Bibliography (2011/36): Difference between revisions
Tchaikovsky Research
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<includeonly>A Ukrainian tune in Medieval France. Perceptions of nationalism and local color in Russian opera</includeonly><noinclude> | <includeonly>A Ukrainian tune in Medieval France. Perceptions of nationalism and local color in Russian opera</includeonly><noinclude> | ||
{{bibitem |id=2011/36 | {{bibitem |id=2011/36 | ||
|Contributors=Frolova-Walker, Marina, 1966- (author) | |Contributors=Frolova-Walker, Marina, 1966- (author) | ||
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|Format=Article | |Format=Article | ||
|Language=English | |Language=English | ||
|Notes=Includes analysis of Tchaikovsky's | |Notes=Includes analysis of Tchaikovsky's [[Yevgeny Onegin]] and [[The Queen of Spades]] | ||
|Related= | |Related= | ||
|Translations= | |Translations= | ||
Latest revision as of 14:46, 17 November 2023
| Contributors | Frolova-Walker, Marina, 1966- (author) |
|---|---|
| Title | A Ukrainian tune in Medieval France. Perceptions of nationalism and local color in Russian opera |
| In | 19th Century Music [Berkeley, California] |
| Part | Volume 35, Issue 2 |
| Published | 2011 |
| Extent | p. 115-131 ; music |
| Standard No. | ISSN 0148-2076 |
| Format | Article |
| Language | English |
| Notes | Includes analysis of Tchaikovsky's Yevgeny Onegin and The Queen of Spades |
