https://en.tchaikovsky-research.net/index.php?title=Six_Romances,_Op._25&feed=atom&action=history
Six Romances, Op. 25 - Revision history
2024-03-29T14:39:51Z
Revision history for this page on the wiki
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https://en.tchaikovsky-research.net/index.php?title=Six_Romances,_Op._25&diff=63342&oldid=prev
Brett: /* Dedications */
2023-09-09T15:47:03Z
<p><span dir="auto"><span class="autocomment">Dedications</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:47, 9 September 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Dedications==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Dedications==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Most of the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Most of the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div># [[Aleksandra Krutikova]] (1851-1919), soprano, who performed the role of Morozova in the opera.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div># [[Aleksandra Krutikova]] (1851-1919), <ins style="font-weight: bold; text-decoration: none;">mezzo-</ins>soprano, who performed the role of Morozova in the opera.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Dmitry Orlov]] (1842-1919), tenor, who premiered the role of Andrey.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Dmitry Orlov]] (1842-1919), tenor, who premiered the role of Andrey.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Mariya Kamenskaya]] (1854-1925), mezzo-soprano.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Mariya Kamenskaya]] (1854-1925), mezzo-soprano.</div></td></tr>
</table>
Brett
https://en.tchaikovsky-research.net/index.php?title=Six_Romances,_Op._25&diff=63341&oldid=prev
Brett: /* Dedication */
2023-09-09T15:45:57Z
<p><span dir="auto"><span class="autocomment">Dedication</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:45, 9 September 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>==<del style="font-weight: bold; text-decoration: none;">Dedication</del>==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>==<ins style="font-weight: bold; text-decoration: none;">Dedications</ins>==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">For the most part, </del>the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Most of </ins>the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Aleksandra Krutikova]] (1851-1919), soprano, who performed the role of Morozova in the opera.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Aleksandra Krutikova]] (1851-1919), soprano, who performed the role of Morozova in the opera.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Dmitry Orlov]] (1842-1919), tenor, who premiered the role of Andrey.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Dmitry Orlov]] (1842-1919), tenor, who premiered the role of Andrey.</div></td></tr>
</table>
Brett
https://en.tchaikovsky-research.net/index.php?title=Six_Romances,_Op._25&diff=63328&oldid=prev
Brett at 15:35, 9 September 2023
2023-09-09T15:35:46Z
<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:35, 9 September 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Dedication==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Dedication==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For the most part, the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For the most part, the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div># Aleksandra Krutikova (1851-1919), soprano, who performed the role of Morozova in the opera.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div># <ins style="font-weight: bold; text-decoration: none;">[[</ins>Aleksandra Krutikova<ins style="font-weight: bold; text-decoration: none;">]] </ins>(1851-1919), soprano, who performed the role of Morozova in the opera.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div># Dmitry Orlov (1842-1919), tenor, who premiered the role of Andrey.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div># <ins style="font-weight: bold; text-decoration: none;">[[</ins>Dmitry Orlov<ins style="font-weight: bold; text-decoration: none;">]] </ins>(1842-1919), tenor, who premiered the role of Andrey.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div># Mariya Kamenskaya (1854-1925), mezzo-soprano.