
[[Category:Places]]
[[Category:Russia]]

Latest revision as of 21:41, 5 January 2023


Smolensk (Смоленск) is a city and the administrative centre of Smolensk district (Смоленский район) and Smolensk oblast (Смоленская область) in the Russian Federation.

During Tchaikovsky's lifetime it formed part of the Smolensk district (Смоленский уезд) and Smolensk province (Смоленская губерния) of the Russian Empire.

Tchaikovsky in Smolensk

Tchaikovsky visited Smolensk on 20 May/1 June 1885 to attend the unveiling of a monument to the composer Mikhail Glinka, where he saw "a huge confluence of famous people", and did not have "one minute of freedom or quiet" throughout the proceedings [1]. He left the following day, missing the rest of the festivities.

At one of the concerts given in Smolensk as part of these festivities, Tchaikovsky's overture-fantasia Romeo and Juliet was performed at the request of Glinka's elderly sister, Lyudmila Shestakova (1816-1906) [2].

External Links

Notes and References

  1. Letter 2712 to Nadezhda von Meck, 26 May/7 June 1885.
  2. See Balakirev's letter to Tchaikovsky, 31 October/12 November 1884 in Милий Алексеевич Балакирев. Воспоминания и письма (1962), p. 173.