Nikolay Rimsky-Korsakov

Tchaikovsky Research
Jump to: navigation, search
Nikolay Rimsky-Korsakov (1844-1908)

Russian composer, teacher, conductor and music critic (b. 6/18 March 1844 in Tikhvin; d. 8/21 June 1908 in Liubensk, near Luga), born Nikolay Andreyevich Rimsky-Korsakov (Николай Андреевич Римский-Корсаков).

Tchaikovsky and Rimsky-Korsakov

After studying at the Imperial Naval College in Saint Petersburg, Rimsky-Korsakov enrolled in the Russian Navy in 1862, but his musical interests began to develop the previous year, after a meeting with Mily Balakirev. Through Balakirev he met the other nationalist composers who became "The Mighty Handful" (Могучая Кучка) or "The Five", and also became friendly with Tchaikovsky.

In 1871 he became professor of orchestration and composition at the Saint Petersburg Conservatory, and the next year he married Nadezhda Purgold (1848–1919), who was also a pianist and composer. Together they had seven children: Mikhail (1873–1951), Sofia (1875–1943), Andrey (1878–1940), Vladimir (1882–1970), Nadezhda (1884–1971), Mariya (1888–1893), and Svyatoslav (1889–1890).

Rimsky-Korsakov's reputation continued to grow, and over the next few years he became Inspector of the Navy Chorus (1873–1884), director and conductor of the Free Music School (1874–1881), assistant director of the Imperial Chapel Choir (1883–1894), and conductor of the Russian Symphonic Concerts in Saint Petersburg (1886–1890). In addition to numerous compositions, he was also the author of A Practical Manual of Harmony (Практический учебник гармонии), and memoirs A Chronicle of My Musical Life (Летопись моей музыкальной жизни), and various music review articles.

Of Rimsky-Korsakov's orchestral works Tchaikovsky was particularly taken by the Capriccio Espagnol, and after hearing it for the first time in 1887 he rushed off to buy a laurel wreath and presented it to the composer, to whom he later wrote: "Your Spanish Capriccio is a colossal masterpiece of instrumentation, and you can confidently consider yourself the greatest of all contemporary masters" [1]. Tchaikovsky also admired the operas May Night (1879) and The Snow Maiden (1881).

Following his support for student protestors in 1905, Rimsky-Korsakov was removed from his position at the Saint Petersburg Conservatory, only to be reinstated after protests from staff and students. He died of heart failure on 8/21 June 1908 at Lyubensk, aged 64.

In 1870 Rimsky-Korsakov dedicated his song Where Thou Art, My Thought Flies to Thee (No. 1 of the Six Songs, Op. 8) to Tchaikovsky, who returned the compliment with his song Wait — No. 2 of the Six Romances, Op. 16.

After his successful concert tour to Odessa in January 1893 Tchaikovsky urged the city's branch of the Russian Musical Society to invite Rimsky-Korsakov there for the 1893/94 season [2]. On 5/17 February 1894 Rimsky-Korsakov conducted a concert in Odessa in memory of Tchaikovsky, which featured the Symphony No. 3, the Piano Concerto No. 1, and the overture-fantasia Romeo and Juliet. Like the late Tchaikovsky, he also gave a concert to raise funds for the orchestra musicians of the Odessa opera-house at which he conducted the Suite from The Nutcracker ballet.

Tchaikovsky's Works Dedicated to Rimsky-Korsakov

Correspondence with Tchaikovsky

18 letters from Tchaikovsky to Nikolay Rimsky-Korsakov have survived, dating from 1873 to 1891, all of which are available in English translations on this website:

18 letters from Rimsky-Korsakov to Tchaikovsky have survived, dating from 1868 to 1891, of which 15 are preserved in the Klin House-Museum Archive, and 3 are in the Russian State Archive of Literature and Art in Moscow.

Bibliography

External Links

Notes and References

  1. Letter 3393 to Nikolay Rimsky-Korsakov, 30 October/11 November 1887. See also the memoirs of Alina Bryullova in: Воспоминания о П. И. Чайковском (1980), p. 116; as well as the memoirs of Nikolay Kashkin, as quoted in David Brown, Tchaikovsky remembered (1993), p. 195–196: "He was for a very long while inseparable from the score of Rimsky-Korsakov's Spanish Capriccio, in which the novelty and brilliance of the orchestral effects captivated him".
  2. See Letter 4936 to Lev Kupernik, 17/29 May 1893.