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div># <ins style="font-weight: bold; text-decoration: none;">[[</ins>Mariya Kamenskaya<ins style="font-weight: bold; text-decoration: none;">]] </ins>(1854-1925), mezzo-soprano.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div># Wilhelmina Raab (1848-1917), soprano, who portrayed Natalya in ''[[The Oprichnik]].''</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div># <ins style="font-weight: bold; text-decoration: none;">[[</ins>Wilhelmina Raab<ins style="font-weight: bold; text-decoration: none;">]] </ins>(1848-1917), soprano, who portrayed Natalya in ''[[The Oprichnik]].''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Ivan Melnikov]] (1832-1906), baritone, who premiered Vyazminsky in the opera.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Ivan Melnikov]] (1832-1906), baritone, who premiered Vyazminsky in the opera.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The manuscript score shows that Tchaikovsky originally considered dedicating Nos. 2 and 3 to Wilhelmina Raab, and No. 4 to Mariya Kamenskaya.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The manuscript score shows that Tchaikovsky originally considered dedicating Nos. 2 and 3 to <ins style="font-weight: bold; text-decoration: none;">[[</ins>Wilhelmina Raab<ins style="font-weight: bold; text-decoration: none;">]]</ins>, and No. 4 to <ins style="font-weight: bold; text-decoration: none;">[[</ins>Mariya Kamenskaya<ins style="font-weight: bold; text-decoration: none;">]]</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The romance ''As They Chanted: Fool'' (No. 6) carries no dedication.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The romance ''As They Chanted: Fool'' (No. 6) carries no dedication.</div></td></tr>
</table>
Brett
https://en.tchaikovsky-research.net/index.php?title=Six_Romances,_Op._25&diff=58529&oldid=prev
Tony: /* Dedication */ Text replacement - "Viazminsky" to "Vyazminsky"
2023-01-18T20:25:29Z
<p><span dir="auto"><span class="autocomment">Dedication: </span> Text replacement - "Viazminsky" to "Vyazminsky"</span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:25, 18 January 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Mariya Kamenskaya (1854-1925), mezzo-soprano.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Mariya Kamenskaya (1854-1925), mezzo-soprano.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Wilhelmina Raab (1848-1917), soprano, who portrayed Natalya in ''[[The Oprichnik]].''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Wilhelmina Raab (1848-1917), soprano, who portrayed Natalya in ''[[The Oprichnik]].''</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div># [[Ivan Melnikov]] (1832-1906), baritone, who premiered <del style="font-weight: bold; text-decoration: none;">Viazminsky </del>in the opera. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div># [[Ivan Melnikov]] (1832-1906), baritone, who premiered <ins style="font-weight: bold; text-decoration: none;">Vyazminsky </ins>in the opera.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The manuscript score shows that Tchaikovsky originally considered dedicating Nos. 2 and 3 to Wilhelmina Raab, and No. 4 to Mariya Kamenskaya.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The manuscript score shows that Tchaikovsky originally considered dedicating Nos. 2 and 3 to Wilhelmina Raab, and No. 4 to Mariya Kamenskaya.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>
Tony
https://en.tchaikovsky-research.net/index.php?title=Six_Romances,_Op._25&diff=58528&oldid=prev
Tony at 20:24, 18 January 2023
