Imitation Russian Song: Difference between revisions
Tchaikovsky Research
m (1 revision imported) |
m (Text correction - "shares" to "share") |
||
| Line 1: | Line 1: | ||
Nothing is known about these musical sketches ([[TH]] 222) <ref name="note1"/> which appear in Tchaikovsky's Notebook for 1884–85 <ref name="note2"/>, under the heading '''''Imitation Russian song''''' (Подделка под р[усскую] песнь). The themes — in C major (4 bars), in G major (5 bars) and D major (4 bars) — cannot be identified with any known Russian folksongs, although they | Nothing is known about these musical sketches ([[TH]] 222) <ref name="note1"/> which appear in Tchaikovsky's Notebook for 1884–85 <ref name="note2"/>, under the heading '''''Imitation Russian song''''' (Подделка под р[усскую] песнь). The themes — in C major (4 bars), in G major (5 bars) and D major (4 bars) — cannot be identified with any known Russian folksongs, although they share many characteristics of the genre <ref name="note3"/>. | ||
==Notes and References== | ==Notes and References== | ||
Latest revision as of 22:00, 4 March 2023
Nothing is known about these musical sketches (TH 222) [1] which appear in Tchaikovsky's Notebook for 1884–85 [2], under the heading Imitation Russian song (Подделка под р[усскую] песнь). The themes — in C major (4 bars), in G major (5 bars) and D major (4 bars) — cannot be identified with any known Russian folksongs, although they share many characteristics of the genre [3].
