Funeral March on Motifs from the Opera 'The Oprichnik': Difference between revisions
m (1 revision imported) |
mNo edit summary |
||
Line 1: | Line 1: | ||
Tchaikovsky's '''''Funeral March''''' (Похоронный марш), on motifs from his opera ''[[The Oprichnik]]'' ([[TH]] 137 ; [[ČW]] 432), was written for piano duet in 1877, at the request of [[Nadezhda von Meck]]. | Tchaikovsky's '''''Funeral March''''' (Похоронный марш), on motifs from his opera ''[[The Oprichnik]]'' ([[TH]] 137 ; [[ČW]] 432), was written for piano duet in 1877, at the request of [[Nadezhda von Meck]]. | ||
On 7/19 March 1877 [Nadezhda von Meck]] wrote to Tchaikovsky: "Now I put it to you that from your opera, in which I rejoice, I would like to have a March, and if you find it possible to do this, I humbly request that it should be for four hands" <ref name="note1"/>. | On 7/19 March 1877, [Nadezhda von Meck]] wrote to Tchaikovsky: "Now I put it to you that from your opera, in which I rejoice, I would like to have a March, and if you find it possible to do this, I humbly request that it should be for four hands" <ref name="note1"/>. | ||
Nine days later, on 16/28 March, Tchaikovsky sent her the manuscript score, with an accompanying letter: "I do not know if you will be satisfied with the March, and if I managed to come up with the themes you imagined. If not, do not be afraid to tell me so honestly. Sometime, perhaps, I will write you something more suitable" <ref name="note2"/>. | Nine days later, on 16/28 March, Tchaikovsky sent her the manuscript score, with an accompanying letter: "I do not know if you will be satisfied with the March, and if I managed to come up with the themes you imagined. If not, do not be afraid to tell me so honestly. Sometime, perhaps, I will write you something more suitable" <ref name="note2"/>. |
Revision as of 14:09, 21 January 2023
Tchaikovsky's Funeral March (Похоронный марш), on motifs from his opera The Oprichnik (TH 137 ; ČW 432), was written for piano duet in 1877, at the request of Nadezhda von Meck.
On 7/19 March 1877, [Nadezhda von Meck]] wrote to Tchaikovsky: "Now I put it to you that from your opera, in which I rejoice, I would like to have a March, and if you find it possible to do this, I humbly request that it should be for four hands" [1].
Nine days later, on 16/28 March, Tchaikovsky sent her the manuscript score, with an accompanying letter: "I do not know if you will be satisfied with the March, and if I managed to come up with the themes you imagined. If not, do not be afraid to tell me so honestly. Sometime, perhaps, I will write you something more suitable" [2].
The piece was never published, and its present whereabouts remain unknown.
Notes and References
- ↑ Letter from Nadezhda von Meck to Tchaikovsky, 7/19 March 1877 — Klin House-Museum Archive.
- ↑ Letter 545 to Nadezhda von Meck, 16/28 March 1877.