2023-01-18T20:24:12Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:24, 18 January 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>3. [[Fyodor Tyutchev]] — a translation (c.1851) from the German of ''Kennst du das Land?'', in book 3 of the novel ''Wilhelm Meisters Lehrjahre'' (1795) by [[Johann Wolfgang von Goethe]] (1749–1832):</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>3. [[Fyodor Tyutchev]] — a translation (c. 1851) from the German of ''Kennst du das Land?'', in book 3 of the novel ''Wilhelm Meisters Lehrjahre'' (1795) by [[Johann Wolfgang von Goethe]] (1749–1832):</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{libtext</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{libtext</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Original text=</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Original text=</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>5. [[Lev Mey]] from his poem ''Octaves'' (Октавы) (1844):</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>5. [[Lev Mey]]<ins style="font-weight: bold; text-decoration: none;">, </ins>from his poem ''Octaves'' (Октавы) (1844):</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{libtext</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{libtext</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Original text=</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Original text=</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Composition==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Composition==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The first reference to the projected romances occurs in Tchaikovsky's letter to [[Vasily Bessel]] of 9/21 November 1874: "I shall certainly write the romances, but do not rush me. I am again beginning to think about a new large-scale composition which, since I finished the piano score of the opera, has taken over all my thoughts. The romances will be written, assuredly, during the winter." <ref name="note1"/>. The "large work" mentioned was the [[Piano Concerto No. 1]], and the opera—''[[Vakula the Smith]]''</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The first reference to the projected romances occurs in Tchaikovsky's letter to [[Vasily Bessel]] of 9/21 November 1874: "I shall certainly write the romances, but do not rush me. I am again beginning to think about a new large-scale composition which, since I finished the piano score of the opera, has taken over all my thoughts. The romances will be written, assuredly, during the winter." <ref name="note1"/>. The "large work" mentioned was the [[Piano Concerto No. 1]], and the opera—''[[Vakula the Smith]]<ins style="font-weight: bold; text-decoration: none;">.</ins>''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>According to the dates on the manuscripts of the concerto, the draft was completed on 21 December 1874/2 January 1875, and the instrumentation on 9/21 February. In a letter to [[Modest Tchaikovsky]] of 13/25 February 1875, the composer reported that he had finished the [[Piano Concerto No. 1|piano concerto]] and was writing the ''[[Sérénade mélancolique]]'', Op. 26 <ref name="note2"/>.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>According to the dates on the manuscripts of the concerto, the draft was completed on 21 December 1874/2 January 1875, and the instrumentation on 9/21 February. In a letter to [[Modest Tchaikovsky]] of 13/25 February 1875, the composer reported that he had finished the [[Piano Concerto No. 1|piano concerto]] and was writing the ''[[Sérénade mélancolique]]'', Op. 26 <ref name="note2"/>.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Publication==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Publication==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>They were published for the first time by [[Vasily Bessel]] in April 1875 <ref name="note4"/>. In 1940 they were included in volume 44 of Tchaikovsky's ''[[Complete Collected Works]]'', edited by Ivan Shishov and Nikolay Shemanin.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>They were published for the first time by [[Vasily Bessel]] in April 1875 <ref name="note4"/>. In 1940<ins style="font-weight: bold; text-decoration: none;">, </ins>they were included in volume 44 of Tchaikovsky's ''[[Complete Collected Works]]'', edited by Ivan Shishov and Nikolay Shemanin.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Autographs==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Autographs==</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Dedication==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Dedication==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>For the most part the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>For the most part<ins style="font-weight: bold; text-decoration: none;">, </ins>the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Aleksandra Krutikova (1851-1919), soprano, who performed the role of Morozova in the opera.