Elegy: Difference between revisions

Tchaikovsky Research
No edit summary
Line 10: Line 10:
Towards the end of 1884, the [[Moscow]] Society of Artists decided to mark [[Ivan Samarin]]'s fifty years as a performing artist. On 12/24 October, [[Nikolay Kashkin]] informed Tchaikovsky that: "You have probably received or will shortly receive a letter from [[Ostrovsky]] with a request to participate in [[Ivan Samarin|I. V. Samarin]]'s jubilee". He wrote, "The jubilee will include something specially written by [Nikolay] Vildye, his former colleague [[Ostrovsky]], and a number of tableaux enacted by Makovsky, [[Pryanishnikov]], and others—a balletic ''divertissement'', and the final act from [[Ostrovsky]]'s ''The Forest''. The organizers of the jubilee want you to write some sort of musical entr'acte" <ref name="note2"/>.
Towards the end of 1884, the [[Moscow]] Society of Artists decided to mark [[Ivan Samarin]]'s fifty years as a performing artist. On 12/24 October, [[Nikolay Kashkin]] informed Tchaikovsky that: "You have probably received or will shortly receive a letter from [[Ostrovsky]] with a request to participate in [[Ivan Samarin|I. V. Samarin]]'s jubilee". He wrote, "The jubilee will include something specially written by [Nikolay] Vildye, his former colleague [[Ostrovsky]], and a number of tableaux enacted by Makovsky, [[Pryanishnikov]], and others—a balletic ''divertissement'', and the final act from [[Ostrovsky]]'s ''The Forest''. The organizers of the jubilee want you to write some sort of musical entr'acte" <ref name="note2"/>.


While in [[Saint Petersburg]], Tchaikovsky duly received the letter referred to from [[Aleksandr Ostrovsky]] <ref name="note3"/>. Replying on 18/30 October 1884, Tchaikovsky told [[Ostrovsky]] that he was deeply moved to learn of the celebrations to honour [[Ivan Samarin]] and "could not feel more strongly about taking part in them, and I hereby accept your commission". However, at this time he was wholly preoccupied with the production of the opera ''[[Yevgeny Onegin]]'' in [[Saint Petersburg]] <ref name="note4"/>. Nevertheless, he promised to do something as soon as he returned to [[Moscow]], and provided the jubilee was no earlier than 20 November/2 December, he hoped to manage to complete the entr'acte on time.
While in [[Saint Petersburg]], Tchaikovsky duly received the letter referred to from [[Aleksandr Ostrovsky]] <ref name="note3"/>. Replying on 18/30 October 1884, Tchaikovsky told [[Ostrovsky]] that: "With all my heart I welcome the celebration in honour of [[I. V. Samarin]], and my wish to take part in it to the best of my abilities is all the stronger, given that this request is being addressed to me by you, and I consider it impossible to refuse you anything" <ref name="note4"/>. However, at this time he was wholly preoccupied with the production of the opera ''[[Yevgeny Onegin]]'' in [[Saint Petersburg]]. Nevertheless, he promised to do something as soon as he returned to [[Moscow]], and provided the jubilee was no earlier than 20 November/2 December, he hoped to manage to complete the entr'acte on time.


On 1/13 November, Tchaikovsky left [[Saint Petersburg]] for [[Davos]], where his friend [[Iosif Kotek]] was gravely ill <ref name="note5"/>. On the way he stopped off in [[Berlin]] for four days. Here, on 6/18 November, the piece was completed (according to the date on the manuscript). On 7/19 November 1884, he wrote from [[Munich]] to [[Modest Tchaikovsky]]: "I stayed so long in [[Berlin]], because I needed to be able to compose quickly ...an entr'acte for the [[Samarin]] production. The latter has been done and dispatched" <ref name="note6"/>. Initially, according to the title page of the manuscript, the piece was entitled ''A Grateful Greeting''.
On 1/13 November, Tchaikovsky left [[Saint Petersburg]] for [[Davos]], where his friend [[Iosif Kotek]] was gravely ill <ref name="note5"/>. On the way he stopped off in [[Berlin]] for four days. Here, on 6/18 November, the piece was completed (according to the date on the manuscript). On 7/19 November 1884, he wrote from [[Munich]] to [[Modest Tchaikovsky]]: "I stayed so long in [[Berlin]], because I needed to be able to compose quickly ...an entr'acte for the [[Samarin]] production. The latter has been done and dispatched" <ref name="note6"/>. Initially, according to the title page of the manuscript, the piece was entitled ''A Grateful Greeting''.
Line 22: Line 22:


==Publication==
==Publication==
On 7/19 November 1884, Tchaikovsky wrote to [[Pyotr Jurgenson]]: "From [[Berlin]] I sent ''[[Kashkin]]'' the entr'acte for ''[[Samarin]]'s'' benefit. For God's sake, don't print this rubbish: I won't give my consent for this" <ref name="note7"/>.  
On 7/19 November 1884, Tchaikovsky wrote to [[Pyotr Jurgenson]]: "From [[Berlin]], I sent ''[[Kashkin]]'' the entr'acte for ''[[Samarin]]''{{'}}s benefit. For God's sake don't even think about printing such rubbish: there's no way in the world I would agree to this" <ref name="note7"/>.  


However, in 1890, five years after [[Samarin]]'s death, [[Jurgenson]] persuaded Tchaikovsky that the piece was worthy of publication. On 15/27 November 1890 Tchaikovsky observed: "The [[Samarin]] piece needs a new title. Should it not be called ''Elegy''? This would seem more appropriate, and above it the dedication in memory of [[Ivan Samarin|I. V. Samarin]]" <ref name="note8"/>. The first edition of the ''Elegy'' was issued by [[Jurgenson]] the following month, although the original designation of ''A Grateful Greeting'' was retained as a sub-title..
However, in 1890, five years after [[Samarin]]'s death, [[Jurgenson]] persuaded Tchaikovsky that the piece was worthy of publication. On 15/27 November 1890, responding to his publisher's suggestion that a new title was required, Tchaikovsky wrote: "Call the [[Samarin]] piece whatever you want. Couldn't it be called ''Elegy''? That could be very appropriate; and at the top, the dedication ''in memory of [[Ivan Samarin|I. V. Samarin]]''" <ref name="note8"/>. The first edition of the ''Elegy'' was issued by [[Jurgenson]] the following month, although the original designation of ''A Grateful Greeting'' was retained as a sub-title.


In May 1891, the same publisher issued an arrangement of the ''Elegy'' for piano solo, made by Theodor Kirchner, and an arrangement for piano duet (4 hands) made by [[Eduard Langer]].
In May 1891, the same publisher issued an arrangement of the ''Elegy'' for piano solo, made by Theodor Kirchner, and an arrangement for piano duet (4 hands) made by [[Eduard Langer]].
Line 48: Line 48:
<references>
<references>
<ref name="note1">Entitled 'Thankgreeting' in [[ČW]].</ref>
<ref name="note1">Entitled 'Thankgreeting' in [[ČW]].</ref>
<ref name="note2">Letter from [[Nikolay Kashkin]] to Tchaikovsky, 12/24 October 1884 — [[Klin]] House-Museum Archive.</ref>  
<ref name="note2">Letter from [[Nikolay Kashkin]] to Tchaikovsky, 12/24 October 1884 — [[Klin]] House-Museum Archive (a<sup>4</sup>, 1425).</ref>  
<ref name="note3">The whereabouts of [[Ostrovsky]]'s letter are unknown.</ref>  
<ref name="note3">The whereabouts of [[Ostrovsky]]'s letter are unknown.</ref>  
<ref name="note4">[[Letter 2570]] to [[Aleksandr Ostrovsky]], 18/30 October 1884.</ref>  
<ref name="note4">[[Letter 2570]] to [[Aleksandr Ostrovsky]], 18/30 October 1884.</ref>  

Revision as of 23:02, 2 August 2023

Tchaikovsky's Elegy (Элегия) in G major, for string orchestra (TH 51 ; ČW 48), originally entitled A Grateful Greeting (Привет благодарности) [1], was written in November 1884 for the jubilee celebrations of the veteran actor Ivan Samarin.

Instrumentation

The Elegy is scored for a string orchestra consisting of violins I, violins II, violas, cellos, and double basses.

Duration

There is one movement: Andante non troppo (G major, 103 bars), lasting approximately 7 or 8 minutes in performance.

Composition

Towards the end of 1884, the Moscow Society of Artists decided to mark Ivan Samarin's fifty years as a performing artist. On 12/24 October, Nikolay Kashkin informed Tchaikovsky that: "You have probably received or will shortly receive a letter from Ostrovsky with a request to participate in I. V. Samarin's jubilee". He wrote, "The jubilee will include something specially written by [Nikolay] Vildye, his former colleague Ostrovsky, and a number of tableaux enacted by Makovsky, Pryanishnikov, and others—a balletic divertissement, and the final act from Ostrovsky's The Forest. The organizers of the jubilee want you to write some sort of musical entr'acte" [2].

