Letter 2491a
Date | 19/31 May 1884 |
---|---|
Addressed to | Herman Laroche |
Where written | Kamenka |
Language | Russian/English |
Autograph Location | Basel (Switzerland): Private collection |
Publication | Tschaikowsky-Gesellschaft Mitteilungen, Heft 7 (2000), p. 32–33 (including German translation, p. 33–34) |
Notes | Copy in Basel (Switzerland): Paul Sacher Stiftung, Bibliothek |
Text and Translation
Russian/English text (original) |
English translation By Brett Langston |
Адрес: Фастовская железная дорога Станция Каменка. Каменка 19 мая 1884 Ларош, мой милый!
Я соскучился по Вас. Чтобы Вам, изнемогающему от праздности, написать мне и рассказать, что делаете. Написана ли статья? Аккуратны ли были в посещении классов? Каковы отношения к [...]? Будете ли у них гостить? Заплачено ли повару? Что делают красные пятна на теле? Как поживает Катерина Ивановна? Здорова ли Надя? Да я бы ещё 3 страницы вопросов мог бы написать, на что желал бы получить ответ. Что касается на Ваш вопрос, что я делаю, — то отвечу одним словом: творю, творю и творю, а именно 3-ю сюиту. Лень стараюсь, да и приходится поневоле сражаться, ибо прежней лёгкости уже нет. Нива, на кой проросли целые леса звуков, ныне истощилась и приходится удобрять её всячески для того, чтобы что-нибудь вышло. My progress in reading Englisch are very great, but not in speaking, and in unterstanding (when the english governess or my nephews are speaking) — very little. I think I will never speak, I am to old, — but what a happiness when I will be able to read Dikkens in English! Perhaps in that summer I will try to begin it, whith your help, because I hope Iou schall live at my brother Anatol. От времени до времени играю Моцарта. Знаете ли Вы жигу Ну можно ли что-нибудь более божественно чудного сочинить? Вы скажете что у Баха и получше найдутся. Тысячу раз нет. У Баха все что отлично, но скучно и несогрето той таинственной чарой гениальности, которой была в огромной степени в Моцарте и блистала полнейшим отсутствием в Бахе! Да здравствует музыка Моцарта for ever!!! Целую Вас. Кланяйтесь Кат[ерине] И[вановне]. Ваш П. Чайков[ский] |
Address: Fastov railway line Kamenka station. Kamenka 19 May 1884 Laroche, my dear fellow!
I am missing you. Therefore you, exhausted from idleness, will write to me and tell me what you are doing. Have you written the article. Have you been attending classes punctiliously? How are your relations with the [...] [1]. Will you be staying with them? Has the cook been paid? What caused your rash? How is Katerina Ivanovna? Is Nadya well? Indeed, i could write 3 more pages of questions to which I should like to receive an answer. As for your question of what I am doing, then I'll answer in one word: creating, creating and creating — namely the 3rd suite. I'm battling against idleness, which is necessary because things no longer come easily. The field in which whole crops of sounds formerly sprouted is now barren, and has to be fertilized in every way in order for anything to emerge. My progress in reading English is very great, but not in speaking and I understand very little (when the English governess or my nephews are speaking). I think I will never speak it, I am too old — but how happy I will be when I am able to read Dickens in English! Perhaps in the summer I will try to begin it, with your help, because I hope you will be staying with my brother Anatoly. From time to time I play Mozart. Do you know the gigue?[2] Is it indeed possible to compose anything more wonderfully divine? You may say that better ones may be found in Bach. A thousand times no. Though everything by Bach is splendid, it is still dull and unwarmed by that mysterious spell of genius, which Mozart had to an enormous extent, and which was conspicuous by its complete absence in Bach! Long live Mozart's music for ever!!! I kiss you. Bow to Katerina Ivanovna. Yours P. Tchaikovsky |
Notes and References
- ↑ This surname is indecipherable.
- ↑ Eine kleine Gigue in G major, for keyboard (KV 574). In 1887 Tchaikovsky arranged this for orchestra as the first movement of his Suite No. 4 in G major, Op. 61 ("Mozartiana").