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Aleksandra Krutikova (1851-1919), soprano, who performed the role of Morozova in the opera.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Dmitry Orlov (1842-1919), tenor, who premiered the role of Andrey.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Dmitry Orlov (1842-1919), tenor, who premiered the role of Andrey.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Mariya Kamenskaya (1854-1925), mezzo-soprano.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># Mariya Kamenskaya (1854-1925), mezzo-soprano.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div># Wilhelmina Raab (1848-1917), soprano, who portrayed Natalya in ''[[The Oprichnik]]''</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div># Wilhelmina Raab (1848-1917), soprano, who portrayed Natalya in ''[[The Oprichnik]]<ins style="font-weight: bold; text-decoration: none;">.</ins>''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Ivan Melnikov]] (1832-1906), baritone, who premiered Viazminsky in the opera. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div># [[Ivan Melnikov]] (1832-1906), baritone, who premiered Viazminsky in the opera. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The manuscript score shows that Tchaikovsky originally considered dedicating Nos. 2 and 3 to Wilhelmina Raab, and No. 4 to Mariya Kamenskaya.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The manuscript score shows that Tchaikovsky originally considered dedicating Nos. 2 and 3 to Wilhelmina Raab, and No. 4 to Mariya Kamenskaya.</div></td></tr>
</table>
Tony
https://en.tchaikovsky-research.net/index.php?title=Six_Romances,_Op._25&diff=34908&oldid=prev
Brett: 1 revision imported
2022-07-12T11:13:53Z
<p>1 revision imported</p>
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<td colspan="1" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="1" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 12:13, 12 July 2022</td>
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Brett
https://en.tchaikovsky-research.net/index.php?title=Six_Romances,_Op._25&diff=34907&oldid=prev
Brett: Text replacement - "’" to "'"
2019-06-08T20:21:01Z
<p>Text replacement - "’" to "'"</p>
<p><b>New page</b></p><div>Tchaikovsky's '''''Six Romances''''' (Шесть романсов), [[Op.]] 25 ([[TH]] 97 ; [[ČW]] 226-231) were written in February and March 1875 for the [[Saint Petersburg]] publisher [[Vasily Bessel]].<br />
<br />
==Instrumentation==<br />
Scored for high voice (Nos. 2, 3, 4), medium voice (Nos. 1, 6), or low voice (No. 5), with piano accompaniment.<br />
<br />
==Movements and Duration==<br />
#'''Reconciliation''' (Примиренье)<br/>Moderato quasi Andante (G minor, 76 bars).<br />
#'''As Over the Burning Ashes''' (Как над горячею золой)<br/>Allegro con spirito (B minor, 74 bars).<br />
#'''Mignon's Song''' (Песнь Миньоны)<br/>Allegro moderato (E-flat major, 82 bars).<br />
#'''The Canary''' (Канарейка)<br/>Moderato (G minor, 58 bars).<br />
#'''I Never Spoke to Her''' (Я с нею никогда не говорил)<br/>Andante semplice (A major, 55 bars).<br />
#'''As They Kept Saying: "Fool"''' (Как наладили: «Дурак»)<br/>Allegro giocoso (G minor, 55 bars).<br />
<br />
==Texts==<br />
1. [[Nikolay Shcherbina]] (1821–1869), from his poem of the same name (1848):<br />
{{libtext<br />
|Original text=<br />
<poem><br />
О, засни, моё сердце, глубоко!<br />
Не буди — не пробудишь, что было,<br />
Не зови, что умчалось далёко,<br />
Не люби, что ты прежде любило...<br />
Пусть надеждой и лживой мечтой<br />
Не смутится твой сон и покой!<br />
<br />
Для тебя невозвратно былое,<br />
На грядущее нет упованья...<br />
Ты не знало в блаженстве покоя,<br />
Успокойся ж на ложе страданья,<br />
И старайся не помнить зимой,<br />
Как срывало ты розы весной!<br />
<br />
О, засни, моё сердце, глубоко!<br />
Не буди — не пробудишь, что было,<br />
Не зови, что умчалось далёко,<br />
Не люби, что ты прежде любило...<br />
Пусть надеждой и лживой мечтой<br />
Не смутится твой сон и покой,<br />
Не смутится твой сон и покой!<br />