While in Saint Petersburg, Tchaikovsky duly received the letter referred to from Aleksandr Ostrovsky [3]. Replying on 18/30 October 1884, Tchaikovsky told Ostrovsky that: "With all my heart I welcome the celebration in honour of I. V. Samarin, and my wish to take part in it to the best of my abilities is all the stronger, given that this request is being addressed to me by you, and I consider it impossible to refuse you anything" [4]. However, at this time he was wholly preoccupied with the production of the opera Yevgeny Onegin in Saint Petersburg. Nevertheless, he promised to do something as soon as he returned to Moscow, and provided the jubilee was no earlier than 20 November/2 December, he hoped to manage to complete the entr'acte on time.

On 1/13 November, Tchaikovsky left Saint Petersburg for Davos, where his friend Iosif Kotek was gravely ill [5]. On the way he stopped off in Berlin for four days. Here, on 6/18 November, the piece was completed (according to the date on the manuscript). On 7/19 November 1884, he wrote from Munich to Modest Tchaikovsky: "I stayed so long in Berlin, because I needed to be able to compose quickly ...an entr'acte for the Samarin production. The latter has been done and dispatched" [6]. Initially, according to the title page of the manuscript, the piece was entitled A Grateful Greeting.

Performances

The first performance of the Elegy was conducted by Ippolit Altani at Ivan Samarin's jubilee concert at the Bolshoi Theatre in Moscow on 16/28 December 1884, under its original title of A Grateful Greeting.

Other notable early performances included:

  • Brooklyn, Brighton Music Hall, 28 July 1891, Metropolitan Orchestra, conducted by Anton Seidl
  • Odessa, Slavonic Society free concert, 22 January 1893, conducted by Tchaikovsky.

Publication

On 7/19 November 1884, Tchaikovsky wrote to Pyotr Jurgenson: "From Berlin, I sent Kashkin the entr'acte for Samarin's benefit. For God's sake don't even think about printing such rubbish: there's no way in the world I would agree to this" [7].

However, in 1890, five years after Samarin's death, Jurgenson persuaded Tchaikovsky that the piece was worthy of publication. On 15/27 November 1890, responding to his publisher's suggestion that a new title was required, Tchaikovsky wrote: "Call the Samarin piece whatever you want. Couldn't it be called Elegy? That could be very appropriate; and at the top, the dedication in memory of I. V. Samarin" [8]. The first edition of the Elegy was issued by Jurgenson the following month, although the original designation of A Grateful Greeting was retained as a sub-title.

In May 1891, the same publisher issued an arrangement of the Elegy for piano solo, made by Theodor Kirchner, and an arrangement for piano duet (4 hands) made by Eduard Langer.

The Elegy was published in volume 26 of Tchaikovsky's Complete Collected Works (1961), edited by Irina Iordan.

Autographs

Tchaikovsky's manuscript score is now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 88) [view].

Recordings

See: Discography

Dedication

To the memory of the actor Ivan Samarin (1817–1885), actor, opera artiste, and teacher of dramatic arts at the Moscow Conservatory.

Related Works

The Elegy was also used as the Entr'acte (Act IV, No. 9) from the incidental music to Hamlet (1891).

External Links

Notes and References

  1. ↑ Entitled 'Thankgreeting' in ČW.
  2. ↑ Letter from Nikolay Kashkin to Tchaikovsky, 12/24 October 1884 — Klin House-Museum Archive (a4, 1425).
  3. ↑ The whereabouts of Ostrovsky's letter are unknown.
  4. ↑ Letter 2570 to Aleksandr Ostrovsky, 18/30 October 1884.
  5. ↑ See Letter 2584 to Modest Tchaikovsky, 3/15 November 1884.
  6. ↑ Letter 2586 to Modest Tchaikovsky, 7/19 November 1884.
  7. ↑ Letter 2587 to Pyotr Jurgenson, 7/19 November 1884.
  8. ↑ Letter 4256 to Pyotr Jurgenson, 15/27 November 1890.
Retrieved from ‘https://en.tchaikovsky-research.net/index.php?title=Elegy&oldid=60697’