Letter 491 and Bibliography (2022): Difference between pages
Tchaikovsky Research
(Difference between pages)
m (1 revision imported) |
No edit summary |
||
| Line 1: | Line 1: | ||
{{ | {{bibhead|2022}} | ||
| | {| class="wikitable sortable" width="99%" | ||
| | ! width=35%|Contributor | ||
| | ! width=55%|Title | ||
| | ! width=10%|Format | ||
| | ! width=10%|Language | ||
| | |- | ||
}} | | Aynbinder, Ada Grigoryevna, 1983- (author) | ||
| {{bib|2022/16|Tchaikovsky's Operas as a Textual-critical and Editorial Problem in the Context of the New Academic Edition}} | |||
| Article | |||
| | | English | ||
| | |- | ||
| | | Belge, Boris, 1985- (author) | ||
| {{bib|2022/13|„Wer wagt es, Čajkovskij zu berichtigen?“. Pique Dame, Alfred Schnittke und die Auseinandersetzung um Čajkovskijs Erbe in der Sowjetunion}} | |||
| Article | |||
| German | |||
|- | |||
| Braun, Lucinde, 1967- (author) | |||
| {{bib|2022/12|Belcanto und klassische Einfachheit. Zur Bedeutung der solita forma in Čajkovskijs Pikovaja dama}} | |||
| Article | |||
{{ | | German | ||
-- | |- | ||
{{ | | Braun, Lucinde, 1967- (editor)<br/>Flamm, Christoph, 1968- (editor)<br/>Keym, Stefan, 1971- (editor)<br/>Bullock, Philip Ross (editor) | ||
| {{bib|2022/4|Čajkovskij-Analysen. Neue Strategien, Methoden und Perspektiven}} | |||
| Book | |||
| | | German | ||
|- | |||
{{ | | Bullock, Philip Ross (author) | ||
| {{bib|2022/11|The Name-Day Scene in Tchaikovsky's Evgenij Onegin. Symphonic Dramaturgy on the Operatic Stage}} | |||
| Article | |||
| English | |||
|- | |||
| Büttemeyer, Wilhelm, 1940- (author) | |||
| {{bib|2022/18|Klangfarbe und Klangkombination in Čajkovskijs Balletten}} | |||
| Article | |||
| German | |||
|- | |||
| Flamm, Christoph, 1968- (author) | |||
| {{bib|2022/7|Enigma und Evidenz. Zur Deutung von Čajkovskijs Fünfter Symphonie}} | |||
| Article | |||
| German | |||
|- | |||
| Geiger, Friedrich, 1966- (author) | |||
| {{bib|2022/14|Tristan und Iolanta. Zu Čajkovskijs Wagner-Rezeption}} | |||
| Article | |||
| German | |||
|- | |||
| Grote, Adalbert (author) | |||
| {{bib|2022/9|Musikdramatische Aspekte von Čajkovskijs Francesca da Rimini}} | |||
| Article | |||
| German | |||
|- | |||
| Helmers, Rutger, 1980- (author) | |||
| {{bib|2022/22|Mixed Messages. Nation and Empire in Tchaikovsky’s 'Ukrainian' Works}} | |||
| Article | |||
| English | |||
|- | |||
| Keym, Stefan, 1971- (author) | |||
| {{bib|2022/5|Tempodramaturgien in Čajkovskijs Ouvertüren und Symphonien. Von Groza bis Manfred und Pathétique}} | |||
| Article | |||
| German | |||
|- | |||
| Komarov, Aleksandr Viktorovich, 1977- (author)<br>Kreitschik, Esther (translator) | |||
| {{bib|2022/19|„Könnte später nützlich sein“. Čajkovskijs Kompositionen und Instrumentierungen aus der Studienzeit}} | |||
| Article | |||
| German | |||
|- | |||
| Kreitschik, Esther (author) | |||
| {{bib|2022/20|Zwischen Gelegenheitskomposition und Hauptwerk. Čajkovskijs Erstes Streichquartett}} | |||
| Article | |||
| German | |||
|- | |||
| Langston, Brett (author) | |||
| {{bib|2022/2|An 'Accidental' Premiere? New Information on an Early Performance of Tchaikovsky's Violin Concerto}} | |||
| Article | |||
| English | |||
|- | |||
| Leinweber, Fynn (author) | |||
| {{bib|2022/1|Čajkovskij und der Kontrabass in Russland }} | |||
| Article | |||
| German | |||
|- | |||
| Linke, Ulrich, 1968- (author) | |||
| {{bib|2022/23|Beredtes Schweigen in mondhellen Nächten und trüben Tagen. Eine homotextuelle Lesart von Čajkovskijs Sechs Romanen op. 73}} | |||
| Article | |||
| English | |||
|- | |||
| Loesch, Heinz von, 1959- (author) | |||
| {{bib|2022/8|Werktreue und klassizistisches Aufführungsideal. Zur Interpretationsästhetik Čajkovskijs}} | |||
| Article | |||
| German | |||
|- | |||
| Makarova, Antonina Leonidovna (author)<br>Makarov, Dmitry I. (translator) | |||
| {{bib|2022/15|Tchaikovsky's Iolanta as 'Mysterium'. A Hermeneutical Analysis}} | |||
| Article | |||
| English | |||
|- | |||
| Moretti, Marina (editor) | |||
| {{bib|2022/3|Pёtr Il’ič Čajkovskij. Lettere da Sanremo (1877-1878)}} | |||
| Book | |||
| Italian | |||
|- | |||
| Petersen, Peter, 1940- (author) | |||
| {{bib|2022/21|Heterometrie bei Čajkovskij. Rhythmusanalyse nach der Komponententheorie}} | |||
| Article | |||
| German | |||
|- | |||
| Petrov, Daniil Rustamovich, 1973- (author) | |||
| {{bib|2022/6|Der Aufbau des symphonischen Zyklus bei Čajkovskij}} | |||
| Article | |||
| German | |||
|- | |||
| Raku, Marina Grigoryevna, 1958- (author)<br>Braun, Lucinde, 1967- (translator) | |||
| {{bib|2022/10|Čajkovskij im Dialog mit Meyerbeer}} | |||
| Article | |||
| German | |||
|- | |||
| Redepenning, Dorothea, 1954- (author) | |||
| {{bib|2022/24|Verschlüsseltes Totengedenken in Instrumentalwerken Čajkovskij}} | |||
| Article | |||
| German | |||
|- | |||
| Rothkamm, Jörg, 1973- (author) | |||
| {{bib|2022/17|Die Pas-Musik im Ballett als Pendant zur solita forma in der Oper? Čajkovskijs Beitrag zur Vereinheitlichung einer Gattung}} | |||
| Article | |||
| German | |||
|} | |||
Revision as of 18:26, 19 November 2022
The following is a list of 25 notable books, articles and academic papers about Tchaikovsky which were published in the year 2022. Click on a title to display more information.