И старайся не помнить зимой,<br />
Что срывало ты розы весной!<br />
</poem><br />
|Translated text=<br />
}}<br />
<br />
2. [[Fyodor Tyutchev]] (1803–1873), from an untitled poem (1830?):<br />
{{libtext<br />
|Original text=<br />
<poem><br />
Как над горячею золой<br />
Дымится свиток и сгорает,<br />
И огнь сокрытый и глухой<br />
Слова и строки пожирает:<br />
<br />
Так грустно тлится жизнь моя<br />
И с каждым днём уходит дымом;<br />
Так постепенно гасну я<br />
В однообразьи нестерпимом...<br />
<br />
О, небо, если бы хоть раз<br />
Сей пламень развился по воле,<br />
И, не томясь, не мучась доле,<br />
Я просиял бы и погас!<br />
</poem><br />
|Translated text=<br />
}}<br />
<br />
3. [[Fyodor Tyutchev]] — a translation (c.1851) from the German of ''Kennst du das Land?'', in book 3 of the novel ''Wilhelm Meisters Lehrjahre'' (1795) by [[Johann Wolfgang von Goethe]] (1749–1832):<br />
{{libtext<br />
|Original text=<br />
<poem><br />
Ты знаешь край, где мирт и лавр растёт,<br />
Глубок и чист лазурный неба свод,<br />
Цветет лимон и апельсин златой,<br />
Как жар, горит под зеленью густой?...<br />
Ты знаешь край? Ты знаешь край?<br />
Туда, туда, туда с тобой<br />
Хотела б я укрыться, милый мой!...<br />
Ты знаешь край? Туда с тобой<br />
Хотела б я укрыться, милый мой!<br />
<br />
Ты знаешь высь, с стезёи по критизнам,<br />
Лошак бредёт в тумане по скалам,<br />
В ушельях гор отродье змей живёт,<br />
Гремит обвал и водопал ревёт?...<br />
Ты знаешь путь? Ты знаешь путь? <br />
Туда, туда и нам с тобой<br />
Проложен след: уйдём, властитель мой!<br />
Ты знаешь путь? Туда и нам<br />
След проложен: уйдём, властитель мой!<br />
<br />
Ты знаешь дом на мраморных столбах,<br />
Сияет зал и купол весь в лучах;<br />
Глядят кумиры молча и грустя:<br />
«Что, что с тобой, бедное дитя?»<br />
Ты знаешь дом? Ты знаешь дом?<br />
Туда с тобой уйдём, родитель мой!<br />
<br />
Ты знаешь край, где мирт и лавр растёт,<br />
Глубок и чист лазурный неба свод,<br />
Цветет лимон и апельсин златой,<br />
Как жар, горит под зеленью густой?...<br />
Ты знаешь край? Ты знаешь край?<br />
Туда, туда, туда с тобой<br />
Хотела б я укрыться, милый мой!...<br />
Ты знаешь край? Туда с тобой<br />
Хотела б я укрыться, милый мой,<br />
Милый мой!<br />
</poem><br />
|Translated text=<br />
}}<br />
<br />
4. [[Lev Mey]] (1822–1862), from his poem of the same name (1859):<br />
{{libtext<br />
|Original text=<br />
<poem><br />
Говорит султанша канарейке:<br />
«Птичка! лучше в тереме высоком<br />
Шебетать и песни петь Зюлейке,<br />
Чем порхать на Западе далеком?<br />
Спой же, спой же мне про заморе, певичка,<br />
Спой же, спой же мне про Запад, непоседка!<br />
Есть ли там такое небо, птичка,<br />
Есть ли там такой гарем и клетка?<br />
У кого там столько роз бывало?<br />
У кого из шахов есть Зюлейка —<br />
И поднять ли так ей покрывало?»<br />
<br />
Ей в ответ щебечет канарейка:<br />
«Не проси с меня заморских песен,<br />
Не буди тоски моей без нужды:<br />
Твой гарем но нашим песням тесен,<br />
И слова их одалискам чужды...<br />
Ты в ленивой дрёме расцветала,<br />
Как и вся кругом тебя природа,<br />
И не знаешь — даже не слыхала,<br />
Что у песни есть сестра — свобода.»<br />
</poem><br />
|Translated text=<br />
}}<br />
<br />
5. [[Lev Mey]] from his poem ''Octaves'' (Октавы) (1844):<br />
{{libtext<br />
|Original text=<br />
<poem><br />
Я с нею никогда не говорил,<br />
Но я искал повсюду с нею встречи,<br />
Бледнея и дрожа, за ней следил.<br />
Её движенья, взгляд, улыбку, речи<br />
Я жадно, я внимательно ловил,<br />
А после, я убегал от всех далече,<br />
Её в мечтах себе я представлял,<br />
Грустил, вздыхал, томился, и ревновал!<br />
<br />
Не рассказать—что делалось со мною.<br />
Не описать волшебной красоты...<br />
Волшебной красоты не описать!<br />
С весенним солнцем, с розовой зарёю,<br />
С слезой небес, упавшей на цветы,<br />
С лучем луны, с вечернею звездою<br />
В моих мечтах слились её черты...<br />
В моих мечтах слились её черты...<br />
Я помню только светлое виденье, светлое виденье,<br />
Мой идеал, отраду и мученье,<br />
Мой идеал, отраду и мученье!<br />
</poem><br />
|Translated text=<br />
}}<br />
<br />
