Letter 3468

Tchaikovsky Research
Date 10/22 January 1888
Addressed to Modest Tchaikovsky
Where written Hamburg
Language Russian
Autograph Location Klin (Russia): Tchaikovsky State Memorial Musical Museum-Reserve (a3, No. 1873)
Publication Жизнь Петра Ильича Чайковского, том 3 (1902), p. 207–208 (abridged)
П. И. Чайковский. Письма к близким. Избранное (1955), p. 388
П. И. Чайковский. Полное собрание сочинений, том XIV (1974), p. 331–332
Piotr Ilyich Tchaikovsky. Letters to his family. An autobiography (1981), p. 387 (English translation)

Text and Translation

Russian text
(original)
English translation
By Brett Langston
22/10
Гамбург

Концерт был 3-го дня, а я сегодня только нахожу минуту для написания письма. Все прошло вполне благополучно. При выходе оркестр встретил меня восторженно; публика поддержала (чего не было в Лейпциге). Дирижировал я покойно и уверенно, но в конце до того устал, что думал — не выдержу. Аплодировали очень усердно. Сапельников играл превосходно и имел большой успех. После концерта был большой раут у Бернута. Было человек 100 народу во фраках и бальных туалетах. После большой речи Бернута я сказал заранее приготовленную немецкую речь, которая произвела фурор. После того меня повели кутить. Вчера был день ужасный, — я не в силах рассказать, до чего меня раздирали на части и до чего я был утомлён. Вечером было торжество в мою честь в Tonkünstlerverein. Игрались исключительно мои вещи. Пресса отнеслась очень благосклонно. Посылаю тебе две статьи, пусть кто-нибудь тебе переведёт их.

После вечера был отчаянный кутёж с массой очень милых и особенно благосклонных ко мне музыкантов, критиков, любителей.

Я как в тумане. Сегодня еду в Берлин.

Бюлов очень любезен.

Целую, обнимаю

22/10
Hamburg

The concert was 3 days ago [1], but I've only today found a moment for writing letters. Everything went quite agreeably. On entering, the orchestra greeted me enthusiastically; the audience were supportive (which they hadn't been in Leipzig). I conducted calmly and confidently, but by the end I was so tired that I didn't think I could keep it up. The applause was very punctilious. Sapelnikov played superbly and had great success. After the concert there was a grand reception with Bernuth [2]. There were 100 people in frock coats and ballgowns. After a long speech by Bernuth I gave a pre-prepared address in German, which caused a furore. After this I was taken carousing. Yesterday was an awful day — I don't have the strength to relate how I was torn to pieces and how tired I was. In the evening there was a gala in my honour at the Tonkünstlerverein [3]. Only my things were played. The press have treated me very favourably. I'm sending you two articles, let someone translate them for you [4].

After the evening there was a frightful drinking binge with masses of musicians, critics and admirers who were very kind and particularly well-disposed towards me.

I'm in a daze. Today I'm off to Berlin.

Bülow was very obliging.

Kisses, hugs.

Notes and References

  1. At the sixth Philharmonic Society concert in Hamburg on 8/20 January 1888, Tchaikovsky had conducted his Serenade for String Orchestra, Op. 48; the final movement from the Suite No. 3, Op. 55; and his Piano Concerto No. 1, Op. 23 (soloist: Vasily Sapelnikov).
  2. Julius von Bernuth (1830-1902), artistic director of the Hamburg Philharmonic Society.
  3. The musical society in Hamburg, founded in 1855.
  4. Several German newspapers carried reviews of the concert, although it is not possible to establish which of these Tchaikovsky sent to Modest.