6. [[Lev Mey]], from his poem ''Song'' (Песня) (1860):<br />
{{libtext<br />
|Original text=<br />
<poem><br />
Как наладили: «Дурак,<br />
Брось ходить в царев кабак!»<br />
Так и ладят всё одно:<br />
«Пей ты воду, не вино;<br />
Вот хоть печке поклонись,<br />
Хоть у быстрой поучись.»<br />
<br />
Уж я к реченьке пойду,<br />
С речкой речи поведу:<br />
«Говорят мне: ты умна, <br />
Поклонюсь тебе до дна,<br />
Научи ты, как мне быть,<br />
Пьянством люда не срамить?<br />
Пьянством люда не срамить?<br />
<br />
Как в тебя, мою реку,<br />
Утопить змею-тоску?<br />
А научишь — век тогда,<br />
Исполать тебе, вода,<br />
Что отбила дурака<br />
От Царева кабака!»<br />
</poem><br />
<br />
|Translated text=<br />
}}<br />
<br />
In ''Mignon's Song'' (No. 3) and ''I Never Spoke to Her'' (No. 5), Tchaikovsky made minor alterations to the texts.<br />
<br />
==Composition==<br />
The first reference to the projected romances occurs in Tchaikovsky's letter to [[Vasily Bessel]] of 9/21 November 1874: "I shall certainly write the romances, but do not rush me. I am again beginning to think about a new large-scale composition which, since I finished the piano score of the opera, has taken over all my thoughts. The romances will be written, assuredly, during the winter." <ref name="note1"/>. The "large work" mentioned was the [[Piano Concerto No. 1]], and the opera—''[[Vakula the Smith]]''<br />
<br />
According to the dates on the manuscripts of the concerto, the draft was completed on 21 December 1874/2 January 1875, and the instrumentation on 9/21 February. In a letter to [[Modest Tchaikovsky]] of 13/25 February 1875, the composer reported that he had finished the [[Piano Concerto No. 1|piano concerto]] and was writing the ''[[Sérénade mélancolique]]'', Op. 26 <ref name="note2"/>.<br />
<br />
On 22 March/3 April 1875, Tchaikovsky wrote to [[Vasily Bessel]]: "I have sent you the romances, together with the proofs. What should I put as the opus number? Shouldn't it be 25?". In this same letter, Tchaikovsky enclosed his receipt for the 150 rubles he had been paid for the opus 25 set by [[Bessel]] <ref name="note3"/>.<br />
<br />
==Publication==<br />
They were published for the first time by [[Vasily Bessel]] in April 1875 <ref name="note4"/>. In 1940 they were included in volume 44 of Tchaikovsky's ''[[Complete Collected Works]]'', edited by Ivan Shishov and Nikolay Shemanin.<br />
<br />
==Autographs==<br />
Tchaikovsky's manuscript scores of all six romances are now preserved in the {{RUS-Mcm}} in [[Moscow]] {{TOW2|shest-romansov-2017-08-17-2017-08-17-4|(ф. 88, No. 133)}}.<br />
<br />
==Recordings==<br />
{{reclink}}<br />
<br />
==Dedication==<br />
For the most part the romances are dedicated to performers from the first production of the opera ''[[The Oprichnik]]'' in 1874. <br />
# Aleksandra Krutikova (1851-1919), soprano, who performed the role of Morozova in the opera.<br />
# Dmitry Orlov (1842-1919), tenor, who premiered the role of Andrey.<br />
# Mariya Kamenskaya (1854-1925), mezzo-soprano.<br />
# Wilhelmina Raab (1848-1917), soprano, who portrayed Natalya in ''[[The Oprichnik]]''<br />
# [[Ivan Melnikov]] (1832-1906), baritone, who premiered Viazminsky in the opera. <br />
The manuscript score shows that Tchaikovsky originally considered dedicating Nos. 2 and 3 to Wilhelmina Raab, and No. 4 to Mariya Kamenskaya.<br />
<br />
The romance ''As They Chanted: Fool'' (No. 6) carries no dedication.<br />
<br />
==External Links==<br />
* {{imslpscore|6_Romances,_Op.25_(Tchaikovsky,_Pyotr)|6 Romances, Op. 25}}<br />
<br />
==Notes and References==<br />
<references><br />
<ref name="note1">[[Letter 369]] to [[Vasily Bessel]], 9/21 November 1874.</ref> <br />
<ref name="note2">[[Letter 391]] to [[Modest Tchaikovsky]], 13/25 February 1875.</ref> <br />
<ref name="note3">[[Letter 396]] to [[Vasily Bessel]], 22 March/3 April 1875.</ref> <br />
<ref name="note4">Passed by the censor on 29 March/10 April 1875. The journal {{und|Музыкальный листок}} [Musical leaves] of 20 April 1875 {{OS}} contains an advertisement for the "forthcoming" romances, which appeared on sale in the following week's issue.</ref> <br />
</references><br />
[[Category:Songs|Romances, Op. 25]]</div>
Brett